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Must type faster, must finish post. Ahhhh my carpal tunnel!
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And we’re back with Part 2 of Stilts nii-chan’s ridiculously detailed Kyoukai Senjou no Horizon Retrospective. Last time we went over the story’s premise, the world, the characters, and the various factions that are all vying for power on Horizon’s Earth. Then, just to get the party started properly, I went ahead and gave you summaries and impressions for the first six episodes.
This time we’re going to go through episodes 07-13, complete with summaries, impressions, and detailed explanations of anything that I think might trip you up. Finally, we’re going to finish this thing off with my in-depth final impressions of season one. There’s some hard stuff in these episodes, so tune in if you’re not quite sure you got everything last time. As for those of you who still haven’t decided to watch this wonderful series, read my final series impressions! You might catch some spoilers, but if my passionate words don’t make you want to immediately marathon the entire series, then I just don’t know what will. Possibly you’re dead inside. You should probably get that checked out. Let’s begin!
Once again, massive props to kyoukaisen.tumblr for much of the information contained herein. You’re a total pro, sensei. Keep up the good work!
Episode 07
Episode Summary:
Show Summary ▼
12:40 PM, Nature District. Masazumi walks through the forest, heading towards the academy to make sure the student’s rebellion goes in a favorable direction for Musashi. As she leaves the forest, she is met by Neito and Naomasa. The OP plays.
12:50 PM, Azuma and Miriam’s room. The spirit girl is sleeping in Miriam’s bed when she returns. She asks (while perturbed) Azuma why he never mentioned that he was the crown prince, and he protests that he isn’t anymore, having returned to secular life. She says people won’t see it that way. She makes mention of the unrest, and Azuma wants to go, but she stops him. She makes mention of the Testament Union’s plans, that Kyoto is inviolable, and that the emperor “sustains the world” (Stilts note: apparently the Emperor uses sacred tools to manage the earth pulses. This makes the Emperor something of the living god, as is Azuma, though his abilities are sealed. Presumably, without them serving this purpose, the world would be destroyed). Azuma realizes that as the emperor’s son, his actions could sway people, and he needs to let them choose on their own.
1:00 PM, in front of the academy. Masazumi, Neito, and Naomasa face off against the rest of class 3-Plum. Masazumi comes ready to make a proposal, but Sensei asks why Neito and Naomasa sided as they did. Both said they came to test the class’ strength, to ascertain whether they were strong enough to do as they wished. Shirojiro comes out and says they have received permission from all students to determine the fate of Musashi during this meeting. Toori unrolls from the futon he’s wrapped in, showing himself to be naked. Masazumi punts him.
Masazumi and Shirojiro agree that Masazumi’s side will represent the Testament Union, and the rest of the class will represent Musashi. The rules of the game are thus: each side gets three representatives, and whoever wins two rounds (of battle, negotiations, or whatever they agree upon) will be victorious, with the academy consenting to their course of action. If Masazumi’s side wins, they accept Horizon’s death and Musashi’s new leadership. If Toori’s side wins, they save Horizon.
Naomasa steps up first, and reveals her God of War (made from parts she found on the battlefield), Jizuri Suzaku. Toori (with his clothes back on) tells Shirojiro to go, because he “hates him” (or so he says). Shirojiro agrees to fight, saying the bigger the risk, the bigger the reward. He asks Naomasa if it’s okay if he has Heidi’s support as a broker, and Naomasa says she doesn’t mind. Jizuri Suzaku punches Shirojiro, but he blocks it with a force field. He explains that, through the power of money and his contract with the God of Commerce, he is paying for the strength of 150 guards by the hour. Using this, he can fight on par with Naomasa’s God of War.
The two run through the city, with Heidi explaining that the engineering club would stop Jizuri Suzaku’s blows from harming the town. As they fight, Naomasa asks why Shirojiro is opposing the Testament Union, since he could easily just restart his business and live in peace. Shirojiro explains that a lot of other countries took out loans with the Far East for their history recreation/power consolidation needs, and that if the Far East falls, those debts will go unpaid. He also explains that, because Musashi is independent, people have been giving money to the Asama Shrine. He says that Musashi is becoming the Far East’s largest energy storehouse. He says Musashi can fight so long as it keeps flying and collecting money. Back at the academy, Toori is impressed, and Heidi starts talking about Shirojiro’s good traits (at great length).
Shirojiro punches, but Naomasa says that’s nothing, and, while calling him the nickname the Testament Union gave him (Poker Face), she slaps him into the ground. She finds Shirojiro burrowed straight down into the ground, to her surprise. He knocks Jizuri Suzaku back, and the building crashes. After Naomasa is thrown, surprised, Shirojiro explains that he bought the building. He points out that Musashi’s change in power scared a lot of people away, which is why he was able to buy the building. Naomasa (admitting defeat), asks what he wants. He says work, to keep Musashi flying so they can earn money. He says that for that, as such, Naomasa is their nakama, and holds out his hand to help her up. She takes it.
Neito steps up next. Her question is this: for the Far East that lacks a sovereign, how will they make the knights (like her) obey them?
1:35 PM, the Execution Grounds. Horizon is reading a book about what looks like the medieval shinto version of KISS. The Tres España servant checks in on her, and Horizon says she’s doing fine. Nearby, Gin talks to Muneshige about Musashi’s special council meeting, which they’re watching. She mentions that if it finishes before Horizon is forced to commit suicide, they would have to go to war with only their current forces. Muneshige says they have more students (soldiers), but that they must watch out because Musashi’s forces have Shinto spells. He explains that Shinto spells allow the user to basically do anything (manipulate any spell), so long as they can pay offerings to their god.
Back at the academy, Neito asks who will fight her. Huddled together, they wonder why Neito (who is of a higher rank than commoners like them) wants to fight them when she’s a feudal knight who is supposed to protect commoners. Toori surmises that she has a reason for facing them, and that she’ll join them if they pass the test. So they send out Suzu. Neito is confused, but then realization hits. There’s a flashback to the Nobility Club meeting, where the knights agree that in order to keep the people safe, they must surrender to the Testament Union. Back at the present time, Neito kneels down and begins surrendering the fight. Neshinbara tells Suzu to stop her, and that Musashi’s knights want Neito to lose. He explains that if knights kneel down to commoners, they’ll lose their social status, and Musashi will lose its knights and not be able to fight. Toori tells Suzu to grope Neito’s chest to stop her, but when Suzu goes to try, she trips on some wood broken from Naomasa and Shirojiro’s fight earlier. Neito keeps trying to surrender, but she can’t fight against her knightly instincts – she rises and catches Suzu. Neito realizes that she has screwed up, but she tells Suzu that it is a knight’s duty to save people. Neito accidentally wins, and goes over to Toori’s side. Now it’s Masazumi’s turn. She goes to have a strategy meeting with her father and his associates.
1:50 PM, the Bridge of Innocentius’ ship. Galileo asks why Innocentius isn’t watching the broadcast, and Innocentius says there’s no need – either they’re given everything, or they go to war and take everything. They talk about Horizon, and how she would be erased from history since Mikawa was never meant to be eradicated. Innocentius decides to watch the broadcast after all.
The match is Masazumi vs Toori in a debate. Whoever can put their opponent in a tough spot or convince said opponent that they’re right will win. After some quips, Toori elects to go first. Everyone is silent, and he wonders why, until Masazumi alerts him to the fact that it’s advantageous to go last in a debate. Toori says he’ll go first anyway. He says that all this is merely a stepping stone towards him telling Horizon how he feels. To make his stance perfectly clear, he says…”why don’t we just give up on going to save Horizon?” Everyone is watching – the class, the Musashi bureaucrats, Innocentius & Galileo, Muneshige & Gin – are all surprised. But none are so surprised as Masazumi!
Impressions:
I am constantly impressed by how well everything is justified in this series. This is an old pet peeve of mine, and one I’ve in many ways learned to ignore, but it still irks me when details aren’t explained, or things are done “just because.” That’s the easier path when you’re telling a story – and let me tell you, I’ve used it in my own endeavors a few times – but when an author can thoroughly justify everything his or her characters do, I dearly love it. What am I talking about here? Azuma, and why he abstained from the special meeting. The fact that he abstained wasn’t important in and of itself, it’s that it was justified by him possibly swaying people’s opinions when they should decide for themselves. The fact that the author would take time with such a minor detail means good things for the major details later on. Same thing for Sunrise including it here.
Moving on, the Naomasa vs Shirojiro fight was awesome for two reasons. From a purely animation / action standpoint, it was awesome seeing a lone man go toe-to-toe with a giant mech and come out on top. There’s just something so satisfying about seeing a lone man punch out a giant robot! More than that though, Shirojiro explains why he’s fighting, and as is so often the case with people (and always the case with Shirojiro), it all comes down to money. There are two things you need to know here:
- For all intents and purposes, energy = money in Horizon’s Earth. That is, energy as in the ether (mana) variety.
- Most of the world is Christian in this time period (Europe certainly was in the real 1648 AD, and they’re replicating that part faithfully), and it’s the kind of Christianity that doesn’t allow money-lending.
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Back in the real 1648 AD, it was the Jewish people who did all the banking since their religion didn’t object to that kind of thing, but since there’s apparently not enough of them around in Horizon’s Earth, it has fallen on the Shinto Far East to be the dirty money-lenders this time around. Long story short, there are banks all over the Far East, and everyone realizes that if the Far East falls, they’ll never be able to collect the debts that all the other countries owe them. Since they no longer feel the money is safe there, all the citizens of the Far East are basically shoveling money at independent and mobile Musashi, because even if the Far East is taken over its financial sector should stay as-is. In effect, they’ve turned Musashi into a huge pseudo-bank. Let me simplify this further, from Shirojiro’s point of view:
Musashi is a giant pincushion full of money!! When he’s sitting on such a huge pile of cash that could potentially be his, complete with a commercial system that allows him to amass said ridiculous riches, why would he want to give that up? Ohhh man, I love Shirojiro. I like a character who knows exactly what he wants and goes after it wholeheartedly, even if in this case it makes him a total miser. Fight on, you cheap bastard.
Oh, there’s one other thing I forgot to mention about all the money talk. Imagine what would happen if a bunch of banks loaned out a lot of money, and then realized that those loans weren’t going to be paid back. Sound familiar? Something that happened a few years back, perhaps? We all know what happens to an economy when that happens, even if those banks get saved. Now what would happen if they didn’t get saved? I believe the appropriate term is “financial armageddon.” So yes, Shirojiro stands to gain a lot if Musashi keeps flying and making money…and he stands to lose everything if it falls. After all, he can’t win the next game (build his wealth back) if the board is smashed. He’s on Musashi’s side coming and going.
Then there’s Neito, and it’s time for another explanation. Let’s talk about the nature of knights. Throughout history, there’s always been a huge difference between amateurs who flail about when they’re backed into a corner and the warriors who fight for a living. Today we call our warriors “soldiers”, but in those days – and in Horizon’s time – they were called knights. Students may fight, but it’s the knights that are the elite soldiers that win wars. However, knights are a little more than just soldiers. This was back when kings believed that commoners couldn’t be trusted with anything too pointy or well-forged, lest they get funny ideas about freedom and start revolting. Therefore, only those of high birth – that is, people who have built in incentives to keep the status quo as is – became professional soldiers. Not all this translates perfectly to Kyoukaisen’s high tech version of Earth, but the people have tried to do so in order to recreate history, so the rules are in place. That’s the most important part for this episode.
So, to be a knight, a person much be higher in status than commoner are. If a knight loses to a commoner, they lose their status, which means they can’t be a knight anymore, which means they can’t remain armed, and if Musashi’s elite soldiers can’t remain armed, they’re all totally screwed in a fight, and will have to capitulate to the Testament Union’s demands no matter what they decide. You could argue that this is all complete bullshit, and that they can still fight even if one of them loses to a commoner just once, but remember that you’re saying that from our cultural sensibilities. In the world they live in, these are inviolable rules which cannot be ignored.
Anyway, from Musashi’s knights’ point of view, this is the best way to make sure that they “win” (that is, the outcome goes the way they want it). So long as Neito loses the fight, it doesn’t matter if Toori’s team wins, because they still wouldn’t be able to defy the Testament Union. This is why Toori’s team realizes they have to lose this round – in order to save Horizon, they must have their knights fighting at full strength.
There’s also another part to this (straight from the novels) which I find to be totally fascinating. Okay, so remember that in a feudal system, a knight is higher in status than a commoner, but it’s a knight’s job to protect the commoners (Stilts note: that’s not really accurate. In history, knights protected the lord and the realm, and generally didn’t give two shits about the commoners, who were as good as slaves. Still, I’ll let this one pass ’cause that’s a shitty part of human nature that I’d prefer to ignore). So the knights don’t think Musashi’s citizens would benefit from a fight with the Testament Union, so they want to avoid it – that’s definitely part of their thinking. But looking further, there are other benefits to the people if the knights lost their status. Think about it – if there are no knights, then society will suddenly be a lot more equal. Also, there would no longer be a bulwark between the people and the few nobles that would be left. Not only would Musashi’s commoners come out looking like badasses because they beat up their knights, but then they would be one or two shakes away from democracy. That would throw a huge wrench in the history recreation plan – especially if the people in other countries start following suit – but what do the knights of Musashi care about that? They only want to do what’s right for their people. In effect – and this is true for both of their plans – the knights are willing to sacrifice their very knighthood on the alter of their knightly ideals. That’s twisted, but noble as fuck. I love it!
Oh, and how Neito went into super chivalrous knight mode (complete with bishie sparkles) when she caught Suzu was pretty awesome too. There must be a ton of doujinshi about that scene, and if there aren’t, there damn well should be!
Then there was the last scene with Toori and Masazumi. Before this scene, I liked this show a lot. Quite a lot. But after this scene, when Toori flipped the tables on Masazumi and made her argue his side, I fell in love with this show. Like Miriam, I have a weakness for characters who are dense but kind, but even more than that I have a weakness for cheerful idiots who manage to surprise everyone, including me. We’re approaching the episode that contains my favorite moment of the show, but really, it’s all awesome from here on out. If you’re still with me, you’ve done great to get this far. Now we’re getting our reward!
Episode 08
Episode Summary:
Show Summary ▼
The episode starts off where we left off at the end of the previous one, with Toori turning the tables and taking Masazumi’s intended stance in their debate. He explains that he did it because the teacher said to “express your views,” but never said which side they had to take. He says those are the rules, and mentions that there are penalties for breaking them. Sensei is seen giving warm-up swings with her sword. Toori explains that because he doesn’t know if there’s a way to profit from saving Horizon, he wants Masazumi to tell him the answer.
After the OP plays, Masazumi agrees to tell Toori the reasons to save Horizon. First, it would secure Musashi’s sovereign powers. He says there are three attributes required for a country to be sovereign. 1) to stand as equals it must display independence (Stilts note: as Futayo did when trying to take Slicing Dragonfly). 2) someone must reign over the land and the people. 3) it needs the ability to make decisions. Masazumi says that currently, the Far East’s sovereign powers are being violated, but if they save Horizon then they’ll have a sovereign that the Testament Union cannot touch (Stilts note: they cannot argue that she’s not legitimate), so they’ll stand equal with the other nations. Yet the Testament Union wasn’t likely to accept that, so they would go to war.
Toori pulls out a piece of paper and asks a question from Konishi, the merchant friend of Masazumi’s father. He says that even if they save Horizon, they could lose people to the war, and asks what Masazumi says about that. Masazumi says that there could be a death toll even if they avoid a war. She says that if the Far East’s finances were stifled then they could lose people to poverty. Toori pulls more pages out of his jacket and summarizes the situation. Then he pulls out a question from the politician Masanobu-kun (that is, Masazumi’s father), who asks for a valid reason for opposing the Testament Union aside from the issue of sovereign powers, and goes on to ask if the Testament Union is evil for ordering her suicide. Aboard his ship, Innocentius praises the question, saying that their greatest threat isn’t in the Far East convincing themselves that they’re right, but in them convincing the rest of the world that the Testament Union is evil. He wonders what she (Stilts note: Innocentius already knows she’s a girl!) will do. Masazumi pulls out a cheat sheet, realizing that if she says what’s written there (her reasons for saving Horizon), her future as a politician will be over. Masazumi, unsure of her answer and of her level of experience, begins to tear her paper, but Toori tears his first and asks what the point is if she doesn’t give her own answer.
