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Boogiepop wa Warawanai – 01, 02

OP Sequence

OP: 「shadowgraph」 by MYTH & ROID

Episode 01

Episode 02

「ブギーポップは笑わない 1 & 2」 (Bogiipoppu wa Warawanai 1 & 2)
“Boogiepop Never Laughs 1 & 2″

Worlds are colliding in Boogiepop wa Warawanai. Ovid might have risen from the grave, absorbed our peculiar mythologies of telepathic aliens, private eyes, shadowy government entities, Freud, the boogie man, and psychoactive drugs, and set to work on a sequel to metamorphosis. Make no mistake this is a cataclysmically busy story, awash in many as yet unanswered questions… and yet, despite the litany of ideas, it was the tone of kaleidoscopic loneliness that stayed with me long after the credits rolled.

A bewildering quiet permeates this a story, like the grout between bricks, sprawled across the empty vistas, faceless crowds, and unfinished sentences: a malaise of misunderstandings, burdensome expectations, and ennui. Amidst all this, Keiji Takeda(Kobayashi, Chiaki) waits out the sun for a girl who doesn’t come–––at least not in the guise he expected. The idea of the hero is of course to answer the call, but Takeda looks ill-equipped to answer the phone. What he seeks is a savior, someone to take the burden off his shoulders. But nothing is ever so simple.

Boogiepop (Yuuki, Aoi) admonishes him as to the duty of his own free will, something she lacks. Takeda will undoubtedly have to face his weaknesses in the coming journey, but I can’t help but wonder if he didn’t already take the first step in the mere act of befriending Boogiepop. If the difference between hearing your voice echo and a conversation is simply to reply, then one might imagine he ended her eternal solitude. Despite describing herself as something akin to the sound of thunder that follows lightning, to have a friend is to have a soul, and I can’t help but feel that this will alter both their futures.

In the meantime, people disappear and no one blinks, so the world isn’t exactly at a highpoint. In fact, some school girls envy them–––would disappear themselves if they could shed their pesky sense of responsibility. Whether that is disdain or yearning is hard to say, but it’s certainly bleak. Throw in an apparent ubiquity of crying that’s left Takeda unable to recognize tears for suffering and it’s little wonder he’s desperate for a force larger than himself. Sometimes even atheists find themselves praying in a falling plane.

I felt legitimately terrible for Takeda. To feel lost in the shadows of powers far greater than yourself is quite humbling, especially if you were already weak beforehand. But there’s nothing for it but to get stronger. Even a small act can change the world. It’s something that can get lost in the fray in a lot of anime because so many characters have such a vast powers, but I get the feeling we’re about to see it in spades.

The second episode plays out very differently. Kimira Nagi(Oonishi, Saori) and Masami Saotome(Enoki, Junya) come into focus as major characters destined for conflict, each picking up a supernatural partner to boot. Nagi stands in stark opposition to Takeda. Like a hardboiled private eye, she doesn’t care one wink what anyone thinks of her; she isn’t afraid; she acts. I can’t help but like her. She’s got moxie. And yet, she acts alone. She glibly mentions her messiah complex and the evidence is there in her sacrificed reputation and at times violent protective measures, but the premonition it leaves is a disquieting one. It’s only at the tail end of the episode that we see her seek help from Echoes(Miyata, Kouki).

Seriously, Nagi has the makings of a great protagonist. Sure, she’s strong and quirky, and obviously cares about her friends, but it’s that dreamy musing quality as she’s listening to a friend that has me extra intrigued. When you’re dealing with a force to be reckoned, those smaller moments do so much to round out a character.

In Ovid’s Metamorphosis, Echo is a nymph, punished by Juno for distracting her with idle chatter while Jove hid away his paramours. For this transgression, the goddess laid down a curse that left her only able to speak the last words spoken to her. She later fell in love with Narcissus, who, loving only himself, spurned her. Burning with the shame and anguish of unrequited love, Echo fled inside a cave where she wasted away, until her bones turn to stone, until all that was left of her was a voice. It’s a lovely and heartbreaking myth.

The Echoes of our story is similarly afflicted, except he’s an alien emissary sent to judge humanity. Judgment is a frightening thing. One winces to think what his judgment might be after the government’s experiments. It’s from his body that the Manticore was born. In that way, she’s an echo of sorts, born into the same loneliness as Frankenstein‘s monster, and a likewise tragic existence. It’s easy to hate a man-eater, but she was born of mankind’s lust for power, and it’s hard not to feel some pity when she labels herself a failed creation or trembles at the mere thought of Echoes and the Government. Frankenstein‘s monster, of course, wanted love, as so many of us do, and Manticore is no different, except that she finds it, or more correctly something that masquerades as love.

Which leads us to Saotome, a man who appears more twisted and cunning than the monster he’s taken up with. There’s a distinct Light versus L in Saotome and Nagi’s dichotomy, but what’s more interesting is the pairing off with supernatural entities. That surely promises heightened stakes going forward, as well as an interesting look into the corresponding loneliness of these creatures. Most children are afraid the dark hides the boogie man and sundry other monsters, but I sense we’re about to learn far more about human evil. One of the unfortunate lessons of growing up is the realization that there’s no need for monsters. We fill that role just find ourselves.

