「不死身の杉元ハラキリショー」 (Fujimi no Sugimoto harakirishou)
“Immortal Sugimoto Harakiri Show”
Among the many labels I could affix to Noda Satoru and Golden Kamuy, “shameless” would certainly be one. And I mean that in the best possible way. There’s no gag too outrageous, too gross or too stupid for this series. And that, really, is the key to making lowbrow humor work, as the Pythons would tell you. You have to be fully committed to the joke, to the point where dignity and taste have no seat at the table. This kind of comedy just doesn’t work if you go at it halfway.
As usually seems to be the case this season, Asirpa, Shiraishi, and Kiroranke’s party (and Ogata too of course) briefly bookends the episode. And while both segments have their gross-out humor – a musk deer’s scent gland and Shiraishi’s poop to be precise – the cold open is the most serious moment of the ep by a fair distance. The scenario we see playing out here is pretty unnerving. Asirpa is a smart girl, but a child she still is – and Kiroranke seems to be very effectively winning her into his confidence. He’s one of her own, a link to her father, a smooth talker and a fearless operator. It makes sense he would be a convincing suitor, but his intentions towards her are clearly predatory in the non-sexual sense.
Meanwhile Team Sugimoto is in Toyohara, seemingly one of the more important towns on Karafuto, where he’s just been robbed of the knapsack containing Gansoku’s tattoo copy. The thief, Chokichi, leads Koito on a merry chase, finally ending up at the Yamada Circus and assuming he’s given Koito the slip. The boy is an acrobat and unused to being successfully tailed, but he knows circus talent when he sees it – and Koito clearly has it. The ringmaster, Yamada, stages a fake punishment of slashing Chokichi across the face, and eventually the truth comes out – it’s a prop sword, all part of the circus’ “harakiri show”.
The idea behind the vaudeville routine that follows – Sugimoto wants to gain enough attention by being in the show that Asirpa notices and realizes he’s alive – is sound enough. But the execution is pure farce. None of the party have any talent for performing – except Lt. Koito, who’s a genius acrobat beyond all belief. Sugimoto ends up taking on the harakiri show, while Tanigaki and Tsukishima wind up in tutus as part of the line of dancing girls, under the harsh gaze of their foul-mouthed director.
Huge nipples, fake blood, real blood, Koito freaking out over a photo of Lt. Tsurumi – it’s all here. Tsukishima puts the photo on the high-wire to break Koito’s concentration, fearing he’ll overshadow Sugimoto (he does). But naturally Koito assumes the jealous Sugimoto did it, and swaps out the trick sword with a real one. Of course Sugimoto decides to go ahead with a performance anyway (what’s a few more scars), and is about to try and gut himself in a non-fatal way when three Russians with guns turn up and the limbs start flying (good thing that was a real sword). Turns out they were after Yamada – who was a Japanese spy operating in Russia all along.
I’ve expressed already the futility in trying to capture the essence of a Golden Kamuy episode in words – you just have to experience it. Reading this piece if you’d never seen the ep I imagine it would sound incredibly lame, but in practice this was easily the most hilarious anime episode of the season. And in true Noda fashion, it seems as if the whole shebang was designed to set up the final punchline – the misprint in the (two-sentence) episode in the newspaper referring to the performance of the “Immoral Sugimoto”. May you never develop a sense of shame, Noda-sensei.
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Ah Ogata smelling the gland then reacting exactly like a cat.
The Unhemorroidal indeed, indeed.
And Tsurumi has gathered quite the scarily capable and unhinged harem throughout the years. Given the three underling flashback episodes so far, wonder how he managed to pull Koito into his orbit. Kid hasn’t seen enough to get PTSD yet, and his old man is a powerful and influential individual who is a much better father than Ogata’s shit parent, though that is a low bar to clear.
Unnerving how both Asirpa’s father and essentially uncle want to set her up as some sort of revolutionary leader for the greater good. The wholesome memory of the triangle hair ornament becomes sinister when you realize Wilk has been raising Asirpa as a boy so she can better become the same sort of killer both Kiroranke and himself are. Meanwhile in the present Kiroranke is showing Asirpa the greater world where indigenous population and culture are both in danger of being snuffed out, hoping to rouse a 12-13 year old to action. It’s one thing for Koito’s father to send a grown son to war, it’s another for what Wilk started and Kiroranke is set on finishing.
I wonder why Wilk and Kiroranke had their great fallout. Did Wilk change his mind? But that didn’t seem to be true from the speech he gave Sugimoto at the end of season 2.
Asirpa being manipulated is the covert main theme of the season so far. It’s mostly been farce and manservice, but that’s the underlying thread.
I never expected a shot of poop would be a great lead-in to that kick-ass ending.
But then again, this is Golden Kamuy afterall.