Suddenly, Adele shows up with the brown algae, which Toori had asked her to bring. The brown algae speak to Masazumi, imploring her to help Horizon because Masazumi is a politician, and politicians help people. Discarding the paper, Masazumi stands up and answers. She says that there is no reason for her to take responsibility as the ruler of Mikawa, because at the time of Lord Motonobu’s death Horizon wasn’t his heir. She calls on Asama, saying that she got confirmation for an informal succession this morning, which Asama confirms. Masazumi goes on to say that since Horizon does not remember her past, she is in no way related to the destruction of Mikawa. She says that if they would order the death of someone who was not involved, then they would have ordered someone else to commit suicide if Horizon wasn’t around. She calls it a monstrous system. Toori asks who would take the blame for Mikawa’s destruction, and Masazumi says that all they need to do is make Mikawa an aerial city (like Musashi), attach it to Musashi, and then Mikawa would exist once again (for history recreation purposes or whatever) – no one would need to take the blame. Masazumi accuses the Testament Union of abusing the Testament. Suddenly, Innocentius’ image appears, and he claims that Masazumi’s argument contains a fallacy. Masazumi steps forward to debate Innocentius, vowing to Toori that she’ll pave a way to Horizon.
Innocentius says that there are multiple ways to interpret the Testament’s history, and that Horizon’s death would not be “taken”, but that she would be a martyr for the Testament’s declared history. He talks about how errors can occur when interpreting history, which must be fixed. Elsewhere, Gin says that Innocentius is straying from the point. Muneshige realizes that the Pope President is challenging Masazumi to a debate, because no one could keep up with te vast experience he’s developed over the years. He says that the Pope can just reuse old argument he’s heard, which he can do forever, whereas Masazumi has to think about every point, and will thus grow weary and eventually give up. Masazumi asks if freezing their assets was fixing a mistake, and Innocentius claims they will be released once they have an agreement. Masazumi realizes that Innocentius is using scorched earth tactics, so she says that they hold parallel views (i.e. views that will never meet), and that their values are incompatible with the Testament Union’s values. Innocentius disagrees, saying that they could reach a mutual understanding. Masazumi is glad that it’s possible that they can reach an understanding. She tells Shirojiro to gather all of Musashi’s finances under one management group so they can support their foreign settlements that are suffering because of the asset freeze (Stilts note: that is, to all the people who can’t get their money out of the banks, Musashi will give it to them). She then tells Asama to request an informal succession reevaluation (about Horizon). Kimi says she’s surprised by Masazumi’s interpretation of what Innocentius said.
Masazumi says that the academy will reach an understanding with the Testament Union via three parallel points:
- If the Testament Union freezes their settlement’s assets, Musashi will finance them.
- If the Testament Union declared Horizon their ruler through informal succession, they’ll protest and intercede.
- If the Testament Union tries to force Horizon to commit suicide, they will invite her to the academy and protect her as one of Musashi’s students.
Innocentius accuses Masazumi of fallacy. Masazumi counters that if so, he made the fallacy and they’re merely acting in parallel. Innocentius counters that the Testament Union doesn’t want to fight, so what’s their parallel to that? He goes on to make several concessions, and then goes on to say that the Armament of Deadly Sins inside Horizon is a master OS that can control all the other Armaments. He claims that Lord Motonobu wanted to conquer the Far East via his daughter, and if they still want to save Horizon then they will go to war. Masazumi realizes that they’re at a disadvantage, while Innocentius says that the debate was fun. He then begins attacking Masazumi and her father, revealing to everyone about her gender reassignment surgery and that she’s a girl. He accuses her of lying, and being drunk with the desire to lead. Masazumi realizes that Innocentius has destroyed her image.
That’s when Toori steps up. Exclaiming that he’s a girl, he first pants her (showing her panties), and then gropes her chest (exclaiming that she has nice small breasts). After Ohiroshiki is “tricked” into proclaiming his love for small breasts (and says that Masazumi is over ten, so she’s too old), Toori confronts Innocentius, praising Masazumi for finding the answers he could not. He emphatically proclaims his full support in her. He then goes on to accuse Innocentius of bribing them, when everything he has said leads to “Kill Horizon.” Innocentius disagrees, and Toori asks Masazumi to tell them all what’s in it for other countries if they save Horizon. Masazumi says that they must never forget their desire to survive, and help others survive. Masazumi gives these reasons:
- Everyone will help save Horizon (an innocent life).
- Mikawa will be annexed, meaning the history recreation can go on as normal.
- Musashi will act as the center of power for the Far East. She says that they will not abandon their settlements, but that all settlements shall temporarily become independent self-governing cities, and neutral dematerialized zones.
Innocentius asks why they want this, and Masazumi says that they will gather the Armaments of Deadly Sins to prevent the apocalypse, while seeking no compensation. She goes on to say that the Armaments are made from Horizon’s stolen emotions, so they belong to her anyway. She says they do not want war, and want other country’s help in preventing the apocalypse, but if they escalate the issue, Musashi will fight.
Innocentius declares negotiations off, and tells Galileo to get them. Kiyonari attacks, but Galileo stops him with K.P.A. Italia’s Armament of Deadly Sins, Staseis Porneia, which has the ability to renounce (nullify) and power it touches. Noriki attacks as well, but his punch is called weak, and the two of them are flattened by Galileo’s power. Galileo lunges for Masazumi, but Toori tackles her out of the way, and Futayo arrives stops Galileo’s blow.
Impressions:
From the beginning, was there any doubt that Seijun wanted to help Toori’s cause? As with Naomasa and Neito before her, her heart wasn’t really in the fight. Sure, she answered to the best of her skill, but she didn’t attack or press him to defend his (now the Testament Union’s) side in the debate – she just dutifully answered the questions he asked her, letting him control the flow of the debate while she did his job of convincing her for him. Maybe I don’t really understand the rules of a debate – and in fact, I know I don’t – but I doubt this escaped Seijun as she was speaking. In my eyes, she knew she wasn’t arguing to her fullest, but she did it anyway because now she was arguing the side she actually believed in. After all, why else did she prepare that cheat sheet (which was about how to save Horizon), ne?
As for Masazumi’s logic for why Horizon shouldn’t be held responsible for Mikawa’s destruction, when you take half a step back from all the political intrigue, it’s the obvious answer. She had nothing to do with Mikawa’s destruction, so why should she die for it! But that wasn’t the impressive part. Masazumi’s master stroke was in how she spoke the truth in front of the entire world, and called the Testament Union out on their sham reasons, no matter what the cost. When I first watched this, I thought this is why Shirojiro said they needed Masazumi in order to trade and make port while they’re warring with the Testament Union, because Masazumi could make all the rulers afraid of giving the Testament Union their way, lest they end up suffering a fate similar to that of Horizon and Musashi. That’s not wholly correct, but more on that in a few paragraphs.
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Now, let’s go ahead and tackle this thing from when Innocentius steps in, ’cause yeah, it’s confusing. First of all, we’ll need to understand this whole “parallel” line of thinking. First, think of any argument that you’ve ever been in. Did you end up coming to an agreement, or did you just bicker for a while until you both got tired and stormed off? Debates are fine, because they can give rise to compromises, but if you’re just sniping back and forth with no chance of coming to an agreement, then what’s the point? At that point you’re just arguing to argue, and there’s nothing to be gained by it. That’s being parallel, when there’s no possibility of agreement, so you might as well just stop trying.
The crucial part in this debate was after Masazumi got done telling Shirojiro and Asama to do things, when Innocentius proclaims that the Testament Union doesn’t want to go to war. A moment earlier Masazumi had said they were parallel, so she only has two choices – declare war or lose the debate. Innocentius spews some bullshit flimsy reasons about why Lord Motonobu did what he did, and then he attacked Masazumi herself, and destroyed her credibility by revealing the truth about her gender. At this point, Innocentius has given a reason for their actions, and then made it so that anything Masazumi said would be called into doubt. Game, set, and match.
Almost. The really brilliant move here came from Toori. As Masazumi stood there, completely beaten, he proceeded to make her look like a bit of a victim. People don’t like a liar, but who hasn’t dreamt about speaking in public when you suddenly realize that you’re in your underwear? Masazumi may be embarrassed out of her mind, but that’s good – it makes her fallible, relatable…in a word, human. Then, while Masazumi is still flush with embarrassment, Toori quickly moves and places his full faith in her. First Masazumi is made to be relatable, and then someone speaks wholeheartedly on her behalf. In an instant Masazumi’s credibility has been restored, and she can fight again. Really, it’s things like this that make me love Toori’s character so much. He’s an idiot, but he’s not stupid, and he always comes at things from just a slightly different angle than everyone else, which is what lets him slip past and sidle up to his goals. Mr. Impossible indeed!
Anyway, with Masazumi’s credibility restored, she still has to give a good reason for them to rescue Horizon – and, due to the revelation that Horizon is a Armament OS, gather all the Armaments – otherwise Musashi will become an international pariah and they won’t be able to make port anywhere. Now, there it is…that is why Shirojiro said they needed Masazumi, because they needed a good enough justification for resisting the Testament Union so that they could do it without starving to death, and only Masazumi is a good enough orater to get the message across. And she did. With a nice pantsu shot along the way, Masazumi followed through with her promise and paved the way towards Horizon.
Next episode contains ample amount of KIMI-NEE!!, as well as the single best scene in the entire show, which I’ve watched and rewatched countless times. Oh man, so excited, so excited!!
Episode 09
Episode Summary:
Show Summary ▼
The episode picks up where the last one left off. Futayo greets Masazumi. Toori leers at her, and Masazumi punts him. Galileo accuses Futayo of interfering, but Futayo throws that accusation back in his face. Then the King and Queen of Musashi walk up. They tell Galileo to leave, because they want to have Futayo (the Captain of their guard) fight one of the students. Masazumi thinks this is crazy, because Futayo is so strong. Sensei interrupts and says that the debate was a tie, so they need a tiebreaker. Innocentius’ image disappears, and Galileo departs. Futayo demands to know who will face her.
After the OP, the class discusses who to fight, with the women using a lot of onomatopoeias. Many don’t want to, so Neshinbara starts to step up, but Tenzo stops him, saying he should go. Toori objects to Tenzo, saying that he loses to Futayo in a battle of character-de gozaru. As Tenzo despairs, Kimi steps forward to fight. Masazumi is worried, but Toori says that she’ll be fine. Kimi undoes part of her uniform. Toori calls out to the King of Musashi, asking to be made king if Kimi wins. The King rejects this idea. There’s a flashback to when he was the lord of a small country (Stilts note: he’s from Hexagone Française), and was forced to become Musashi’s king, otherwise the Testament Union would have destroyed their country. the King asks what Toori would do if he was king, and Toori replies that he just wants to get back everything Horizon lost because of him.
Futayo guesses that Kimi is a traditional dancer, but Kimi says that it goes back much further. Futayo says she fails to appreciate the arts. Kimi brings out her maus, Uzume. As Kimi begins to sway, she reveals that all of her contracts are related to dancing and erotica. Futayo is unsure, but she uses her great speed to attack. She declares that she has won, but to her surprise finds Kimi swaying behind her. Kimi asks Toori to show them how you’re supposed to act, and he begins flirting with the bucket of brown algae. Futayo says that he’s rather straight-forward. Futayo attacks again, but Kimi dodges, saying that you must pluck a flower, not reap it. Kimi begins to brag. She says that though she’s erotic, she isn’t open to anyone. She says that her Summit Dance prevents anyone she doesn’t want from touching her. She says that as long as she offers her ritual dances, she is the summit which Futayo cannot reach. As Kimi gets more into the dance, she gets more and more untouchable, but Futayo attacks faster and faster to try to reach her. Finally, one of Futayo’s blows nick Kimi, splattering blood on Asama. Masazumi is worried, but Asama is not, saying that Kimi won’t lose. She says that Kimi has only cried once, because of Toori, and since Toori is watching she will not lose.
There’s a flashback. It’s shortly after Horizon died, and Toori is wasting away, unwilling to eat. Kimi tries to get him to eat, but he refuses, saying Horizon can’t feel anything anymore. Kimi hurls him through a window, and then begins punching him. In an attempt to get him to feel something, she forces hot spices into his mouth, and then her hand. Toori begins to bleed from the mouth. Kimi tells him to regain what Horizon has lost, and calls him “silly brother” for the first time. Finally, Toori begins to cry. Kimi hugs him, and says he must live as he is now, laughing and getting angry just like a newborn, and helping those who can’t do that. He must help others regain the things they were born with that have been lost or stolen, and that she will help. Finally, Toori clings to Kimi, and Kimi breaks down and cries. Back in the present, Kimi says that this is nothing compared to that time.
One of Futayo’s strikes gets through Kimi’s defense and cuts into her chest, but Kimi lifts the blade up with her breasts and licks it. Futayo realizes that she’s caught in the dance’s intermission, and that she needs to give an answer. However, she does not, so she is thrown back. Discarding speed, she binds Kimi’s name with Slicing Dragonfly. However, the only thing that is cut is a bit of Kimi’s clothing. Kimi asks why Futayo is surprised. She says that a flowers name means nothing to the flower itself, and that if Futayo was going to rely on that, she would have to increase her power level by four digits in order to reach Kimi. Kimi then begins slapping and lecturing Futayo. She says Futayo made three mistakes. One, she crossed paths with a magnificent woman like Kimi. Two, she tossed aside her selling point (speed) when she repelled but once. The last mistake (and she says this as she coats Futayo’s lips in her own blood) is that Futayo isn’t meant to serve the King of Musashi, nor the Testament Union, nor her own brain. She says that if Futayo is a samurai, she should be fighting for her lord, Horizon! She orders Futayo to kneel, and Futayo immediately does, and apologizes. The victory goes to Kimi.
Innocentius reappears, and asks the King of Musashi what he will do. The King realizes that if Toori becomes king, Musashi will be freed of its restraints, but the Testament Union will view him as a threat and declare him hostile. Toori comes up to the king, and says that a king needs to stand proud. The King of Musashi declares that all authority will be transferred back to the students, but not his kingship. However, Toori and Horizon would become viceroys of Musashi. the King tells Innocentius that a king must always stand by his people. He says that if Innocentius thinks his actions are harmful, he can pass judgment at the next Testament Union Conference of Representatives. Innocentius says there are none in this era, but Masazumi says there is – the Peace of Westphalia, which will be held in half a year. Masazumi proposes they use that conference to decide the issue. Innocentius says that will mean that Musashi will be at war with the Testament Union until then, but Masazumi says they can hold out. She declares their intentions again, and Innocentius says that they are dangerous, and as such they will continue with their plans to extract the armament from Horizon after her suicide. Toori says that he’s going to go tell Horizon how he feels, and accuses Innocentius of stripping Horizon, chaining her down, and either torturing or doing something “wet and messy” with her. Innocentius stridently disagrees. As Innocentius’ image disappears, sensei declares that Toori’s side has won, and they will rescue Horizon.
Toori walks down the stairs, telling the others that they have showed him that they can rescue Horizon, so he’s going. He tells them that they don’t have to go along with this anymore, but if anyone they care about is ever in danger, they shouldn’t hesitate to save them, and that they can do it. Thinking to himself, the King of Musashi says that Toori is an idiot for doing the same thing he once did, and that one person can’t save everything alone. He is surprised when he realizes that everyone is going with Toori. Adele grabs the brown algae to take them back, when the King of Musashi recognizes the (Hexagone Française) crest on her spear. He asks her where she got it. Adele says she got it from her father. She said he used to live in a foreign country, whose king surrendered himself to the Testament Union in exchange for peace. Adele’s father felt that the people didn’t do their part, so when he gave the spear to Adele, he told her to protect her king. the King of Musashi asks what she’s going to do now. She says she’s going to go protect her king.
On the stairs, Toori says he’s counting on Neito, and mentions an old promise. She says she remembers, and calls him “my king.” Behind, Masazumi’s father talks about how his son daughter wanted to be more “hands-on.” More people gather around Toori, the whole class. Naomasa says they’re a close bunch. Toori asks Azuma if he should go, and Azuma says he’ll be fine, and that he’s sure he can help. In her room, Miriam and the ghost girl wish the class luck, saying that she’ll be waiting. The Queen grasps the King’s hand, while Sensei once again wishes them good luck, good luck. Neshinbara starts working on a strategy, while Toori asks Asama to pass “that” through. Kimi makes sure he isn’t forgetting something, but Toori says not to worry, because he’ll never give up on life again. Asama agrees to do it, a bit reluctantly. Toori thanks her. Then he invites Futayo to join the academy as the temporary vice chancellor (the second in command of military affairs, under Toori). She says okay, as long as she can protect Horizon. Toori says that’s fine.
