SSSS.Dynazenon – 09
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「重なる気持ちって、なに？」 (Kasanaru kimochi tte, nani?)
“What Are These Overlapping Emotions?”
With all due respect to Nomad, Super Dragon King Kaiser Gridknight vs. S.P. Godzilla is the matchup I really want to see.
Fumetsu no Anata e – 07
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「変わりたい少年」 (Kawaritai shounen)
“The Boy Who Wants to Change”
Fumetsu no Anata e has a strange and often wonderful way of looking at the world, and the less hard it tries to be ingratiating the more charming it is.
SSSS.Dynazenon – 08
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「揺れ動く気持ちって、なに？」 (Yureugoku kimochi tte, nani?)
“What Is This Wavering Emotion?”
If these two get any cuter I may need to drop SSSS.Dynazenon, because I’m not sure I could take it.
Fumetsu no Anata e – 06
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「私たちの目的」 (Watashitachi no mokuteki)
“Our Purpose”
Now that was more like it.
SSSS.Dynazenon – 07
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「集まった意味って、なに？」 (Atsumatta imi tte, nani?)
“What’s Our Reason for Coming Together?”
The formula of an original series in the hands of a really good writer is a hard one to top – everything seems to fit in a way that’s almost impossible to match in an adaptation.
Fumetsu no Anata e – 05
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「共にゆく人」 (Tomoni yuku hito)
“Those Who Follow”
The contrast between permanence and impermanence is very much at the heart of this story, and that’s a subject inherently laden with melancholy.
Yuukoku no Moriarty – 17
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「スコットランドヤード狂騒曲」 (Sukottorando Yaado Kyousou Kyoku)
“The Riot in New Scotland Yard”
Baby steps, I suppose.
SSSS.Dynazenon – 06
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「この切なさって、なに？」 (Kono setsuna-sa tte, nani?)
“What is This Sadness?”
With so many shows suffering from a sort of identity crisis that hinders their upside, SSSS.Dynazenon’s directness is especially refreshing.
Fumetsu no Anata e – 04
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「大きな器」 (Ookina utsuwa)
“Large Vessel”
World building involves a lot of heavy lifting, and that isn’t always the most gripping or elegant part of a story to watch play out.
Yuukoku no Moriarty – 16
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「ホワイトチャペルの亡霊 第二幕」 (Howaito Chaperu no Bōrei Dainimaku)
“The Phantom of Whitechapel Act 2”
Still pretty silly…