「もう、パートナーじゃない」 (Mō, Pātonā Janai)
“No Longer Partners”

I was expecting Kazuki to be playing the bad cop this episode, and she does start off doing so, but it turns out she didn’t really have much of a plan at all and her entire front crumbles rather quickly. So instead she just breaks out the alcohol, shouts YOLO, and loses herself to the liquor, with dire consequences. Not exactly the kind of mature perspective I was expecting. All that sobriety at the end of last episode was wasted. Plastic Memories stay serious? Not even in episode 10.

Playing these serious developments for laughs is not necessarily a bad thing, because one of the points that Plastic Memories likes making is that it’s more important to focus on the fun parts. Therefore, in general everything in Plastic Memories is rather positive. There are no real villains in this show (except for arguably the illegal retrievers some episodes ago); even the mafia are a fairly swell bunch (but, now we know that SAI sells robots to the mafia. Of course they would). Tsukasa’s colleagues are all warm and supportive (even if a bit creepily so). It wouldn’t do, I suppose, for the boss herself to be directly obstructive. Oppositional, but she must still end up as an enabler.

All that said, this episode does get serious when it needs to be. One of the strong points of Plastic Memories is that although it never likes dwelling on the serious for too long (a sentiment I can empathise with, being prone to such emotional cowardice myself), those serious bits still trudge steadily forward in their own way. Indeed, when have we ever seen Isla so upset? None but Kazuki could have been so confronting with her, and Isla really did need confronting. While last week was largely about Tsuakasa and his feelings, this week is about Isla’s and we needed Kazuki to bring down the heavy hand, stage an intervention, and draw them out of her. Turns out, Isla is suffering from some kind of burnout, having founded Terminal Services One’s customer service model years ago and investing too much emotionally into it. Perhaps it’s a warning against being too personal in these lines of work. All of your clients are dying. Getting overly attached is going to wear you out in the long run. I think the turn of phrase is ‘professional distance‘, because caring is tiring. Of course, Isla believes that it’s her duty to care because of the ultimately cruel task Terminal Services is in charge of, and masochistically threw herself into it. Perhaps, even before her retrieval date, Isla broken long ago.

The idea, then, is to do some healing in the time we have left, and so it’s now take two of the confession reply. The first time around we bombed basically because Isla was afraid of being happy, but some navel gazing should fix that. There. Having the girl throw herself into her boy’s arms is an old act by now, but is it not necessary? Plastic Memories has so far played itself out along the lines of a classic romance, and if these kind of classic romance flourishes are not employed there will be protests. They will be picketed. No, this feels good. And look how happy all of their friends are! Aw. I’m all for feelgood moments amidst all my existential drama.

Actually, what the blazes is the entire office doing while they’re still on the clock. This is why the higher ups don’t approve of Terminal Services One. Get back to work.

504 hours ~ looking ahead

In a plainer rom-com (or rom, or whatever. Genres are so unhelpful), an episode like this would basically the climax of the show, even the final episode. He confesses, she reciprocates, or vice versa. We’re done. Alternatively, this is the first episode and then they hit the heroine with a bus, to ruin someone’s life for 10 episodes. For drama, you see.

Instead, in Plastic Memories we’re 10 episodes in and the big moment has come, and is now gone. What now? I suppose the point of the show was always less about hugs and kisses and more about the inexorable passage of time. There’s even an hourglass! I really thought that when the sand ran out something dramatic was going to happen, but Constance was just brewing tea. Bah. Well, I guess it was just an overt piece of symbolism. Notice, when the sand runs out, an hourglass can simply be turned over. Oooh. I see what they did there.

Well, only two three episodes left, and Isla, like Plastic Memories itself, should make the most of it to try and make the last stretch memorable. I don’t really wish for there to be some 11th-hour twist, or Isla going Wanderer, or even anything particular exciting. In my ideal framework, Isla will just go quietly into that dark night. Quietly, but with dignity. I think that’s the kind of ending appropriate for a show like Plastic Memories.


  1. Umm… the series was confirmed to have 13 episodes, not 12. Just a heads up.

    Also, is it me or is this episode’s ending using a similar trick to that of Saikano? Something tells me that the serious drama is finally around the corner and I really can’t see how things will NOT go to hell for Isla and Tsukasa. Not the series I was hoping for, but at least I’ll stick through it until the end.

  2. Seems like, as you said, the usual rom-com approach with a twist – distance the couple because of something one of them needs to sort out, and then have them come together. The fact that this isn’t the end (I thought they’d drag out the being apart thing for the last few episodes, but the pacing here was wonderfully smooth) means that we’re going to have tragedy. I’m certain of it. This is the the inversion of the ‘High Tower Surprise’ – instead of things suddenly going chaotic, we have ‘surprise! this episode ends with confetti!’.

    I mean wow, confetti. Zack must have been prepared for a celebratory climax, which makes him strike me even more as the Shakespearian variety of comedian that lies beyond the boundaries of the story itself, unaffected by it but seeming to understand everything that’s going on – a good trait for a Giftia to have, no doubt.

    But the confetti here means that the series itself can’t end with such a happy bang. If Plastic Memories has been building up a catalogue of happy memories for Tsukasa and Isla to hold onto, as they held onto each other at the end of this episode, then this is the biggest and will likely feel like the ‘last’. Our final few episodes will surely deal with an arc that exposes a deeper side of Tsukasa’s character, as we’ve just got the full backstory on Isla’s caring approach to her job. How will Tsukasa’s past invade on their brief future together?

    Regardless, great impression of the episode. Helped me relive those happy feels. I especially liked how you saw even more symbolism in the hourglass than I did (does it suggest how Tsukasa might deal with the retrieval of Isla?). I’ll enjoy finishing this series, even if it’s comedic side was underwhelming and only remotely useful to the story as a whole.

    1. It doesn’t have to be full-on tragedy, I suppose. I’m anticipating bittersweet, myself, but it’s not like I have any more info than you. That said, Isla dying seems, at least, seems to be a given. It’d be thematically strange if she does not.

      I simply assume that Zack keeps confetti around at all times. All times. It amuses me more that way.

      1. It’d be thematically strange if she does not.

        Especially after that carnival episode which was basically a big, heavy-handed “Nope!” to the idea that one might somehow be able to fix expired Giftias…

  3. So instead she just breaks out the alcohol, shouts YOLO, and loses herself to the liquor, with dire consequences.

    Welp there goes my comment of Kazuki from last week. Burned to the ground.
    …Alternatively, she’s more of the older sister who likes to drink her sorrows away.

    OTOH, we’ve seen Isla puffing up plenty of times, but this is the first time we’ve seen Isla truly angry…


  4. Actually, what the blazes is the entire office doing while they’re still on the clock. This is why the higher ups don’t approve of Terminal Services One. Get back to work.

    On-point discussion of themes and character and shit aside, it’s lines like this that are the real reason Passerby was the right person to blog this series.

    Axe Armor
    1. Isla’s expression at the end of the OP represents her current emotional state. Particularly toward Tsukasa, I suppose.

      I never paid attention to the ED though. I think it started with her being stoic, then at some point it was changed to have her smiling instead.


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