At the bottom of the stairs, the meet president Sakai. He has a letter of recommendation for enrollment into the school for Horizon Ariadust, which he sends to Toori. He tells them all not to do their best, but simply to use all the power and strength they’ve developed. And if that’s not enough, to come back alive. There’s a flashback to a young Toori, with Kimi, Tenzo, Asama, Suzu, and even Horizon looking on. Here Toori declares he’s going to become king of a country where everyone’s dreams come true. Back in the present, he says “let’s go, everybody! I’m counting on you.”
Impressions:
Ohhh man, Kimi’s dance was pure awesome. I must admit, it was hearing about how awesome Kimi-nee was in this episode that made me finally start my original marathon of Kyoukaisen (props to Kurogane for that one). And perhaps I’m lucky for that – I was able to take in all the buildup episodes all at once, and by the time I stopped watching I was already in the thick of the awesome. I don’t think doing it week-to-week would have hampered my enjoyment much, but…well anyway, more on that later.
So yeah, Kimi-nee is awesome. As with Shirojiro’s fight, I have a soft spot for the (seeming) little guy taking out what should have been an insurmountable foe (though really, who doesn’t love that?), and Kimi no-combat-abilities-whatsoever Aoi certainly falls into that category. Or so it appeared! To me though, seeing Futayo stymied by Kimi-nee’s insurmountable Summit Dance wasn’t the best part of their fight, even with purposeful undressing and a little spear licking to knock things up to 14 on the awesome-‘o-meter. No, it was how Kimi-nee beat Futayo that was really awesome. Without any offensive abilities, it seems like Kimi-nee should have had no way to actually beat Futayo, but that’s simple thinking. Rather than attacking her physically, which is what Futayo is good at defending against, Kimi-nee attacked where Futayo was weak and she was strong – the mind. Kneel! Amazing!
Plus, there was a bonus here. Just like with Neito and the knights, beating Futayo along wasn’t the best course of action. If that was the Good End, the Best End was beating her and bringing her completely over to Toori’s side. For her little brother, and despite having no combat abilities whatsoever, Kimi won the critical battle and brought a powerful ally to their side. Gods, Kimi-nee is awesome.
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Speaking of love for her brother, it’s always hard to watch the flashback scene where Kimi finally brings Toori back from the brink. Seeing her forcing spices and her entire fist into his mouth until he cries and bleeds is painful to watch. It’s a mark of her desperation to save him, and her love for him, but damn… Powerful stuff, but I don’t want to think about it too much. Moving on!
By the way, one other thing on the dance, and then one other thing besides. Do you remember where Futayo realized she was in the dance’s intermission and needed to give a reply, but since she didn’t she was pushed back? The reason for this is, in that dance, the intermission is a place where the audience is supposed to take part, like a comedian calling on the audience to shout out suggestions for a joke. Had Futayo answered appropriately, she would have been able to “taste” Kimi (down, you perverts!). Unfortunately for the clueless-about-art Futayo, she didn’t know how to respond, so she was repulsed. This is like that comedian asking for suggestions, and the room falling awkwardly silent. You can’t expect to hear the good jokes when that happens.
The other thing has to do with Slicing Dragonfly, Namely, why didn’t it effect Kimi? To get the answer to that, first think back to the first episode. Remember when Kimi was shaking Margot and telling her to call her Bel Flore instead of Josephine? Slicing Dragonfly cuts the “owner of the name reflected on its blade,” but in order for it to work it has to sever its target’s “true name”. Against Kimi, who wears names like fashion and constantly rejects her “true name”, it has no effect. Who’s to say what name it severed? Perhaps Bel Flore, perhaps Josephine, perhaps one of the countless others. What this really means is that Kimi-nee was exactly the right person to fight Futayo, and that she’s really perceptive to have realized as much. Kimi-nee is awesome!
Anyway, I could talk about the king (him considering sacrificing his kingship for the people of Musashi was on par with what the knights tried to do, and therefore worthy of mighty praise), but this episode was all about that last scene, when Toori sets off down those stairs alone, ready to save Horizon all by himself if he has to, and when all of his friends move to join him, everyone collecting around him as they embark on this dangerous quest. Perhaps I’m just a hopeless romantic, but in my book you can’t beat the feeling of a bunch of friends all marching off together, united in purpose and willing to fight with their entire beings for one another. As Moomba said in his OST post:
The cast is assembled… it’s time to head out to battle. No thoughts of whether it’ll be a victory or a defeat; stepping out to claim a victory is the only thing on their minds.
As one of the best songs on the soundtrack plays, first Adele, then Neito, then Masazumi, then Nenji, then Naomasa, then Azuma, then Miriam, then Makiko-sensei, then Neshinbara, then Asama, then Kimi, then Futayo, then president Sakai, and then from the mists of time, a young Toori with little Horizon looking on – each of them vows to do what they can, together; for their dreams, for their future, for their country, and for their king. The feelings of each of them, united together as they head off to battle, and the ED begins to play…it gets me every time. This is something that no story with a measly three or four protagonists can pull off. This is why they’re all there, at least to me. If any scene embodies why I love this series, this is the one. That’s my number one, undisputed, gives-me-chills-every-time, favorite scene of Kyoukai Senjou no Horizon Wonderful.
Episode 10
Episode Summary:
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The episode starts on the execution grounds, with Horizon looking up from her book as a God of War Tres España God of War takes off. The Tres España servant who has been waiting on her asks Horizon if she’s concerned about what’s happening, but Horizon asks whether it matters, since she cannot leave. She talks about the Disintegration Wall, which, if touched, will analyze you and reply the memory you regret the most before devouring you in that sin. She says that the barrier will let you through if you deny your memory, but that it is impossible to deny one’s past sins, so it will disintegrate her. Horizon asks if it wouldn’t make everything easier if she just touched the wall now, but the servant asks her to stay still since they must extract the Armament from her. Horizon agrees to do so.
After the OP, it starts with Tenzo monitoring the battleground from a tree. He observes that Adele’s armor shell is heavily armored. She says it’s from her father, and this is the first time she’ll use it in battle, so she’s sorry if anything goes wrong. Noriki wishes that Naomasa and Neito were there.
Aboard the docked Musashi, Neshinbara stands surrounded by screens. Nearby, Kimi, the King, and the Queen sit sipping tea. Neshinbara proclaims that he’s going to be strategist for the battle. He asks Margot and Malga for the situation. Malga shows outlines the enemy troops on the ground, and Margot points out the three ships they have protecting the skies. Kimi asks about enemy’s Tercio battle formation, and Neshinbara explains that it’s a formation that excels at defense. He says that the enemy doesn’t need to win, just stall them, and in order to do that they will seal off the roads and seal off the skies (as they are doing). Neshinbara speaks to all of Musashi, speaking of the value of war and of living life to the fullest. He also speaks of friends, and heroes, and places to return to. He then describes the “plot.” He explains that if they can defeat the giants of K.P.A. Italia and Tres España, with all their ships and heroes and Gods of War, the nations of the world will be forced to recognize Musashi’s military might. He asks if the people will fight, and asks for their protagonist to make a statement. Adele and the others find Toori walking towards the enemy alone. They try to stop him, but he charges towards the enemy, pushes open the gate and looks out. The enemy begins firing, so he charges in further. The others charge in after, to protect him.
Suddenly, the Testament Union lines open up, and out emerges a giant gun. They fire it, and it strikes Adele, who had just finally caught up. To everyone’s surprise, she’s fine – her heavily reinforced retainer was merely scuffed. Neshinbara explains that while armor was now mass-produced, it used to be custom made, and while people now focused on speed, they used to focus on armor so they could absorb heavy blows. Neshinbara says that her armor is so outdated it’s practically useless in their speed-focused battles, but Tenzo interjects that it’s a good wall. Soon, everybody clusters behind Adele. Then Persona-kun picks Adele up and charges forward, using her to absorb blows.
The enemy ships fire, first cutting off the Musashi troop’s escape route, and then firing on Neshinbara’s control point on Musashi proper. Musashi-sama (the automated doll) and Musashi archers block more incoming shots. One of the Tres España ships fires its main weapon at Musashi, but Musashi-sama blocks it. Musashi-sama tells Asama she’s counting on her. Asama purifies the area, and then plants herself into the ground via her armor. Loading a massive bolt into her bow, she draws the string and fires just as the ship fires. Her shot nullifies the Tres España shot and obliterates its main weapon, sending it falling. As it falls, a God of War launches. Neshinbara asks Malga and Margot to take care of it.
While they wait for the God of War to approach, Malga mentions that she never thought they would get to fight the Tsirhc Church (Stilts note: Tsirhc = Christ backwards. That’s what they call the Christian church) as witches, talking about their persecution, techno-magic, and how Musashi has been a good sanctuary. Therefore, they don’t mind showing themselves as witches if it’s for Musashi. The God of War arrives and attacks, and Margot and Malga transform. They mount metal speeder bike-type vehicles and fire magic with coins as ammo. They exchange blows, but the God of War shrugs them off.
On the ground, Adele tries to endure the punishment. They charge forward. Meanwhile, Innocentius is told about the battle between the God of War and the witches. Malga and Margot praise the God of War’s prowess, but vow not to lose. Margot attracts the God of War’s attention, and Malga nicks it on its neck. Margot gets knocked away in the God of War’s thrusters and, in her distraction over Margot’s situation, Malga is shot down. On the ground, the Testament soldiers cheer this situation. As Margot plummets and the God of War closes in, those who entrusted Musashi’s skies to the girls call out to them, urging them to not give up. Finally, at their urging, Margot rises. She begins to mutter calculations. She talks about white magic (plus power) and black magic (minus power), and what happens when you combine them. She then fires 10,000 ten in ten-yen coins at the God of War – a day’s wages. The rolls fire towards the God of War, which dodges them madly, but only manages to make it into the cut that Malga made. The God of War’s head explodes, and it falls. On the ground, the ones who urged them on cheer. Neshinbara thanks them, asking them to come back. They say they will. They then embrace one another and kiss.
In his command room, Innocentius speaks about how the strong do not torment the weak, they just crush them immediately. In the ground battle, the Testament Union uses a pincer attack to split up the Musashi forces. Toori exclaims that everyone wants a piece of him, and asks for help from the “officers.” Neshinbara proclaims that it’s show time. At Musashi, Jizuri Suzaku is catapulted through the air, with Naomasa and Neito aboard.
Impressions:
Some people will say that this show is weak because, despite the large cast, not all the characters get a chance to stand in the spotlight. I disagree. Others might instead say that the large cast prevents us exploring in-depth the backgrounds and personalities of all these characters, and to that I would say shut up that’s not the point!! *tsun tsun* But let’s take that first objection. It really started three episodes ago, but I love how all these different characters get a chance to stand up, show their stuff, and help out their friends and their cause. In this episode we got to see that from a few different characters, so I’ll take each in turn:
- Neshinbara is getting to strut his stuff as strategist / coordinator, and he clearly loves it. His true time to shine is later, but I enjoyed him talking about everyone in trope-like terms, and even calling out Toori as the protagonist. I do that sometimes too, though I’m never quite clear who the protagonist is. As for his speech, it’s another scene that gives me chills. Friends who would rescue you from danger, a name to call out when all is lost, a place to return to…may we all have as much.
- Adele being demoted to a constantly suffering human shield was both hilarious and cute. Her earnest attitude might just make her one of my favorite characters in this show, though with such a vibrant cast, there’s a lot of competition.
- Ohandbytheway, the quiet and frequently overshadowed Persona-kun even got to come in handy again. That’s one of the lovely things about a big cast – there are so many characters that can do so many different things that there will always be a chance for them to shine.
- Moving on, I would be remiss if I didn’t mention Asama. She is a stone-cold badass. While Musashi-sama deserves props for blocking all those shots, and especially the big one, Asama tore through the Tres España primary cannon and sent the entire ship plummeting. Do not piss her off, gentlemen. It will not end well for you.
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Then of course, there was Margot and Malga. Ohhhh, those two. Now I’ve got to admit, while it was neat seeing them flying around, their attacks seemed awfully ineffectual most of the time. I think that’s a problem with how I view giant mechs, though. After seeing gundams and gunmen and arm slaves wrecked so frequently in other shows, I’m not used to a unnamed mech being a huge threat, but in Horizon’s world, Gods of War are Big Friggin’ Deals. Remember that Margot was praising the God of War even as she was fighting it, and Neshinbara was more concerned about it than the ships that were firing Yamoto Cannons straight at Musashi. These things are so powerful that two can guard all of Musashi, and with all those big ships Tres España only brought three, which they thought was more than enough. Of course, Kazuno and Tadakatsu were beating up Gods of War the day prior, but that’s because they were fighting on the ground in anti-air gear, and because Kazuno and Tadakatsu were frankly overpowered. It’s a downside of the Gods of War getting beat the hell up before they were properly established as awesome, but take it from me – they are.
As for the way Margot and Malga won, think about magnetism. Positives and negatives attract. Margot is positive, Malga is negative. Malga (-) nicked the God of War, so Margot (+) fired a positive shot, which homed in on the negative mark that Malga left. Small cut + lots of coins infused with magic = dead God of War. Good game!
Then there was the part you’ve all been waiting for – the kiss. Ohhhh the kiss! To be honest, while I love a good girl-on-girl kiss as much as the next guy (who is watching it safely from the other side of a computer and/or TV screen), I didn’t enjoy that scene for any titillation. To me, there is no “squee, yuri!!” sense from Margot and Malga’s relationship. They’re no different to me than Shirojiro and Heidi, a couple that is clearly in love, and which earns all its smiles from that fact rather than the part where both people happen to be girls. Rather, the part I liked most about this was that Sunrise actually had the balls to show it! After countless shows (like Mahou Shoujo Lyrical Nanoha) where we all know two characters are gay and they’re totally together, but no one (in universe or among the producers) will admit it (ARGH!!!), it’s so refreshing to see them just show it. It’s obvious how much Margot and Malga love eachanother, and after the battle they just went through, where one clever maneuver by their enemy almost left both of them shot down and their beloved sanctuary exposed to attack, they survived and triumphed. They deserved their moment.
But you want to know what one of the best parts about this episode was to me? We’re getting into true army-style battle tactics, eeeee!! *squeels inappropriately* I feel like I’m little kid playing Age of Empires again! (Whoops, showing my age). So anyway, tactically speaking there were a few irksome things this episode, though on further reflection I’m broadly okay with most of them. For instance, the Musashi forces getting split up by the pincer attack was pretty dumb, but that’s the kind of mistake that happens in a battle, so I’m fine with it. One dumb thing I can’t justify is Toori’s premature charge. I’ll freely admit, that was pretty stupid. I mean, he does stupid things all the time, but they’re usually harmless stupid things, or brilliance cloaked in stupidity. This one though, I can’t really figure out a reason for. You should probably reign in the idiot act when you don’t have a plan, Toori.
Then there’s Naomasa and Neito. The first time I watched this, I wondered why they were held back when there was a God of War that needed breaking, but then it hit me – Jizuri Suzaku can’t fly. Launch Jizuri Suzaku when the enemy God of War was around, and you’re liable to have it flying around and making Naomasa’s life miserable while she’s trying to bash in faces on the ground. But now that Margot and Malga have taken it out, Naomasa is free to make the Testament Union soldier’s lives a living hell. As for Neito…well, she could have probably gone in earlier, but perhaps they just wanted to look helpless until the God of War was out of commission? Not sure, still thinking on that one.
Still, let me just say this – that last moment, when Toori calls out for help, Neshinbara’s glasses glint, and Jizuri Suzaku launches with Neito saying that they’re coming, “waga ou”…chills man, chills. That gets me every time. Omawari-san, hah! Let’s go, straight onto 11!
Episode 11
Episode Summary:
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The episode starts with Jizuri Suzaku flying towards the Testament Union troops. They set up a defensive formation, so Jizuri Suzaku throws Neito towards them. She deploys Argenté Chaîné, her silver chains, and uses them (and some plates Naomasa launches from Jizuri Suzaku) to decimate the Testament Union lines.
