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Amanchu! – 08

「秘めた思いのコト/まだまだ知らないコト」 (Hime ta Omoi no koto/ Madamada Shiranai koto)
“The Story of the Feelings Yet Hidden / The Story of Things Yet Unknown”

Another two-parter this week, and where last episode was mostly about Katori-sensei, this episode broadly canvases the rest of the of major cast. Again, these are mainly simple short stories without much greater context, meant to let us learn something new about these characters, to give them nuance beyond our first impressions. And so that’s the overarching theme of the episode, that there are multiple facets to every personality, and we should be open to being surprised.

The Story of the Feelings Yet Hidden

First up, the twins. Having had a storied career as a professional younger brother, I tend to empathise more with the long-suffering Makoto more. I can totally relate to developing a danger-sense that warns of the approach of an older sibling. They are coming. Drums in the deep. We cannot get out. Staying out of the way is a completely valid survival tactic and, sometimes, the only survival tactic, especially for siblings prone to, er… physical displays of affection. In fiction twins are often portrayed as having an empathetic link between each other, but this is the first time I’ve seen that sixth-sense used only to avoid their twin. That’s both more realistic and more pragmatic than that ‘sense their pain’ stuff. Anticipate that personal pain first.

The point of this story, though, was that Onee-chan-senpai is more than just an abusive sister. Often does anime try to soften their violent tomboys, to make them more feminine (because yada yada gender roles), and having Ai find love (pun!) would be a cliched way to do it. I’m glad that Amanchu! doesn’t go so far, because that wouldn’t actually have been very interesting. Instead of fundamentally pivoting Ai’s character, we simply get another side of her, discovering one of the things that makes her tick. We’re a slice-of-life, not a romantic comedy.

The Story of Things Yet Unknown

By the same token, Teko is also a person of many facets, though considering she’s been the focal character for some time she’d better be. And while she’s not exactly complex, she is at least layered. The first impression of Teko, without the benefit of internal monologue, is that she’s a cool beauty, but in reality she’s… yeah. But she’s also more than just a frail ingénue as well. Considering how much the diving club has been forcing her to exercise, one really expects her to have better game.

And so the interesting thing about Teko, that she hates to lose. While in others this might manifest as a competitive drive, Teko instead prefers to pre-emptively give up. It’s not an uncommon thing, for people to embrace mediocrity to insulate oneself from real failure. Happily, Amanchu! is not the kind of show to wallow in what a sad human specimen Teko is, but be optimistic about her breaking out of her rut. All she needed was warm encouragement! Hurrah for feel-good stories! More importantly, I think, is that it also gives a bit more dimension to Pikari as well. The way she mothers Teko shows in her a level of compassion beyond a spastic muppet. NOT THAT THERE’S ANYTHING WRONG WITH BEING A MUPPET. You guys are all racist.

Looking ahead

Back to a one-part episode next week, so perhaps we’re returning to Teko’s quest to get into the ocean, which as close to an overarching plot as Amanchu! gets. While I’ll welcome that, I also enjoyed these bits of character development that we’ve been getting. In slice-of-life anime I look for strong characters above all else. I really want to feel like I know these people, as surrogate friends of my very own, before the end, and Amanchu! has done a good job of that so far. No doubt it’ll keep building on that even as it goes back to its sporty diving thing. Amanchu! is nothing if not steady. And that’s a good thing.



August 27, 2016 at 1:45 pm
  • August 27, 2016 at 4:14 pmWanderer

    The point of this story, though, was that Onee-chan-senpai is not more than just an abusive sister.

    She’s not? I thought the point was that she is.

    • August 27, 2016 at 8:10 pmPasserby

      Bleh, the sleep deprived typos. Fixed!

  • August 27, 2016 at 6:49 pmBear

    Hey! Some of my best friends are muppets! :P

    Teko’s “lack of game” is more due to a lack of self confidence than anything else at this point. Pikari proved that in the 1000 m race. Teko would have run out of gas on the first lap when she got there originally. The fact that she got eleventh place shows how much she’s improved. The troubling problem is that it’s only Pikari’s “mothering” and handholding that allows Teko to move ahead. Every time she screwed up in the tests it was when Pikari wasn’t with her. That doesn’t bode well for diving if she loses sight of Pikari for some reason.

    One thing that stands out for me (because it doesn’t stand out) is the BGM. It just fits so well with the story.

    • August 27, 2016 at 8:26 pmPasserby

      For sure, Gontiti may be understated, but the music has been impeccable.

    • August 28, 2016 at 9:11 pmScruffy

      I remember watching some of the interview extras on the Aria disks with Satou Junichi and he made an interesting comment about how he treats his background music. He made a comment that he picks the background music first and fits the animation into the music rather than the other way, even to the point of having absolutely nothing happening on screen as long as things fitted overall with the music.

      You get the same sort of feel with Tamayura. It’s almost like he’s creating a loose musical with the background music.

  • August 28, 2016 at 6:00 amSv

    I’m glad to see more focus on the other characters. To have the entire ep focused on Teko and Pikari is too much yuri in one sitting.

  • August 28, 2016 at 7:35 amzztop


    The last time I saw a squinty-eyed anime character’s eyes open, they were about to layeth the smackdown on their enemies.

  • August 28, 2016 at 8:57 amewok40k

    blushing intensifies, now including oneechan-senpai….