Denpa Onna to Seishun Otoko – 01
「宇宙人の都会」 (Uchuujin no Tokai)
“City of Aliens”
I’m not gonna lie, I wanted to watch this because I like Buriki’s designs, and to that end it delivers. The only SHAFT show I’ve even liked was Madoka, and that didn’t even finish, but wow, this show is just entertaining as all hell.
I can’t get over the girl being wrapped in a futon a good 90% of the show. Is it weird that it’s cute she’s wrapped in a futon? Or is it because I know what she actually looks like? Or is it because imagining her face behind that futon and her subtle reactions towards things is really cute for some reason? And then she just starts talking and moving the futon up and down with a muffled kind of voice and there’s the kicking and squirming on the grou- Sudden Revelation: Futon girl is moe as fuck. Half the time I spent trying to figure out why the hell I think this girl is so cute with a futon wrapped around 60% of her body, and the more I question, the more dangerous it gets. Suddenly I realize her muffled voice is strangely similar to baby talk, and then my sanity is at stake. Goddamit Japan, stop trying to turn me into a pedophile.
Curiously enough, the show doesn’t entirely bank on futon moe or space moe or whatever the shit it tries to leverage my heart with, because my critique will not be stopped SHAFT, don’t you worry. No-ho-ho-ho. Although the amount of material simply coming from the futon situation has to be given props, like anything else from this show so far, props should be directed towards the original material, a most likely well written light novel. The eccentricity or oddity of the clashes between the crazy and sane is quite obviously the initial attraction of the show, and it has caught me hook, line, and sucker. I am an absolute sucker. Goddamit Japan, your humor doesn’t even make sense half the time…
I gotta hand it to SHAFT, the show is absolutely gorgeous at points, a throwback to Bakemonogatari in some scenes (whether that be good or bad). Despite directing most of the budget to making Touwa Erio (Oogame Asuka) looking as jailbait as possible, the consistency of character design throughout was impressive, and Niwa Makoto (Irino Miyu) is one suave looking dude that I wouldn’t mind Shinbou doing his usual extreme close ups on. The guy can string along a narrative almost as well as Kyon himself, his dialogue is witty and self-conscious (noticing the cliche premise, calling his life an anime), and the first thing he does is check out the number of cute girls in his class (brofist). He’s the three R’s: “realistic,” relatable, and really really awesome. He also blushes at 39 year olds, but when you’re 39 and you look like Touwa Meme (Nonaka Ai), consider yourself tested for immortality. I think I’ve made my point of the Touwa family, but neither can be taken seriously except that they’re hilariously crazy, and any actual development for them is almost nonexistant, just like the plot (so far)! Considering the author’s previous works, I’m not too worried about that.
So, to sum up this mess, we’ve got an excellent showcase of characters, a fantastic blend of crazy that works well between the characters, Shinbou holding back on his seizure inducing cuts, delicious character designs, futon moe, EPIC BACKGROUND MUSIC, and an amazing talent at avoiding the topic, but that’s the joke. In a half second of seriousness, the majority of the dialogue with Meme and Erio are literally nonsense, most of the charm of the show would be lost if I didn’t give a shit about moe, leaving pretty much the MC’s dialogue and the wacky situations for entertainment. Not much, yeah. Second episode should cure that problem for the haters, but if not, leave me to my denpa onna, and give me -50 on puberty points for blogging this show. Thank you and good night.
seriously this fucking show
also, make the kiraboshi joke and I will murder you