After the OP, Neito heads towards Toori, grabbing soldiers and massive guns with her chains as she goes and hurling them around. Once she reaches him, she says he can praise her, and he does, though while treating her like a dog (she is 1/2 werewolf though). She protests. Naomasa says that she (and Neito) will take care of things, and tells Toori and the others to go ahead. On his ship, Innocentius observes the situation, and rises.
Outside, everyone rushes towards the ship that holds Horizon, still using Adele as cover. They mention that they’re running out of energy. Ahead, Galileo steps in front of them with K.P.A. Italia’s official army, as does Innocentius with the Armament of Deadly Sins for lust, Staseis Porneia (Stilts note: the one Galileo borrowed earlier in the day). Using its super-drive, Innocentius breaks the weapons of everyone he views of as an enemy within a 3 kilometer range. The Musashi troops realize that not only are their weapons broken, but their punches and kicks are weakened as well. As Toori watches, the Musashi troops are pushed back. He asks if they truly want to save Horizon. They all answer unequivocally yes, and that they all feel that way. Toori smiles, and tells Asama to go ahead and do it, and sanction his contract.
Asama, though upset about it, goes ahead and sanctions the contract. Toori’s contract allows him to share everything he has to offer with others. A giant power cord appears behind him, and he sweeps his hand, with little sign frames that say “Impossible” appearing in front of him. Smaller cords extend to the backs of all of the Musashi soldiers. the K.P.A. forces attack, but to their surprise the Musashi soldiers fight back, and have spells. The King of Musashi realizes that this is why Toori wanted to be king – currently, as viceroy, he has control over 1/4 of Musashi. That means he can freely use 1/4 of Musashi’s ether reserves. That means the people with him can receive effectively use spells for eternity without running out of power. Neito asks Asama if Toori will be alright. Asama explains the price: Toori must offer feelings of happiness as a ritual offering. If he ever gets sad or upset, he will have failed to make his offerings, and will be purified – and vanish. Toori tells them to relax – he is Aoi Toori, and will take whatever is impossible for them upon himself.
In the ship, a hole appears through Horizon’s book. She says that it looks like she’ll have to stop reading soon. Toori tells the troops not to push themselves, but they say they’ve no choice, so Toori asks if anyone can stand up to Innocentius’ Armament of Deadly Sins. Masazumi says that she can. She challenges Innocentius to a duel, and he accepts. Kimi calls him an idiot, though Neshinbara thinks he’s being manly. In order to duel, Innocentius drops the effect of the Armament of Deadly Sins, giving Musashi a chance. He starts to come to Masazumi, but she says the footing is bad, and proposes another area. Innocentius says that if that’s the case, she should come to him, and hurry up. Masazumi agrees – and then take theatrically slow steps forward. Innocentius gets pissed and rushes towards her.
On the battle, Noriki confronts Galileo. Galileo casts his spell Ptolemaic Theory, which forces Noriki to orbit around him, throwing him to the ground in the process. As Noriki rushes forward, he then uses Heliocentrism, which allows Galileo to orbit around his target. Noriki punches again, which makes it his second punch to strike Galileo’s spell. He says that Mutsuki (January) is ready. Galileo realizes what’s going on – Noriki is offering his first two punches to make his third stronger. The first punch lets him penetrate any defense (Stilts note: think “magic penetration”), his second lets his punches hit anything hard and strong (Stilts note: think “armor penetration”), and the third one…uses those effects. Third hit is pretty much an assured KO. Using this, Noriki lands his third hit on Heliocentrism, nullifying the ability, and then his second hit on Galileo. He asks if Galileo could just look up with a telescope, and glances towards the moons. Realizing, Galileo looks up – in time for Kiyonari to fly down and slam into him. Noriki then taps him with his third punch, and Galileo falls over. Sensei smiles, as the K.P.A. Italia troops despair.
Elsewhere, Innocentius finally reaches Masazumi. Masazumi admits defeat, but Innocentius is pissed. He says that he has now won twice, and that if Masazumi is a girl, she should dress like one. Innocentius then transmits to his troops and gives them a speech, stirring their resolve. Masazumi realizes that the Testament Union is still firing, which means Musashi still has a shot. She asks Neshinbara about Futayo. Neshinbara says that he lost contact with her a while ago, which means she probably encountered Muneshige. They introduce themselves, and say that they’re alone, with Futayo saying that she has no friends and is not getting ether from Toori. Muneshige calls Gin and asks her how to deal with someone with complex issues, but Gin says that Futayo is 1/5 as complex as her. Muneshige asks Futayo why she didn’t sever the Pope President’s Armament with Slicing Dragonfly. Futayo wonders what she has done, to Muneshige’s surprise. She goes on to say that Neshinbara and Masazumi positioned her here, so they must have had a reason. They both claim that they didn’t fight with all of their strength last time, and only used increasingly small percentages of their power. They decide to fight for real, and accelerate and clash. Futayo gets the best of Muneshige, forcing him to land on her spear, then extending it, then flipping the blade to bind him…but he covers the blade with his shoe, preventing it from reflecting his image. He accelerates forward and strikes Futayo down.
Muneshige addresses the people of Musashi. He says he will fire on Musashi, preventing it from leaving port so that, even if they rescue Horizon, she will only be taken back when their reinforcements arrive. He then tells them to evacuate Musashi before he fires. Meanwhile, on the containment ship, Horizon shuts another book, and asks why all the generals in the book lose a layer of clothing when they lose a match. Why indeed.
Impressions:
Wow, there’s so much going on in this episode, and it contains one of my other favorite scenes in the series thus far! Let’s dive right in. First is Neito. Simply put, seeing her sling those chains around in ridiculous and logic-defying ways was awesome. I have no idea how they work, but shutupit’smagicjustshutup!! But mostly I enjoyed how she came over to Toori and proudly said he could praise her if he wanted to. D’aaawww!
Now, a bit of a qualm that’s not really much of a qualm anymore. They sure do stand around talking a lot for being in the middle of a battle, don’t they? Part of that has to do with this being adapted from a bunch of novels, and that’s fair enough. But that aside, there’s another reason for this. You notice how nobody is really dying? I’m pretty sure the magic here has fail safes (ala Mahou Shoujo Lyrical Nanoha once again) where it can’t kill people, or at least doesn’t do so in most cases. So, with death off the table and with the Testament Union’s only goal being to stop Musashi from getting Horizon until she commits suicide, they’re really only stalling – I mean, if Musashi wants to waste what little time they have talking instead of fighting, what do they care? That just means there’s less effort needed for the Testament Union soldiers to do their jobs. And mind you, taking the death out of war (or at least markedly lessening its chances) does decrease some of the horror and danger from the whole endeavor. That’s one of my more unequivocal qualms about this series – I like the stakes to be high, and that’s one way the stakes can quickly be made higher, even if it does threaten us losing some of the great characters we’re given here.
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Speaking of as much, TOORI MISTER MUTHAFUCKIN’ IMPOSSIBLE!! Here it is, my second or third favorite scene in the series so far (I can never decide). This is a culmination of so much for Toori. Here he is, Mr. Impossible (useless, ineffectual, weak), flipping everything on its head by doing exactly as Kimi once said he should – he’s helping others become more than they are alone, and helping them regain what they lost. Toori takes everything on himself – their burdens, their fears, the things they cannot do – and through his impossible powers, makes them possible. Infinite MP every turn for as long as the battle goes on. What power! Tell me Testament Union, who’s useless now?! You shoulda done your homework before making this guy your “pawn”, heh.
But what makes Toori’s move so especially epic is the cost. You know how I said taking away the threat of death lessens the stakes? They’re baaaaack. If Toori is not constantly happy, he will fail to make his offerings and he’ll disappear. He will die. And he can’t turn it off, either! For the rest of his life he must be constantly happy, because the one moment he succumbs to anger or sadness, he will vanish forever. Wow. Just imagining that…wow. For anyone else, this would be a truly impossible task. I know personally I wouldn’t last two days. But for Mr. Impossible, Aoi Toori? That’s another matter entirely.
But still, try not to bum him out when you just helped make it so that sadness will kill him, Asama. Try smiling, ne?
Moving on, this episode is where Masazumi reveals herself to be the master troll she is. Her gambit to get Innocentius to shut off his super-drive and run out to her was genius! Even more than that, his lecture that she should dress like a girl was nice and surprising, and hilarious for it. Of course, Masazumi can dress however she likes, that’s within her rights…but let me just say that I enjoy what is to come :3 Keep on trollin’, Masazumi!
On a more serious note, it was, of course, quite stupid for Innocentius to cancel the effect of his Armament of Deadly Sins in order to accept the duel, but his hands were a bit tied. Remember the time period they’re reenacting, and that he’s the super powerful head of both K.P.A. Italia and the Testament Union, with all of his actions being broadcast on live TV for everyone to see. For him to reject the duel would have made him seem cowardly, impugned his honor, made the factions he represents look weak, and a host of other things he wouldn’t want the (in-universe) people watching at home to be thinking. Also, see Article 10, Addendum in the School Regulations. He literally had no choice. Masazumi had him where she wanted him as soon as she challenged him to a duel.
By the way, it’s thoughts like those that are why the Testament Union can’t execute— erh, I mean, have Horizon commit suicide early. To move the timetable would signal that Musashi was an actual threat, which would make the Testament Union look weak. And why should they, when they still have so much going for them, including that impenetrable wall that Toori needs to get to? Well…ufufu~
Anyway, two more members of class 3-Plum got some time in the spotlight this episode: Noriki and Kiyonari. For Kiyonari, like with Persona-kun last episode, I enjoy that he wasn’t forgotten about, and had a chance to contribute to the fight in some meaningful way. Plus, the first time I saw him fly down and attack Galileo, I was really surprised, having forgotten about him myself. I appreciate that! As for Noriki, his magic is devastating. Of course, all someone would need to do to stop him is crowd-control or kite him (yeah, I’ve played a few too many RPGs and MMOs in my time, thanks), but if they don’t manage that then he can basically three-shot any single enemy. I don’t think he’d be a match for Muneshige, but damn, he’s a lot more powerful than he initially appeared. Personally, I want to see more of Noriki, especially if he mixes a little stealth in there and starts taking down baddies he would have no chance against in a straight up fight. Get sneaky Noriki, and you too can be a king! Or at least a pretty badass baron or something.
Then there’s Futayo and Muneshige. This was one of the funniest exchanges of the series, and definitely one of the top three funniest that didn’t involve Toori. Futayo has no friends, Gin is more complex, what has Futayo done, “I only used __% of my power!” They’re…they’re both idiots, HAHA!! As for their fight…well, that was impressive, but even the first time through I didn’t think that Futayo was completely down for the count. Oh man, next episode…
I’m getting worse and worse about keeping these short, aren’t I? But I just can’t help it!! These are the episodes that get my blood boiling every single time. Viva la Horizon-tan! Onto the penultimate episode!
Episode 12
Episode Summary:
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The episode starts with Futayo down, and Muneshige pointing Lype Katarripsi’s super-drive at Musashi. There’s a flashback of Futayo sparring with her father while Kazuno looks on, in which Tadakatsu beats her. Muneshige cancels his super-drive when he realizes that Futayo has stood up. Futayo screams.
After the OP, Futayo asks Muneshige if the Far East will lose its sovereign powers if he fires. He says that it will. He says that it’s a samurai’s job to fulfill the wishes of his lord, and Futayo brings up that her father defeated him, fulfilling the wishes of his lord (Lord Motonobu) in the process. She says that Horizon is her lord, and therefore she must save her. Members of class 3-Plum appear on screens around Futayo. Masazumi says that she will do the paperwork if Futayo needs to tap Toori’s ether supply, but Futayo says that just hearing their voices is enough, so they cheer her on. She accelerates and attacks. Muneshige says that he’s faster, but Futayo concentrates, increasing her accuracy, losing unnecessary movement, and shedding all hesitation. Muneshige vows to take her on, and they accelerate towards one another, but Futayo steps over him via his leg and back. Muneshige turns to attack, but Futayo gets under his guard and unleashes a devastating flurry of blows that knocks Muneshige’s weapon away, and him to the ground. Futayo spares his life, as he did for him, and Muneshige declares that she has won. Futayo disagrees, saying that she thinks her father severed Muneshige’s Garcia name, which is tied to his speed, and she only won because of her father. Muneshige thanks her, and falls unconscious. Collecting Lype Katarripsi, Futayo declares Muneshige defeated.
At the Testament Union base camp, Gin falls to her knees, while in the air the Tres España ships begin to pull back. While Masazumi notes that the inquisition ship hasn’t stopped extracting the Armament of Deadly Sins from Horizon, Naomasa and Neito walk up riding on Jizuri Suzaku. Naomasa says that they pacified the troops back there. Masazumi alerts them to the situation – the Pope President is back and leading the charge, but Musashi’s troops have gotten Toori to the inquisition ship where Horizon is held. Neito heads over, and Naomasa starts to as well, but Masazumi stops her, saying she has a job for her and Jizuri Suzaku. Masazumi then notes that they have 5 minutes (5:54, to be exact).
In front of the force field, Toori calls for Horizon. She walks up and asks if he needs her for something. He says he’s there to save her. She asks who he is, and tells him that he’s bothering her, so he should leave. Back on Musashi, Suzu feints onto Kimi’s chest, which she calls the “erotic cushion.” Back at the inquisition ship, Toori reminds Horizon that he’s a customer from Blue Thunder, and she says he remembers him, and that he often came in for breakfast. She says that he would always grab his hands when she offered him change, and that the shop owner nicknamed him Wet Man. Some of Toori’s classmates appear on screens around him and insult him. He asks what’s wrong with wanting to touch the woman he loves. He starts to reach for her chest, which is when Horizon mentions that he would die immediately upon touching the wall. Toori exclaims that was close, and then asks why she is dressed, saying that you’re usually naked in chains if you’re being held for heresy. Horizon starts to leave, and Toori begs for her to stop. She does. Back on Musashi, Kimi says that they used to see exchanges like this, to which Suzu agrees. Kimi goes on to say that Horizon was really blunt with her brother. Everyone agrees, but says that it was clear how much she cared for him. They decide that this automated doll is a lot like Horizon.
Horizon says she wants to make the best choice and avoid inconveniencing the world. Toori says to hell with the world, and that her dying would inconvenience him. She asks what’s more important, him or the world, and when he asks her back, she picks the world. Toori decides that this means he’ll just have to become king of the world. He says with her Armament, stopping the apocalypse and becoming king of the world is no dream, and that if they gather them all up then she would become her old self again. He says that he wants to conquer the world with her. He says that he’ll get back everything that was stolen from her because of him. He turns and asks the world to hand over the Armaments, or else they’ll go to war. He lists off a lot of things in turn. He says:
“Shinto, Buddhism, Catholic, Protestant, Murasai, Anglican Church, Russian Orthodox Church, Dunhi, Oat, Techno-magic, swordplay, martial arts, gunsligning, mechanical beasts, phoenixes, dragons, aerial warships, civilians, knights, musketeers, samurai, ninja, warriors, kings, nobles, sovereigns, dynasts, emperors, popes, Far East, K.P.A. Italia, Tres España, Hexagone Française, England, Svet Russia, P.A. ODA, Qing, Union of India, money, rights, negotiations, politics, public opinion, armed forces, information, Divine Weapons, Armaments of Deadly Sins, Testament Arma, Summit Five, Eight Great Dragon Kings, Chancellor’s Board, Student Council, men, women, those who are neither, the young, the old, the dead, and the living, the emotions, the logic, the resolve, for those here who have the power to be able to duel – those on the Musashi, all of us, and all of you, and others, many others, many more, so very many more things that I still don’t know about – among all of us… Let’s find out who’s the strongest out there!”
During this scene, many characters are shown as they listen to Toori speak. Masazumi thinks to herself that he’s insane, while Toori wonders how his confession turned into a declaration of world domination. Masazumi yells for him to think before he speaks. Horizon says that his theory is clear and easy to understand, but it is not her theory. She says they are inversely parallel. She asks him to leave, because she does not want the Far East to be put at a disadvantage because of her. Toori says that he doesn’t want to lose her. Horizon asks why. Toori blushes and says he’s too embarrassed to say it in front of everyone, and Masazumi yells at him to stop fidgeting. On the battlefield, Tenzo tells Toori to reel her in. Toori smiles, and then throws his arms open wide and says that it’s because he loves her. Suzu, Margot, and other smile, but Horizon says that she’s sorry, and that as an automated doll she lacks emotions, so she cannot comprehend what he said. Suzu faints again, this time into Asama’s chest, which she calls a “pretty clean cushion.” Everyone is shocked that Horizon rejected him, Toori included.