At this point, a bevy of questions remain, but the groundwork is fairly laid. This is the dark world set on a dark course, and as we saw with Kimikishiro(Suwa, Ayaka), it can snuff the sweetest light in the blink of an eye. Despite Nagi’s messiah complex, Takeda’s reticence, and the general malaise of the populace, as always, when humanity is at stake, people have to come together. Some of the plot threads will need to as well, but there’s enough to chew on right now to enjoy the ride. So, as Kimikishiro said, ‘gather ye rosebuds while he may,’ because I have a feeling the tumult of this journey has only just begun.

ED Sequence

ED: 「Whiteout」 () by 安月名莉子 (Azuna Riko)

January 6, 2019 at 2:56 pm
15 comments »
  • January 6, 2019 at 3:12 pmAshifili

    Yo, just like to say that the first two paragraphs of your review was written in a very fun way. Really quite enjoyable, Gleam.

    • January 7, 2019 at 12:46 amGleam

      Thanks so much. As I go forward, I hope to raise that number. 8)

  • January 6, 2019 at 7:58 pmsealouse

    Well the way this was presented was certainly unique. I honestly can’t say I enjoyed it that much though. It kind of reminded me of Pupa complete with people eating. The story does seem interesting though and hopefully it all comes together in the end.

  • January 6, 2019 at 8:17 pmyoloalchemist

    Gotta say, I was hooked by the mystery here. These first 2 episode didn’t give quite a lot away, and that’s part of the show’s strength. I hope it keeps up the escalation on the mystery.

    • January 7, 2019 at 1:55 amGleam

      Yeah. Mysteries are always interesting territory because intrigue is inherent in open-ended questions, but if there are too many loose ends or the mystery itself peters out, then it feels like you’ve been cheated. There was this show called Lost… lol.

      • January 7, 2019 at 2:31 pmyoloalchemist

        I guess you could say that show…. lost us.

        Ok, I’ll show myself out.

  • January 6, 2019 at 10:06 pmMcL

    Feels like I’m watching Kara no Kyoukai all over again if i’m totally honest.

    https://randomc.net/image/Boogiepop%20wa%20Warawanai/Boogiepop%20wa%20Warawanai%20-%2001%20-%20Large%2032.jpg

    Main character having multiple personalities, mysterious disappearances, man-eaters, non-chronological narrative presentation, atmosphere, and so forth. Overall, I really like it. I won’t claim I understand everything about it so far. I do feel like I have filled up 40 responses in a 50 question fill in the blank test if that makes sense-and no, I not certain if all my 40 responses are correct.

    Happy your part of the RandomC Group Gleam. Looking forward for your future recommendations and your analysis of Anime.

    • January 8, 2019 at 2:18 amMagnus Tancred

      I’ll take your Type-Moon reference and play with it a bit: I’ll arue that Boogiepop is a possession-type Counter Guardian. :P

  • January 6, 2019 at 10:40 pmChris hall

  • January 7, 2019 at 1:03 amewok40k

    Saotome made me question, who is the real monster here?
    Manticore or he, supposedly normal human?
    And somewhere out there lurk the G-men who make MANTICORE tremble!
    Loved when Nagi openly admitted to messiah complex. Batman never did so much introspection!
    Overall series makes great impression on me, especially with careful attention to detail (Chekhovs, erm, Kirima senior, gun, erm, books!) and multiple point of view narrative.
    I am thinking Takeda point of view in ep 01 just shows us what “ordinary”, uninvolved humans see, after all if it was he that got involved with Echoes rather tham the girl that was sadly doomed by thta act of compassion… he probably wold not be there to meet departing Boogiepop.
    Then we get to the “underside” of the story, and things get much more explained, though yet full of mysteries.

  • January 7, 2019 at 2:47 pmKhalid

    The character designs (including colors) remind of me of Parasyte, maybe the same person is working on this one?

  • January 7, 2019 at 4:57 pmLitho

    I was hoping and praying that insipid protagonist would be the next victim. Never happened.
    Like the premise, but ain’t sure if I can tolerate that grating halfwit over the course of a season.

  • January 7, 2019 at 6:09 pmDavid

    I loved the original Boogiepop Phantom anime, but there were tons of things it didn’t explain. And this has just explained in two episodes enough to fill in almost every hole left by the original. Everything just makes so much more sense now.

    For example, I had always been left with the impression that Saotome may or may not be the Manticore, and that was a great big garble in the original. Here, they just straight-out explain it. Many other things, such as Boogiepop hanself, make more sense as well.

    So, as a viewer of the original Boogiepop Phantom, this series is already a major win. I really look forward to seeing more, as it strongly reminds me of the original storytelling, which I dearly loved.

    • January 13, 2019 at 5:00 pmJason

      The Boogiepop anime of the 2000s wasn’t a adaptation of the Light Novel, it was a original anime sequel to the first arc. This one is the actual first adaptation.

  • January 8, 2019 at 10:28 pmSpitFire

    https://randomc.net/image/Boogiepop%20wa%20Warawanai/Boogiepop%20wa%20Warawanai%20-%2002%20-%20Large%2012.jpg

    Who do hell is this guy? What gave him the motivation and mentality to help the amok clone? If it weren’t for his help, all the deaths would not have happen. I hope he’s lined up for the guillotine soon. The guy is s psychopath. At least the amok clone has what appears to be legit reasons to be trying to be blending into society. Things is, I highly doubt it would have devoured all those girls if it weren’t for that psychopath. Ah!! been a long time since I wanted divine punishment to a character… AHHH.

    This is all rather confusing especially the 2nd episode. The order of events are all jumbled. I had to return to certain points… even the first episode to make sense of what the hell is going on.

    What made the scriptwriters decide this? I’m entertained so, all is good.

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