Toori says that her being an automated doll has nothing to do with his instincts, and says that he’s okay with firm ones because Neito let him grope her when she was braless. Running towards the battle, Neito calls him horrible. Horizon laughs dryly, says that he’s horrible, and concludes that they are inversely parallel. Masazumi calls for Toori to not give up. Toori says not to worry, saying that it’s a battle of debate:
- Toori says that they’re parallel, so he will take her back with him.
- Horizon says that they’re parallel, so they cannot reach an agreement
- Toori says that they’re parallel, so he knows they can reach an agreement.
- Horizon says that they’re parallel, so “you can’t do anything, can you?”
- Toori says that they’re parallel, so he thinks he can do something for her.
- Horizon says that they’re parallel, so she wants to die.
- Toori says that they’re parallel, so he wants her to live.
- Horizon says she does not have a human life. Toori says that she has a human soul.
- Horizon says automated dolls don’t have emotions. Toori says he will return them to her.
- Horizon says that it’s meaningless. Toori says that nothing about her is meaningless.
- Horizon says automated dolls have perfect judgment. Toori says that he doesn’t think her judgment is perfect.
- Horizon says that they’re parallel, so she doesn’t want to hear his responses. Toori says that makes them inversely parallel, and that he wants to hear her response from a parallel standpoint.
- Horizon agrees, and says that since they’re parallel, she is bound to respond to everything he has said.
- Toori says that her judgment is probably perfect. Horizon says that they’re parallel, so she is certain that she is mistaken.
Asama asks how an automated doll can be wrong if they always make the best choice. Neshinbara says that the best choice doesn’t necessarily equal what she wants. He says that perhaps she was waiting for someone to make her give up.
- Toori says that they’re parallel, so Horizon thinks everything about herself is meaningless. Horizon says that they’re parallel, so she doesn’t want to think anything about her is meaningless.
- Toori says that they’re parallel, so doesn’t she have any emotions? Horizon says that they’re parallel, so she believes she has emotions.
- Toori says that they’re parallel, so don’t you have a human life? Horizon says that they’re parallel, so she has a human soul.
- Toori says she probably wants to die. Horizon says she wants to live.
- Toori says she thinks he can’t do anything. Horizon says there’s something he can do.
- Toori says they’ll never reach an agreement. Horizon says that they’re parallel, so she knows they can reach an agreement.
Toori asks where that is, the place where they, who are parallel, could possibly intersect. She says they can meet where all parallel lines meet, where conflicting ideals are reconciled. That is: “kyoukai senjou desu.” Above the horizon.
Everyone smiles. Toori says that she doesn’t want to go above the Horizon, does she. She says she does. He says she doesn’t want him to take her. She says no, please take me. He says that he can’t do anything. She says he can do anything and everything. He says he can’t fondle her boobs, can he. She dryly asks what he said, and he exclaims at her answering normally. A bunch of his classmates interject, telling him to die. He tells them to shut up. Horizon says that serving as sovereign is the best option, but she would rather work in that cafe (the Blue Thunder). She asks which one he would have her do. Toori says both. He says after all, he’s student council president and chancellor, but he still goofs off. She says she would like to consider that the best option. Toori agrees, and then says that this wall is in the way, and that they can’t make out with it there. She says that he’s the worst, and he replies “don’t you mean the best?” He asks how they break it.
Innocentius tells him not to waste his time, and that no one has touched it and come back alive. Toori tells everyone to stop Innocentius because he’s interfering with his flirting time, so Innocentius activates his super-drive, but Futayo appears and severs it. She says that she has come to Horizon’s aid. Innocentius tells his troops to charge, but everyone there from class 3-Plum stops them. Innocentius demands a duel with Toori, but Futayo says that he has to beat her first. Toori tells Innocentius to hang tight, and that he’s finishing up here. In the process, he accidentally puts his hand through the barrier and touches Horizon’s chest. The barrier flashes, and they both enter a dream world.
Horizon says that because Toori was touching her chest, they entered the dream world together. A young Horizon walks by, crying. Toori explains that because Kimi was out, Horizon made him breakfast that day, but that she was a bad cook and he said it was nasty. He said that young Horizon cried and ran off. When young Toori caught up to her, she began running again. As young Horizon dashed through the crowd, she darted out in front of the carriage, with young Toori lunging for her as the horses reared. The scene freezes. Toori and Horizon walk up. Horizon notices that Toori’s right hand has been engulfed in darkness, to which he says that this really is his sin. He says that she wouldn’t have died if he hadn’t chased her. He said he could have saved her if he was strong, and he really is an idiot. He went to to say that, seeing it now, there really was no way to save her. She says that he sounds as if it doesn’t concern him. Toori looks up young Horizon’s skirt while asking what colors Horizon likes. Horizon replies black and white, and Toori says that she really is Horizon. Horizon asks how he intends to deny this, his sin. Both of their right arms become engulfed in darkness.
Horizon asks what he will do, and whether disappearing together is where they meet above the horizon. She asks him why he fell in love with the present her. He said that he was surprised when he heard that she practices making breakfast. She says that she has no memories, so overwriting it with this is meaningless. He said that it made him think she’s the type of girl who wants to work hard to make breakfast for someone. He says he wants to be her number one guy. She then asks why the past Toori fell in love with the past Horizon. She says if the reason is equal to why he wants her now, then he’s a strong partner capable of denying the past Horizon via parallelism. He says that the past Horizon ran from her, but Horizon says she did not. She was just trying to hide, to avoid being indebted to him, so they could stand as equal partners, and because she wanted to greet him with a smile. She said that when he chased the past Horizon, he probably yelled–and then Toori says it for her, “I’m on my way!” He said that then she said–and Horizon fills it in, “Stay back!” She said they are parallel, and that she told him not to come because they are parallel. She asks what he should say so they can go above the Horizon – they can agree. Toori smiles. He holds out his hand, and says that he will say “It’s dangerous over there. I’m going to go save you, but I want you to come to me, Horizon.” Horizon agrees, and takes his hand. Their hands transform into a big red bow, and then they swirl and reform, and Toori pulls Horizon toward him. The barrier disappears, and reveals Toori and Horizon hugging.
Impressions:
First of all, if you’ve ever wanted to read Toori’s big long line at your own pace, check out the summary above. I copied the whole thing there, courtesy of kyoukaisen.tumblr. Seriously, that place is great.
There were really only three things that happened this episode, but they were all huge, so let’s get into it. The first one was Futayo and Muneshige’s fight. This one was short, but no less important for its brevity. Alas, there’s not a whole lot to say about this one – Muneshige wasn’t smart enough to knock her unconscious or break her legs or something, so Futayo got another shot, and this time she won. I don’t know that I agree with her that Muneshige’s Garcia name got sealed by Tadakatsu, though. In fact, I’m not even sure that Futayo believes that. That’s not to say that she’s going to get a big head over this, but I think she mainly just didn’t want to insinuate that Muneshige was someone unskilled enough to be beaten by a person with little experience like her. She was being kind, attributing the victory to her much more experienced and skilled father instead of taking credit for it herself. Was nice of her.
Wow, I guess there was a fair amount to say on that one. Anyway, moving on, I’m going to attack the two Horizon / debate / parallel scenes from two different points of view: the first will be how I understood them the first time I saw this episode (and enjoyed it despite my ignorance), while the second will be about how they actually happened, with plenty of explanations.
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First of all, Toori and Horizon’s debate in front of the force field. Actually, I’m going to tackle the force field itself first. Initially, it seemed silly to me that the Testament Union used a fancy force field when any decently genre savvy (trope!) viewer instantly knew it wouldn’t work. I mean, why use the obvious plot point when they could use a plain old wall? That said, I later realized that it wasn’t so dumb after all. First, consider: the events of episodes 6-13 take place over ONE DAY. At the beginning of this day, the Testament Union’s end game is for Horizon to commit suicide. They have to protect her from outside interference until then, in order to avoid the look of impropriety (that is, them killing her), but if she were to kill herself early that would be completely fine with them. The force field does this – it protects Horizon, but also gives her a way out. Of course, a sharp screwdriver would serve the same purpose, but that can’t be brushed away as a defensive measure; it would be just way too obvious that they were hoping she would kill herself, and thus make the Testament Union look bad again. Also, something else that the force field does: it makes sure that Horizon is in full view of the eyes (and cameras) of the world, once again covering the Testament Union’s asses so that it’s harder for people to accuse them of foul play.
By the way, I do remember that one Tres España maid saying that Horizon shouldn’t touch the force field a few episodes back, since they need to distill the Armament from her soul. I just feel like that’s bullshit. If that was the case, they’d put a wall between Horizon and the force field to stop her from having the option of getting near it. That’s just my guess, though.
Anyway, then Toori and co launch their assault. At this point it would perhaps make more sense to defend Horizon in another way – thick, solid walls, perhaps – because the force field can be circumvented. Given some time, the forces of Musashi could go under it, or drill in through the ceiling, or even enter through the ship. However, all these tactics can be used against any normal method of defense as well. Also, this type of force field has never been bested, making it presumably better as a defensive structure than thick walls, which have been bested millions of times over our history. Also, all the reasons they originally put Horizon in the force field still hold true (so that she can be seen by the world, she might kill herself early, etc). ALSO, there’s the simple fact that there hasn’t been enough time for the Testament Union to transfer Horizon to another location, and it’s unlikely that they would have had a better place than this to move her to anyway, since they only have a limited number of ships in the area. Phew! There were a few reasons there.
Of course, as savvy viewers we instantly knew that Toori and Horizon would somehow make it through the force field (probably), but that’s just us being too genre savvy for our own good. Perhaps that’s not the best storytelling (I wouldn’t say that myself, but I also probably wouldn’t argue too much against someone who said that), but that doesn’t mean the characters’ logic was any less sound. Or rather, as sound as any logic can be when politics starts getting involved.
Now, Toori and Horizon’s debate. The first time through I didn’t really understand how he did it, but I sensed the point where Toori turned the whole thing back around on Horizon and the debate started to slide his way. Long practice with analyzing stories + the OST signaled when the switchover happened, and a smile crossed my face. As for the goal, the “above the horizon” part…well, first of all I love a good title drop (trope!), and the swoop away and the view of the literal horizon was a well done moment that always fills me with a sense of wonder and peace. Aside from that, I took the whole above the horizon thing as a TTGL-style “beyond the impossible” thing. That’s not really correct, but it didn’t ruin the moment for me at the time, so it worked.
As for what was really happening, let me see if I can explain this properly. Mind you, it’s not necessary that you totally understand this debate for it to be enjoyed, but I know that for some of you that is necessary, so let me at least get you closer. A disclaimer though: I think people take this part waaaay too literally. Hell, some people go so far as to invoke Riemannian geometry (the last two comments at the very bottom of the page, if you want to know what I mean), but I think that’s trying a bit too hard. I’m going to tackle it, but I’m not going to fit everything together because we’re dealing with squishy illogical humans, and besides there are probably translation issues that get in the way. Still, like I said, I’ll try to at least get you closer. Hopefully I won’t be wrong!
Now, the first thing to keep in mind is that Horizon is actually two people – the automated doll P-01s, and the human Horizon Ariadust. These two sides are in conflict. While an automated doll has no emotions and must always pick the best, most “logical” decision, Horizon Ariadust is an emotional, illogical human who can do whatever the hell she wants. They hold two conflicting viewpoints:
- Horizon (as P-01s) thinks that as sovereign ruler of Mikawa, she must commit suicide for the sake of the world.
- Horizon (as Horizon Ariadust) wants Toori to save her, so she can live.
As is, P-01s starts out in control, because whatever else she may be, Horizon is an automated doll now, and the automated doll’s logical imperatives reign supreme. That means that in order to convince Horizon (as P-01s) to abandon her point of view and go with her Horizon (as Horizon Ariadust) one, someone has to give her logical reason to do so. It’s as Masazumi realized and Neshinbara said – she wants someone to make her give up. That’s why she’s debating at all.
Enter Toori. His point of view is along the same lines as Horizon (as Horizon Ariadust)’s, but he adds in an extra layer – he wants to collect the Armaments to prevent the apocalypse and save the world. This was his first attempt to convince her, because if she had accepted this then she would have had her logical reason for living…but while she accepted it as a valid theory, Horizon (as P-01s) didn’t adopt it as her own. Damn “logic!”
Here is where Horizon concludes that they’re “inversely parallel.” Don’t let the word “inversely” confuse you – the important part is that Horizon thinks their views are parallel, i.e. they’re running exactly beside one another and will never meet. Following that line of thought, this means that if Toori can prove that they’re not parallel, there’s a point where the two of them can meet and agree, and all they have to do is find that spot. If not – if they’re truly parallel – then they cannot come to an agreement, and there’s no need to be having a discussion at all.
There are actually two debates in here. The first one is Horizon (as P-01s) vs Toori. During this one, Horizon makes statements and Toori responds to them. During this, the key thing Horizon says is “I want to die.” Remember that. Now, they go through this line of statement-and-response until Horizon says “I do not want to hear your responses anymore.” At this point, the argument is over, and Toori concludes that they are indeed parallel. However, Toori restarts the debate (or rather, launches into a second one) by saying “I want to hear your responses.” This forces Horizon to accept and rejoin the debate. Why? Because she accepted all the previous statements as being parallel, therefore she must accept this one, which is parallel of her “I do not want to hear your responses anymore” statement. That is to say, she doesn’t want to hear his responses, but she didn’t say anything about his statements, so if he wants to hear her responses…you get the idea.
So they start the second round, where Toori makes the statements and Horizon responds. Here’s where Toori turns it around. Having firmly established that they’re parallel, Horizon is bound to respond to what Toori says in a parallel manner. I mean, if they’re truly parallel then the results should be the same, right? So Toori goes right back down the line of statements that Horizon made the first time around. Now, bear in mind a few things here:
- Toori’s point of view is the same: “I want Horizon to live”. It might seem like he has “switched sides” and is taking a tact closer to what Horizon (as P-01s) was saying before, but really he’s not. Mostly he just refers to Horizon’s feelings and asks questions. He still wants her to live, and this is known.
- In order to be right about them being parallel, Horizon must answer in a parallel manner to Toori. However, she must also answer in a way that she truly believes. For it to be an honest debate, neither of them can lie. It’s like if you were debating someone on national television, you said that the two of you were parallel, and then your opponent said “I think murder is wrong.” Rather than lie (to be right about being parallel), most of us would go “Whoops. I’m sorry, we’re not parallel. I agree with you there.” Same thing here.
- A follow up on that last part: Horizon has to say only things she believes in…but there are two people within her.
Do you see where I’m going with this? Toori coaches his questions so that Horizon responds in a way that is both parallel and which she believes in…but with her Horizon Ariadust side instead of her P-01s one. The point of the whole debate is not for Toori to convince a truly reluctant Horizon, it’s for him to give her an enough excuse to defy her automated doll side in favor of her human wishes. He starts this with the very first one, “Your judgment is probably parallel.” The automated doll has said her judgment is perfect, but the human soul doesn’t believe that, so in order to be parallel to Toori’s statement, Horizon has to use her Horizon Ariadust point of view. This keeps going, with Horizon contradicting her P-01s side more and more, until we get this exchange:
Toori: “You probably want to die.”
Horizon: “I want to live.”
There it is. Not only does that contradict the basic point that Horizon (as P-01s) was arguing for, it cements Horizon (as Horizon Ariadust)’s point of view as Horizon’s “best choice”, based on the parallel debate they’ve been having. And, since that was Toori’s point all along, that means they’re not parallel, and they in fact agree. As for the whole “beyond the horizon” thing, I’m going to go ahead and link you straight to a particular post at kyoukaisen.tumblr, because Sensei explains it better than I would, with pretty pictures and everything. Here’s the long and short of it though: the “beyond the horizon” thing is a bit of flowery language that has to do with perspective and what happens to the parallel lines on long roads that vanish into the distance. Wordy nonsense that shouldn’t be taken seriously…my favorite!
Holy shit I do not know the meaning of brevity. Is next season gunna be like this? Eeee!! Okay, the third big thing that happened this episode was the dream sequence. I’ll be serious – the first time through I didn’t understand a thing about how Toori wormed his way out of disappearing forever, but I enjoyed it nonetheless because of 1) the OST, 2) the feelings that suffused the scene, and 3) that hug at the end (SQUEE!!). What can I say, I’m a hopeless romantic.
As for how it actually worked, the whole schtick behind the force field is that you have to deny your biggest sin or else you’ll disappear. To Toori, that was letting Horizon die, because he was too weak to save her. But that’s wrong, and we dive into parallelism again. Here, the parallels are in what young Toori said before Horizon died, “I’m on the way!”, and what young Horizon said, “Stay back!” In order to deny this sin, they need to make their parallel lines diverge, so they can once again “meet above the horizon.” With that in mind, this one is a lot easier. If one of them is trying to go to point A, and the other is yelling for him to stay at point B, the place to meet is obvious – at point C, in between the other two. That’s why Toori says “It’s dangerous over there. I’m going to go save you, but I want you to come to me, Horizon.”
And then they hugged, and Stilts rejoiced, yay! One more, one more episode!
Episode 13
Episode Summary:
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The episode starts with the barrier dispersing, and Toori and Horizon hugging. Kimi, Asama, Neito, Masazumi and others all smile at this development. Toori releases Horizon, and shows her the letter for recommendation to Musashi Ariadust Academy. “Accept” and “Deny” buttons appear. Toori nods, and Horizon presses accept. Masazumi comes on the screen in front of Innocentius, saying that since Horizon accepted enrollment into the academy, she is under their protection. Masazumi goes on to say that she trusts they can reconcile all conflicts at the Peace of Westphalia. A ship swoops in and flies low over the Testament Union soldiers, and a bay opens to reveal Naomasa with a giant net. All the Musashi soldiers pull back towards it.
Innocentius runs off, and Toori (with Horizon behind him) gives chase. Masazumi wonders what he’s doing. Horizon grabs Toori’s hand and says that Innocentius’ Armament is out of their grasp. Toori apologizes for not making her horny. After everyone calls Toori a fool, they drop the net so Toori and Horizon can retreat. Innocentius says they’re not going anywhere, because they’re on a field trip, and Horizon’s acceptance doesn’t count until she’s on Musashi. Innocentius attacks the ship with magic, and it pulls away, with the net going out of Toori and Horizon’s grasp. As the Testament Union soldiers charge, Toori waves his hand, calling for one more chance. The back of the ship opens, and reveals: Naomasa and Jizuri Suzaku, holding Persona-kun, who is holding Neito, who is holding the slime Nenji. Nenji hardens himself, and then Neito throws him with a chain attached. He forms his body into a fist and then grabs Toori and Horizon, with Neito pulling them back towards the ship. They escape.
On the ground, Innocentius exclaims as his ship, Eikomaru, takes off. Some of the kouhai K.P.A. Italia soldiers (students) come up behind him, saying that the captain and sempais said they would go after the Musashi ship. The captain says that as long as the Pope President is well, K.P.A. Italia and the Catholic Church have not lost. After making sure that the captain will give his ship back, Innocentius tells them to go in pursuit. Meanwhile, Musashi takes off while the cargo ship heads towards it, Eikomaru in hot pursuit. Futayo pulls up on a ship alongside and using Slicing Dragonfly to cut into the back of Eikomaru, and then the rising Musashi fires grappling hooks, whipping Eikomaru around and sending it back the other way. The K.P.A. Italia captain orders Eikomaru to ram Musashi. Futayo calls to go in close so she can sever Eikomaru again, but a Musashi soldier says that’s all she can do. Neshinbara comes on the screen, asking where Horizon is. He tells her to take the Armament of Deadly Sins (that Futayo has). Eikomaru readies a ether cannon shot to fire, but the cargo ship pulls along behind Musashi, and Toori and Horizon drop on with the Lype Katarripsi. While Toori braces her, Horizon engages the cannon version of the normal-drive and fires, intercepting the ether cannon shot. It’s not enough though – Asama calls, saying that the ether shot is pushing against Lype Katarripsi. Toori says that they should push back, and Horizon asks why he is rubbing her butt. Asama yells that this is serious.
On Lype Katarripsi’s screen, it says “Expression of an Individual’s Emotion” and “Super-Drive, Activates in: 60”. It also says that Level 3 safety has been released, and that Horizon can commence “Soul Activation.” Horizon says that as an automated doll, she does not know how to activate her soul. Toori says that in that case, they’ve been defeated. Horizon considers defeat and obliteration as flashbacks of Lore Motonobu and Mikawa’s destruction commence, and of Musashi, the brown algae, Masazumi, the shopkeeper of Blue Thunder, and Toori’s despair. Toori calls out to Horizon. He says to relax, because he’s there. Horizon tears up, and cries out. Soul Activation is confirmed. The screen says “Welcome to the Genesis of Emotions. Go the Middle of Nowhere.” Another screen appears, saying that Lype Katarripsi has insufficient fuel, but that Toori is offering fuel. Does Horizon accept? She looks at Toori, and he nods, taking her hand and guiding it to the button. She presses it. Lines of light stream across the deck towards them. The super-drive engages, pushing back Eikomaru’s shot and engulfing it entirely. Still crying, unable to come to terms with her feelings, Horizon stands there open-mouthed. Toori tells her to sing, to sing so that they can survive. She sings Tooshi Douka, with more feeling this time. Eikomaru itself is engulfed, Lype Katarripsi’s super-drive ripping through it. The captain calls for everyone to abandon ship as the Pope President’s chair is engulfed. Eikomaru collides with the bow of Musashi, which shrugs it off. Eikomaru explodes on the ground below.
On the cargo ship, Horizon drops Lype Katarripsi, tears still streaming down her cheeks. She hugs Toori, asking if emotions are supposed to be this painful. Toori tells her to cry, because he’s there for her, which means she can let out those painful emotions. She asks why, and he says that once she gets everything back, the only thing left to do will be have loads of fun, so until then she should try to enjoy her hardships, together with him. He says he can’t cry anymore, so she should scream out and cry on his behalf. He kisses her on the eyelid, and then, with the sun setting behind them, they kiss. Toori says she tastes like sadness, so Horizon asks him to teach the present her some other flavors. He says of course, and that they’ll gather everything of hers related to the deadly sins and take it above their horizon. Behind, everyone in the class approaches, watching the scene. Toori says that someday, she should follow what all her emotions say and laugh with him. They stand there, still in an embrace.
On the ground, Gin helps Muneshige back to the ship. He asks if it’s over. Gin says it has just begun. On the ground, Innocentius and Galileo watch as Musashi flies off, and Eikomaru burns.
10:30 pm, in front of Remorse Way. Mitsuki-sensei separates from Sensei (that is, Makiko-sensei) and president Sakai. Makiko-sensei says there’s a festival going on, and president Sakai says he was somewhat interested in her work record. she says that she’s nothing special, and her students are for more impressive. For example, Toori. The Aoi family originally served as guards for the Ariadust clan. Sakai asked where she heard that, but she won’t tell, which he says is mysterious. They stop. On the road (Remorse Way) there is a Nikyou Crest in blood – the symbol of Lost Nobles.
Suddenly, Musashi-sama reports that a warship is passing above their starboard side. Makiko-sensei notes that the ship has a P.A. ODA emblem. President Sakai notes that it belongs to the top of P.A. ODA’s Five Great Peaks, Katsuie. He said that this is probably their way of greeting them. On the top of the ship stand six silhouettes – P.A. ODA’s Five Great Peaks, also known as the Six Demon Army. President Sakai says that they’re proving to Musashi that P.A. ODA can see through their stealth mode. The ship passes by and departs, and the blood on the ground begins to glow and disappear. On the ground, also in blood, appear the following words in English: “Please kill me all.” They fade and disappear as well.
10:40 pm, the residential district. Masazumi fidgets at wearing girls’ clothes. Neito asks what Masazumi will do now. Masazumi goes into the geopolitical situation, concluding that they’ll go west. Neito says that she was actually asking about Masazumi personally. They discuss their personal plans for the future. Masazumi says that she’s going to England, so she can form connections there while Musashi undergoes repairs. They notice there’s some kind of fuss going on ahead. There, Tenzo declares that in the next ero-game, he’s in charge of the busty blonde babes. Kiyonari says he gets the big sister characters, and that Ohiroshiki can have the little girls. Ohiroshiki once again protests, saying he’s not a lolicon. Kenji notes that Nenji is beet red, who says it’s a pity that can’t enjoy drinking while watching the moon. Hassan serves curry, Adele offers food to Suzu, who looks towards Persona-kun. Nearby, Margot and Malga sleep holding one another, Neshinbara finds six misspelled words in Futayo’s transfer paperwork while she sleeps holding a bottle of sake, and Shirojiro and Heidi discuss some purchases and trades.
Masazumi comes up and asks what they’re all doing. Kimi says they’re partying, and that Masazumi looks cute. She says makeup is next. Kimi takes a bite of some food, to which the shopkeeper of Blue Thunder says she thought Kimi didn’t eat those since they made her gain weight. Kimi says it’s fine because it’s a party and she moved around a lot today, and calls the shopkeeper Mom. Masazumi is surprised at this revelation, to which Neito says that she’s still new. Masazumi says that it’s depressing they had to tell her. Masazumi asks where Toori and Horizon are. The brown algae tell Masazumi to be quiet. Masazumi and Neito go over to the door of Blue Thunder and peer in. There they find Toori and Horizon sleeping, leaning against one another. Masazumi sighs, saying it looks like Toori was caressing her thigh. Horizon begins to sing. All around the party, the Musashi soldiers close their eyes and listen to the music, enjoying it peacefully. Masazumi says that Horizon’s soul remembered that song. Neito pats her on the shoulder, and then she, Kimi, and Masazumi leave. They say that everything will start tomorrow. Kimi says that Horizon is going to make breakfast for Toori tomorrow, and wonders how they’ll react if it tastes bad. Masazumi says they should do their best to be on time tomorrow as the scene zooms in on Horizon and Toori holding hands. A cut of Toori, Horizon, Masazumi, Kimi, Asama, and the brown algae is shown. Apparently, breakfast did not taste very good.
May 14, 1648 TE (or 1 month & 4 days after the beginning of the show, excluding the flashback at the very beginning of episode 1). Gin is seen kneeling in front of a member of the Tres España student council (Stilts note: her name is Juana, and she’ll likely be more important next season). She proclaims that the names Tachibana Muneshige and Garcia de Ceballos are being revoked from Muneshige because of his losses. Gin calls her Vice President, and asks for permission to enter the battlefront. Juana says that isn’t she weaker than her husband? Gin says that she is, so if she can defeat Musashi Ariadust Academy, then clearly Muneshige’s losses were all a fluke. A bunch of people enter. They say they have detected Musashi’s presence in the western sky.
May 14 (the same day), 9:45 am, off the northern shores above the ocean, Shimonoseki. Tenzo is sitting on top of the academy when he notices something. Adele asks if something is the matter. Suzu says it sounds strange, and aren’t those Tres España ships? Ships decloak behind Musashi. Neshinbara calls out the warning – they’re Tres España’s offensive warships, two Krakens and six Wyverns. One of the Krakens is identified as San Lorenzo. Musashi-sama says it will take three minutes to land. Neshinbara says that by striking first, they’ve claimed that they’re fighting for a just cause, because they’re just seizing an intruding ship that’s going to England. He says they will drop off about 200 men. He says it’s an assault, not an invasion, and it will be over soon if they can fend them off. Neito charges towards battle, saying that he’s free to just say “You must win!” Tres España troops start off like sprinters and drop onto Musashi. They throw bombs like shot-put. Someone calls out that there are Tres España’s Four Balls of Death, Pedro and Flores, the Valdes Siblings. They pitch flaming balls that go past barriers and burn buildings. Others hit bombs into buildings baseball-style. Asama, Margot, Malga, and Naomasa (with Jizuri Suzaku) mobilize. In the dorm, Miriam and Azuma watch as the building shakes, with Miriam holding the ghost girl as she calls for her mommy and daddy. Miriam tells Azuma to keep it together. Tenzo and Futayo move to attack the Tres España ships. One Tres España member looks at a heavy God of War (Stilts note: this is Era Fusae and her God of War Michiyuki Byakko), while another promises the bunt of their lives (Stilts note: this is Era’s husband, Hironaka Takakane). Gin looks on, her fists clenched. The Tres España Vice President (Juana) advances with an Armament of Deadly Sins in hand.
Neshinbara orders all ships to open up 12% of their ether reserves, while Musashi-sama works behind him, and to prepare to enter gravitational navigation mode. They begin transforming in order to leave the airspace at maximum speed in three minutes. The scene goes to a naked Toori, flanked by Masazumi and Horizon. Toori wonders what’s going on.
Impressions:
So each time they’ve happened, I’ve pointed out my favorite moments of this series thus far. Episode 9 had the best one, episode 11 had another, and this one has the third, for the hat trick. Honestly, I’m not sure if Toori’s Mr. Impossible moment or this one gets the second seat, but they’re certainly up there in the gives-me-glorious-chills-every-time meter.
But before that, a few things I enjoyed. Once again, a bunch of different characters are getting to be useful! This one featured a lot of repeats – Naomasa, Neito, Masazumi, Persona-kun – but the new one was NENJI! You would think that the slime with 3 hps would be useless, but in a pinch Nenji came through, swooping down with Neito’s help and whisking away the beleaguered Toori and Horizon. I wouldn’t say Nenji is my favorite character by any means – he’s too minor for that to even be an option – but I like seeing everyone contributing, and all the characters being useful. Well played, slime-guy.
So my favorite scene from this episode is where Toori and Horizon are firing Lype Katarripsi at Innocentius’ ship (the Eikomaru), and Horizon reclaims her emotions. I cannot praise the OST and Toori enough for this scene. Horizon’s emotionless nature never really bothered me, to be honest – after all the anime I’ve seen, it’s not like an emotionless girl is exactly uncommon, or even undesired in some quarters. Still, as the music played and Toori gave his wholehearted support for the floundering Horizon…well, these are the moments where media like TV and movies excel. If you just want to tell a story, a book is one of the best places to do it, because you can do it practically zero cost and you can use your readers’ imaginations to enhance the experience. However, for these singular moments, where the pictures and the words and the music and the writing and the emotions all collide together…it’s hard for a book to replicate that feeling, that moment. Seeing that kind of thing is an experience, and Kyoukai Senjou no Horizon’s ability to continually deliver these powerful scenes is one of the reasons I enjoy it so dearly. It’s okay to cry, Horizon. Let it all out.
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Of course, there were a lot of potentially distressing things that happened to the citizens of Musashi after that. The super powerful Five Great Peaks (actually six people, since one of the Peaks is two individuals) just casually flew by, unsubtly menacing them with their we-can-see-through-you-stealth-don’t-fuck-with-us attitude. Tres España also decided to get into a brawl with them, which by the way ought to be an awesome way to start off the second season.
But for me, this was all overshadowed by the party scene. Remember, every one of these episodes, save for the short scene at the very beginning of episode 1 and the Tres España attack at the very end of episode 13, takes place during two days. Originally, Toori was going to spend the first day preparing, and the next day he would confess to Horizon, with the part happening that night. What was originally going to be a “he got the girl!” party (they hoped) was still that…but it was also a “we just declared war on the whole friggin’ world and went up against some of the greats and we’re still alive and flying today hooray!” party. The happiness after a battle well-fought, of friendships deepened in the fires of combat, and the relief that everyone came back alive – all those feelings swirling around with the camaraderie of a big cast who will always fight for one another. Have you ever been to a sports game when your team was the underdogs and they pulled out a clutch win despite all the odds? That feeling of elation, that happiness of in some way sharing in something great…that’s the feeling I get here. I didn’t take part in the battle, and probably wouldn’t have even if I could – I’m something of a conscientious objector, which is to say, a massive coward – but by the end of it I was drawn in so much that I felt the happiness of the victors, the weariness of those who fought and strove the hardest (Margot, Malga, Futayo, Toori, Horizon), and the peace as Horizon sang. Beautiful, beautiful. Encore!
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Practice makes perfect, Horizon-tan. Uh, usually.
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Final Impressions
Ho-boy, final impressions. I could say “go read the ones I just wrote for every episode!”, but I’m not silly enough to think that most of you read all of those. I could also try to give you an objective analysis of this show, but I’ve never been much good at that. I mean, I just blogged the entire series (in a ridiculous amount of detail, with extras) inside of two weeks! Clearly I am not objective. So instead, I’m going to tell you what I like about Kyoukai Senjou no Horizon. Perhaps you’ll disagree, and feel that the negatives I’ll briefly gloss over are too glaring and heinous for you to ignore. Yet maybe a few of you who read this will decide to give this show another shot, or come to enjoy it for more reasons than you originally did. If you’re looking for any hard information or explanations, scroll up or check out Part 1 – it’ll all be thoughts, feelings, and other frivolous wordy bullshit from here on out. Let’s start.
The world of Kyoukai Senjou no Horizon is incredibly complex and detailed. To some people this is a negative, but I say it with nothing but respect. You see, I was the kind of young’un who loved stories like Star Wars and Lord of the Rings. In fact, I’ve heard it said that the reason there are so many “stereotypical fantasy” (what a ridiculous phrase that is, stereotypical fantasy) works is that a bunch of kids who would one day become authors got to the end Tolkien’s books, set the last one down…but were not quite ready to leave his world just yet. To them, Middle Earth was so rich and alive that they wanted to spend more time among the leaves of Lothlorien and on the planes of Rohan. Count me among that group. There’s nothing like an impossibly rich and complex world to suck you in like nothing else can. The attention to detail, the care, and the thought that goes into every facet of the world…I can only stand in awe in front of such achievements, and wish to step in and wile my days away amongst their roads and battlefields.
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I never want to leave, these long and winding roads.
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Another thing is scale. In fiction, enemies that threaten to destroy the earth (or whatever planet they’re on at the time) are a dime a dozen, and every two-bit hero seems to end up saving the damn thing at least once by the time the credits roll. I don’t buy it. You can only see the world saved so many times before it loses its punch. But it’s not even that. It’s a problem of scale, and what the human mind can wrap itself around. Saving the world is too big of a concept to really grasp. Why are we supposed to care about the world when we only ever see one little part of it? And that’s where Kyoukaisen gets it fantastically right. First of all, their scale is huge – the entire world. That’s not an exaggeration when the leaders and soldiers of every major country on the planet are constantly hacking at each other’s kneecaps in the search of one little slight advantage over one another. But Kyoukaisen also did the complete opposite, and took it small. It’s still hard to truly grasp worldwide consequences, even when you’re playing on a world stage, so the author shrunk them down and embodied them in a single character, Horizon. The stakes are both big (huge, globe-spanning, world-shattering) and small (personal, intimate, a single life), which helps to really drive home the scope of what we’re dealing with here, and to make us care about it.
Then there’s the gray. While I’ve come to accept it as part of fiction, I naturally deplore worlds of black and white. If there is problem I have with Lord of the Rings – and there are a few, actually, though this is the greatest one – it would be that it was too cut and dry. There were the good guys and the bad guys, and no one ever doubted who was who. That’s not how the world works! In my eyes, conflicts are always fought between two sides who both think they’re the good guys but generally act like bad guys. This might seem terribly cynical, and perhaps it is, but if so I apologize – I am a cynic at heart, and have only arrived at my present irrational optimism by dint of great effort. Anyway, I naturally abhor worlds of black and white – the earth of Kyoukaisen is not one of those. Gray abounds, with all the characters working at cross purposes towards what they each honestly think is the best thing for them and their people. Sure, Innocentius and Galileo are sort of dicks, but they’re not exactly evil, not really. Would not the people of Musashi sacrifice lives for their goals? Deaths aren’t really a thing in Horizon’s world, at least so far, but tell me that they didn’t at least risk a few deaths when Horizon and Toori shot down the Eikomaru during episode 13. And that’s even before we get to antagonists like Muneshige and Gin, who are legitimately good people who just happen to be opposed to the ones we’re rooting for. Grays, grays, grays! I know who I want to win, but it needn’t be because they’re right, or righteous. I’m fine if it’s only because they’re mine.
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Maybe they’re good guys too? You never know…
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Speaking of, the characters. Kyoukai Senjou no Horizon has so many characters that there are bound to be some that strike a chord with everyone, and a few that are truly memorable. For me, there are many of both. Toori is a seemingly useless pervert, but he’s actually an incredibly perceptive and kind leader who binds his friends together, and only wants them to smile and laugh. Horizon didn’t start out as much – she was an emotionless girl, after all – but her interactions with Toori really bring her character to (sarcastic) life. Kimi-nee is amazing from the very first episode, when Saitou Chiwa starts chewing the scenery (trope!) like a pro, and she doesn’t stop being awesome until well after she’s lost most of her clothing…or really, ever. I like it when Shirojiro and Heidi get super miserly, when Neshinbara starts talking about people like they’re characters (too meta, Neshinbara!), when Masazumi gestures like the politician version of Phoenix Wright, and when Futayo cuddles with a sake bottle after declaring her lack of friends. I like it when Neito gets embarrassed or proudly dere, when Adele gets batted around and used to hit people, or when Tenzo, Kiyonari, and the others discuss ero-games. I like it when Suzu acts like the heart of the group, Noriki the stoic spine, and Makiko-sensei the supportive hand on their back that pushes them forward. I like Margot and Malga, Miriam and Azuma, Asama, Naomasa, and all the others…and that’s just class 3-Plum! Are you starting to see where I’m going with this? The thing I like most about the characters of Kyoukaisen is all of them.
You see, one of the ways that Kyoukaisen most resonates with me – and this is above nearly everything else I’ve said so far, or will say after this point – is in the camaraderie shared between the students of class 3-Plum. When the world is worried about armageddon, all they’re worried about is whether Toori will get the girl. When they’re fighting, it’s not for their country or to save the planet , it’s for the sake of one of their own. From when they walk down the stairs together at the end of Episode 9 to when they finally have that party they were so looking forward to in Episode 13 – and everything that happened before, after, and in between – that feeling of strong friendships that won’t break no matter what happens always touches me. Consequently, this is something that is amplified by the large cast. While close friendships between a couple or even a few characters are seen frequently, the more people you add, the harder it becomes to make it work. Think of your own life. In the hustle and bustle of everyday life, it’s hard for us to get all of our friends to set aside a single night for everyone to hang out, and the more people there are to coordinate, the harder it is. Yet, here we see these friends who decide to go to war against the entire world for the sake of one of their own. Marvelous.
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The cast is assembled.
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And then there are the romantic relationships. I love two things about those. First of all, there are realistic relationships between secondary and minor characters. Shirojiro and Heidi, Margot and Malga, Muneshige and Gin, and perhaps a little something brewing between Miriam and Azuma (hey, I can hope!) – these liven up the setting because, let’s face it, getting into relationships is what people do. There’s another, more important thing though – this is not a harem show! Some people wouldn’t say that’s a good thing, and I certainly watch enough harem shows to have no problem with them myself, but that doesn’t mean they’re appropriate everywhere. Sure, this show is full of women that would put most harems to shame. I mean, just imagine a harem that featured Asama, Suzu, Masazumi, Futayo, Naomasa, and Kimi-nee. Unholy sh–, we’d make a million!
But, that’s not the point of the romance in this show. Everyone loves Toori…but they also love Horizon, and they love Toori and Horizon when they’re together most of all, just as Suzu said. A lot of stories take the whole “getting together” as the most important part of a romance. I think this is a mistake. Getting together is crucial, of course, and it’s a big milestone, but the most important part is what comes next. Toori and Horizon being the ones that are supposed to be together was never in question, at least since the moment each of us realized who P-01s really was. The question is in how they would get together, and once there, how they would earn their happy ending. As for everyone else, their full-throated support of Toori x Horizon is another thing that is somewhat unrealistic, but in the best possible way. Sometimes realism in fiction is overrated. I want to believe there are friends like that out there, and even if there aren’t, I’d like to hear a story where there are.
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This is only the beginning, Horizon.
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Visuals. The animation isn’t KyoAni movie-level, but it’s good, with Sunrise not cutting any corners or phoning it in. The character designs are also luscious and attractive. This is not a battle anime, but when fighting happens, it looks good. From Kazuno stalling Gods of War with levitated asphalt blades to Futayo going one-on-one against Muneshige, the fights were exciting to watch, and a real treat to behold. What’s more, fights weren’t won by characters pulling heretofore unseen abilities out of their asses. They have certain abilities, and everything is built off of those. When Shirojiro hired out for a bunch of guards’ strength or Kimi-nee started to dance, there was always a sense of ohhhh, that makes sense. He’s a miser who always talks about money, and she’s definitely erotic. Alright! And once introduced, everything was built off of that. Once we saw Neito’s chains, they came up again when she and Nenji pulled Toori and Horizon into the ship. Good conservation of detail (trope!), good planning, and good avoidance of the dreaded ass pull (trope!!). I approve.
Sound. Moomba says it better than I could, but the long and short of it is this: the soundtrack is phenomenal. This is not something that I usually notice, but when a scene is building and the tensions high and your eyes are glued to the screen, and then the soundtracks cuts in, the notes flowing and booming and filling the scene with life and energy and emotions in a way that reading words on a page could never compare with–well, then I sit up and take notice. Kyoukai Senjou no Horizon’s soundtrack was that and more. Oh, and the OP and ED songs were pretty good too, especially with how they switched between the two EDs depending on the tone of the last scene of that episode. More series should do that.
Thoughts. Kyoukai Senjou no Horizon is hard to understand at times, there’s no question about it. If you only watch things that are light and fluffy, pick another show – there is little for you here. But who ever said thinking was a bad thing? I never was much fond of the idea that TV had to be stupid. Kyoukaisen doesn’t treat us like children, which I appreciate. Instead, it challenges us, challenges us to keep up and understand and take in what it’s throwing at us. True, sometimes it goes too far – I spent an entire day trying to get my explanation of the debate between Toori and Horizon in episode 11 right, and I’m still not sure I managed it – but I would rather it go too far than dumb itself down so everyone could understand. After all, while compromise makes for great public policy, it makes for terrible art.
Emotions. Feeling! This one is trouble because it’s even more subjective than my other points. Did a chill run down your spine when the whole cast assembled and headed off to war? Did you slump in sadness with Toori when he was too late and too weak to stop Horizon from being taken away? Did you exalt when Masazumi came over to Toori’s side, when Futayo got back up and beat Muneshige, or when the barrier dissolved and Toori and Horizon embraced? I did, and have each and every time I’ve seen them. If you didn’t, use my posts to understand the world better, and then let yourself dive in. Life is too short not to get swept away by marvelous stories.
And, and, and…
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And the best couple in the show. (I wish)
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Of course, not everything is sunshine and blowjobs. The world is complex. You will have to think. There are a lot of characters and a lot going on, so each one doesn’t get a lot of time in the spotlight. Many of the women’s chests and hairstyles are implausibly large (if that bothers you). Needing to read supplementary information to understand everything isn’t an ideal situation – though there is a reason that people said this would be impossible to adapt. Nobody really dies, nor does anyone come under inordinate threat of as much, so the danger in combat isn’t very high. And yes, even some of the very central premises behind the plot are absurd, though to my eyes it’s with very human absurdity. Retrace the steps of history? Ridiculous! But it’s the kind of ridiculous I could see coming from a bunch of quasi-religious zealots who stand to gain a great deal of power and influence from such a plan, or at least retain that which they already had.
Kyoukai Senjou no Horizon can be confusing, convoluted, chaotic, and just plain unintuitive – but isn’t that how life is? This is not a perfect story, and though I have and will continue to focus on its good aspects, I will not claim that the negatives do not exist. Still, through it all I find Kyokaisen to be a very human story. People work and strive together to shape the world into what they want it to be, and they run into others trying to do the same, with them all working at cross purposes and undoing what each of them have done. So they argue, and they clash, and some people get hurt while others may even die. Yet others laugh until they cry, party well into the night, run across the city on adventures, get punched back across it for perverted antics they shouldn’t have done, or kiss their beloved as the sun sets behind them. This world of Horizon’s is giant, complex, and not easy to understand, but it is inhabited by fantastic characters, each with lives of their own. I can almost imagine that the author created all these characters, knowing where they were going for maybe the first book or two…and after that it just took off, with the characters themselves dictating the course of the world. A wonderful thought, ne?
Kyoukai Senjou no Horizon II starts on Saturday, July 7th, 2012 AD. Get ready for it!
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Onward, to season two! Ikouze, minna!
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There are a few series that cannot be justly expressed by a few paragraphs,
this was/is one of those. It’ll take some time to read/understand your post.
Excellent, excellent dedication Stilts – thank you!
I don’t post comments very often, but I just feel the need to say here: These two posts have been quite impressive, to say the least! An enjoyable read certainly, it’s been great to see your dedication to examining the series.
Having watched as it aired, I have to agree with you about the sheer depth in the world of the story, along with the characters. I tend to consider likable characters the most important factor in any series, and I love fleshed-out, interesting worlds to explore and commit to memory, and Horizon provides both far beyond any measure. Hell, I don’t even like politics in any other context, but this series makes them interesting!
So, now I’m looking forward to (Or shaking from withdrawals until) the arrival of the second season, and now a bonus the first didn’t have while airing, your thoughts on it!
(As a side note, that first Lyrical Nanoha mention….. Stilts, please say you’re not one of the crazy Yuuno-haters!)
Thank you kindly! And yeah, after about a day of rest (tiiiired!) I’ll be joining you in fidgeting for season 2 to get here already. Just a few more days…!!
As for Yuuno, I’ve no problems with him. He’s actually kind of a badass, since his binding and shields spells are insanely powerful, and he can force teleport enemies (which would lead to some awesome telefrags in the hands of a less kind character). Still, it’s just obvious he’s not the one that’s with Nanoha, nishishi~
LOL at the last banner. Very fitting.
My two cents: the reason why some people do not understand Horizon is because of:
1. Hadena’s bad to normal subs
2. Didn’t get the fact that the first three episodes happened on the same day, with the fourth telling what happened only hours later
>But who ever said thinking was a bad thing?
True. I despise people who liked to bee spoon-fed and shows that spoon feed the audience.
I agree.
Somehow, people tends to go with anime with lots of action, graphics, and with good plot of course(actually it depends on the treading). Somehow they forgot that by using that idea over and over and over again makes the genre dead during its popularity days.
Now that we have an anime, Horizon, which needs logic of understanding of the situation, we really need to thing deep. Specially of the culture difference we have from them. But since, like you said Moondoggie, people are spoon-fed and already poisoned by ideas from the popularity treading.
True. Even a delicious cake becomes boring and uninteresting if you have it day after week after month after year.
Of course, it’s not necessary that all shows make us think – I like a good relaxing slice-of-life as much as the next guy, and I certainly wouldn’t call watching Kyoukaisen relaxing, even if it’s a whole lot more fun – but the ones with true depth who try to spoon feed everything…well, that’s just unfortunate.
This is that exact, awful elitist attitude I was referring to when talking to you the other day. (Check back to summer previews) “I despise people who liked to bee spoon-fed and shows that spoon feed the audience.” Furthermore you don’t seem to understand the difference between a niche audience/complexity and a plain old clumsy, bulky exposition.
I’ll explain it in the terms of a movie. Take Primer, an incredibly complex, jargon-specific film aimed at engineers. It’s great for engineers, but not for anybody else. If Stephen Hawking could explain the origins and structure of the universe in a thin book using a equation only once, or Feyman explaining the Challenger disaster to non-scientists, then Shane Carruth (writer/director/producer of Primer) should have been able to convey his concepts in a more viewer-friendly way. But he didn’t. So the movie sucks (for everybody who isn’t an engineer).
You want an example of a thematically heavy, self-contained series? Take the novel of Nausicaa. It is the best manga period. You don’t have to look up supplementary information to understand the series. Everything is there for you. You just have to read between the lines and panels to really understand what Miyazaki is trying to convey. The movie however, managed to make itself appealing by truncating large parts of the series and only covering a select part of the overall work. Basically it understood that film was a different medium entirely and set out to make a successful film rather than a word for word, faithful adaptation. And it succeeded in that regard. Horizon on the other hand went the complete opposite route and chucked as much as it could, as fast as it could.
It’s fine for already avid fan of the series, but just that. And plenty of people were engrossed enough to check it out for themselves; that’s fine too. But how many people do you think could understand the show as a standalone work? Pretty much nobody, and that’s why it failed for everybody else. In terms of spoon feeding, the show didn’t just expect you to just take the spoon and feed yourself. It expected you go and browse for some specific brand of spoon, order it, schedule a pick-up, and then drive to the post office. All in order to eat your food.
How about another example? Take the American Digimon movie. It’s three separate movies cobbled together into one lazy and incohesive mess. Is the average audience member stupid for not understanding the plot of the movie? Or take the first Pokemon movie. Would you call the parents taking their children to the movie stupid for not understanding its world?
Who knows maybe the novel is great? Stilts and many others seem to think so. But the show? They could have done a better job in all it’s exposition dumping. One of its biggest weaknesses was that it got distracted far too easily into exceedingly dry ramblings about world politics or people’s abilities which were barely even tangentially connected to the big thing of the series, Toori getting Horizon back and having her reciprocate his feelings. Maybe they were better handled or more relevant in the novel, given it’s not restricted by twenty minutes of screen time for twelve episodes. But we’re not talking about the novel. Again asking for an audience’s attention is one thing, requiring prior knowledge is different entirely.
You like the show, that’s great! Everybody who didn’t like/understand it is just some vapid, superficial, paste-eater? Just sit back down kid.
Top2NE1 – that actually is why Horizon is so good.
Everything needed to understand is there for you. You just need to try to understand it. SUpplementary material is not needed at any time
I wasn’t an avid fan of the series. I started watching it when it aired, expecting to dislike it – the design (big breasts, skin-tight armor) usually puts me off. I knew nothing. It’s not the kind of series I usually fangirl.
I liked it precisely because it did what you think Nausicaa did well. So does Horizon, you just may need to think a bit more about it. It’s nice that we have series like this as well.
I mean…I knew nothing about this, I read no supplementary stuff, and yet, I noticed EVERYTHING detailed in this long post on my own, with the exception of the money parallel.
It wasn’t hard, either, and I am certainly not the most intelligent gal around.
“Pretty much nobody!”
Wrong. Most people could. I am proof of that.
The problem here is you. YOU couldn’t understand it, for whatever reason. And thats okay, you don’t need to feel bad about it or justify it like this. Just admit it, instead of making up BS like “pretty much nobody” to make you feel better. It’s downright silly, and insulting to humanity as a whole.
Humans are clever, and easily able to understand a series like this. You just need to start thinking for a moment. Just use that brain you cultivated in, say, watching Umineko or Higurashi to spot all the little details and clues.
“requiring prior knowledge is different entirely.”
None is needed. Just don’t watch Hadena, and you’re fine.
Really, your arguments are downright cliché. Any anime that isn’t too obvious gets “criticism” like yours, usually with the exact same arguments.
Not everything has to be blatantly obvious and boring like shonen manga :/
Ha that’s exactly why I said “pretty much” nobody. Are semantics lost on you? Most other people watching the series at the time who actually understood everything that was going on either came in with prior knowledge or kept pointing out various links to blogspots or tumblrs. Just look at the comments for either stilts’s previous post or the various other bloggers. Take some random friend of yours and watch the first four episodes together. Then ask them the names of 1/4 of the classmates. Or to pin down any of the important historical events. Heck ask them to describe the plot.
A few unnaturally observant and insular viewers means nothing. Correct me if I’m wrong but even Stilts mentioned that he looks up supplementary information and he’s practically a robot (No offense Stilts, while your posts are pretty interesting they’re some of the longer and more random things I’ve encountered.) If it were just a manner of attention, then we probably wouldn’t even be having this conversation. But qualms surrounding this series exist, and for a good reason. The writers know it and despite your godlike diligence, you should realize it too. Why do you think stilts would even have to make posts like these? To catch people up on what everybody already understands? And you tell me that I’m the one that needs to think? I’m just knocking down the pegs of the pedagogical pantheon whelp!
You’re an outlier. Congratulations. Pat yourself on the back brah! Keep on reinforcing the notion that everyone else is a blundering idiot! You’ve just given the middle finger to every single person that Stilts was trying to help out. And Umineko and Higurashi aren’t even comparable. Those were murder mysteries with fans discussing theories and personal observations. Horizon on the other hand was one giant exposition dump trying to establish its world at a clumsy pace. (Which means complexity wasn’t the real issue! It’s the manner in which it infodumps!)
I’m not gonna stand for anybody calling others stupid over something like this. Lol and who said anything about shounen manga? My favorite series of all time are Nausicaa and Lone Wolf and Cub. But there you go again, insinuating that something like shounen is food for the witless doofs. You tell me I’m insulting humanity? How? By defending those who are called idiots by people like you? And you know what, I do like some shounen. So what? Half the writers on this blog do. Yep everybody reading Harry Potter or watching Toy Story should stop what they’re doing and pick up their handy dandy Proust novels and tune into Primer.
And I’m not even debating whether the story itself is good or not. The show’s execution being a bit ham-fisted? Yeah. Show don’t tell, look it up. You want a good example!?
http://thatguywiththeglasses.com/videolinks/team-nchick/nostalgia-chick/35255-will-smith-month-men-in-black
I didn’t say you are a paste eater: I simply said you don’t understand. Period. No additions, no insults, no nothing. It just is. I did have a hard time figuring it out in episode 2, though.
You just don’t understand, but it doesn’t mean that your intelligence is lower. Maybe you just don’t like thinking when watching anime, like Omni’s girl(or was it Divine’s?) It’s normal since watching anime is for relaxing and enjoying, not mind games.
But then there are anime like that. And those aren’t the types for you I’m afraid. Hey! Everyone has his own flavor.
“I despise people who liked to bee spoon-fed and shows that spoon feed the audience.”
This is such a broad catch-all phrase that literally belittles anyone who enjoys or creates simple entertainment. You may not have meant it, but that’s exactly what it implies. And the thing is that simple entertainment isn’t synonymous with stupid entertainment. Toy Story, Simpsons, South Park, Phineas and Ferb – all easygoing things that are still plenty clever. Twilight, Baby Geniuses, Captain Planet – simple entertainment that is equally stupid.
And you know why Horizon was confusing for most? Not because of some overarcing, thematically heavy, complex plot. But because of the manner in which it tried to adapt and establish its world. The novel is tome-sized, and they tried to cram quite a lot into such a small period of allotted time. It’s like some friend of yours shouting thirty random numbers at you and asking you to remember them all. Maybe some people could remember most of the names, places, historical events, nations, etc. But most others couldn’t and they were turned off. (That’s why people like Stilts are trying to help them out!) In a novel you can take things in at your own pace, but with a show you’re pretty much stuck with what they hand you. And in this case, what they handed you was pretty cluttered.
If insulting people is not what you intended then hey, that’s good to hear! Once the first few volumes are translated I’ll probably give it another shot, because in addition to receiving the story in the way the author actually intended, I also enjoy reading more than watching when it comes to anime/manga/novels. But unlike you, people like Macha make it painfully obvious just how high their horses are.
“Simply put, seeing her sling those chains around in ridiculous and logic-defying ways was awesome. I have no idea how they work, but shutupit’smagicjustshutup!!”
Nate’s Silver chains is a Divine weapon (like Tonbokiri), the chains can extend long distances and are sentient, protecting her from harm by themselves if needed and they are also capable of communicating by forming words out of the chain. Combined with her half-werewolf strength she can toss around objects and enemies like ragdolls
This is accurate, but I was referring to how the chains themselves actually do what they do. When it comes down to it, I’ve no idea how Slicing Dragonfly severs a name or Lype Katarripsi fires a city-devastating blast, so they same kind of thing.
I did not know they could communicate by forming words out of their links though. That’s pretty cool! Hopefully we’ll get to see that sometime soon.
What a heroic effort these two posts are! That was a great recap and explanation of why the series is as awesome as it is.
I admitted marathon this show over three days back in December. It did help me keep the continuity of the histories at the time but I find myself forgetting ALL that happened because so may character were fleshed out.
What surprised me the most isn’t just the fact that they showed the angels’ kiss in episode 10, it’s the fact that they had the only kiss in season 1 too.
False! See this picture from episode 13 (it’s the third one above) for proof. Sure, they didn’t zoom in as much, but after the lean in & pause Toori says that Horizon tastes like sadness, and she asks him to teach the present her some other flavors. In a word, D’AAWWWW!!!
I still wonder why Horizon armament is “Jealousy” when she never jealoused even once.
Its one of her emotions. Thats the point.
It could be that she needs to unlock it? But really, it’s probably just because she hasn’t been given a reason to be specifically jealous. It’s not like we’ve seen Toori groping other girls after they saved Horizon…all that happened beforehand, haha!
Well the second preview for next season shows Juana accidentally grabbing Tori’s nether regions and then later we see Horizon punch him down there.. Jealousy at work?
Just like what this guy said – Show Spoiler ▼
Massive props for these two posts, Stilts. I profess to being one of those who only properly came into the show about six or seven weeks into its running time. In retrospect, I think that definitely helped me to keep staying on the Horizon bandwagon as the first few episodes were very hard to digest if you were not a light novel reader. Thankfully, the narrative got easier to comprehend as the episode number increased and the story kicked into higher gear and I was officially hooked. Even if at the end of the series I (and a huge percentage of the viewers) didn’t completely understand all the complex intricacies of the plot for this adaptation of this series of ‘not-so-light’ light novels, it was undoubtedly one of the standout titles of the Fall 2011 season for me. Now, with your in-depth research and analysis into the world of KyoukaiSen, plus your detailed summaries and episode reviews, I can finally begin to appreciate this magnificent anime series to its fullest.
The second season is almost upon us, and I can hardly wait to rejoin the gang in their adventures in the world of KyoukaiSen. Hopefully you’ll be able to keep providing this level of detail in the episode reviews, Stilts, cause if the first season is any indication, I’ll probably need it to fully enjoy this second season too.
I’ll do my best! \o/
Could you also place an explanation about the powers (magic) and the like each character has, or is that a bit too extensive to blog about? ^^’
It’s certainly not too extensive to blog about, considering the ridiculous amount of detail I’ve already thrown at you (whooops!), but I have to at least take a break before I tackle anything else crazy.
In the meantime, are there any characters you’re specifically confused about? If there are, the answers might be in the episode summaries where those characters fight, but if not I will try to answer them for you here!
Not really a specific character, more like a curiosity on the magic part, contract part and why adults rarely seem to have them to name a few things.
For example, what defines which ability’s one get in forming a contract with a god besides the area that is connected with that god?
In case you didn’t see it, check out Part 1 for some more information on the magic system.
For why adults rarely seem to have contracts: it’s not that they don’t have contracts, but as non-students the adults of Musashi cannot fight, which means their abilities aren’t particularly important to story. They all might have contracts for all we know, but since they can’t use em to fight, no time is dwelt on them. This only applies to the adults of Musashi, though – while adults of other nations stay as students, since they’re generally not shinto they don’t have contracts with gods anyway.
As for what defines what abilities one gets, that comes down to what the (shinto) ability user wants. Like the hax infinite MP ability that Toori got was because he wanted that ability and found out what particular offerings he had to make to get it. Different abilities have different costs, but it all comes down to 1) what the deity can do, and 2) what the ability user wants.
So basicly, Kimi having an impenatrable defense while dancing is because she wanted that ability from the god of erotiscm and dancing? Weird idea if you ask me, wanting something that is not really associated with those two things.
Not at all, it’s absolutely related. Kimi is erotic (by her own admission), but that doesn’t mean she’s loose – she won’t just accept anyone that wants a piece of her (ifyouknowwhatImean). But what about uncouth people who try to take what she doesn’t want to offer them? That’s what the summit dance is for – it allows Kimi absolute choice of who she is erotic with by giving her absolute defense against those she doesn’t want to “wilt away for”.
tl;dr – Kimi is erotic, but that doesn’t mean she wants to get raped. The summit dance prevents that from happening. The fact that it’s useful in combat is just a nice side benefit.
And that half-god azuma? Any info about his powers or godly things?
But that summit dance makes you wonder if she can also get offensive techniques with her contract.
“The child of the emperor and a half-god. Abilities are sealed. Lives on the Musashi. Somewhat clueless about the world.” Is Azuma’s profile and that’s pretty much all we know about his abilities, they are sealed and they stay sealed (for now). So far his role for the most part is to provide with some family slice of life with ‘mama’ and the ghost child and some comedy relief while other members of the cast deal with the apocalypse and fighting.
And I just managed to finish up season 1. It only took me two days since I got so into it. Definitely up there on my list of favorites now, though I’m glad I waited until now to watch it since waiting a whole season for II would have sucked.
PHEW!!!!!…..man, I’m glad I’m not DEAD inside….another bullet dodged. thanks fo this second part\
on another NOTE…this should be a reoccurring thing on THIS SITE..imean I’m sure there are MANY MANY series that could use this type of INFORMATION treatment…maybe yall should put up a small poll deciding which show/manga from past/current/future that needs EXPLAINING… off hand i cant really remember many….but I’m certain there were a few that i gave up on simply because the background was too VAST.. thanks again yo
Thanks, Stilts! I know now for sure that I don’t want to watch this show. I was thinking about maybe checking it out before, but after reading these posts, now I’m 100% convinced that I don’t; it’s definitely not for me!
Well, that’s a victory of a sort too, I suppose. Glad they helped, lol
Thanks, Stilts. It’s a monumental effort, but you did it. I really like this, because you’ve really layed it out nicely, too.
Yay for angel-yuri, too ^_^
After reading both posts in one go, all I can say is….
….Agreed. Kimi-nee is awesome. :3
Nice posts, started watching this show thanks to you and i finished it in 1 day.
cool show overall but still don’t understand why motonobuko had to blow up tho
All in one day, I’m impressed! Wish I had the time to properly marathon animu series anymore
Lord Motonobu blew himself (and Mikawa) up because he wanted there to be a war that wasn’t seen in the Testament. The best way to do that was to make sure there was a good reason (avert the apocalypse by collecting the Armaments of Deadly Sins, which he scattered around the world beforehand), make sure there was plenty of desire for it (the crime of destroying Mikawa on one side, the crime of executing the innocent Horizon on the other), and make sure there wasn’t anything to distract them (like the creator of the Armaments, Lord Motonobu himself, being alive for them to harass). His plan wasn’t perfect by any means – the countries of Horizon’s Earth could have cooperated to collect the Armaments and peacefully stop the apocalypse – but it was a pretty safe bet that they wouldn’t. He did all he could to bring about the thing he wanted – war.
Hope this helps!
Hoo boy I <3 you Stilts! Read through ALL of it. Even all the summaries, and I've concluded that I need to watch episodes 7-13 in the next few days to prepare for Season 2. I don't remember the last 2 episodes very well, which lead me to wonder if I actually watched them or not :\. The rest are just because I love the debate episodes and the whole second half in general!
Looking forward to your second season posts even more so now, thank you for clearing up the questions I had!
It'll be a fun ride :).
I’m impressed! Thanks for reading it all : ) That makes it totally worth having written it!
Great job Stilts, but I will disagree with you on one important point:
This isn’t Dog Days. The concept that people don’t die in these battles is false.
B1T2 and B1T3, as well as at least 2 of Tres España’s Gods of War were killed in the fight with Kazuno and Dacchan. (Both guards were killed by Tonbogiri, as were one of the Gods of War. The other was killed by Kazuno.) The T.E. ship Zaragosa was shot down as well. Surely there were casualties. Same goes for the T.E. troops coming behind the Gods of War in the fight with Mikawa.
Casualties were part of the reason why T.E. tried to make a show of strength in their own numbers when they returned Tonbogiri to Futayo. (Meanwhile, Futayo is trying to make her own show of strength. Politics is fun.)
And of course the KPA Italia flagship was destroyed by Horizon before everyone could evacuate. We see it getting destroyed, we see the evacuation order, but we don’t see anyone actually escaping. They pushed off the younger “students” before they left because it was a suicide mission.
The fight between Dacchan and Muneshige was serious. Dacchan was trying to kill him with Tonbogiri. Muneshige survived because he’s resourceful, and had Gin backing him up. (Otherwise he would have been destroyed in Mikawa.)
And of course, Dacchan, Kazuno, Motonobuko, and all of the Jidoningyou in Mikawa were killed when the reactor went critical and exploded. If Horizon dies and it’s considered murder/suicide, then the same would go for any Jidoningyou. Mikawa was chock-full of them, as they had replaced the humans there.
So yeah, there is a death toll. Don’t lose sight of that.
But other than that, good work. Can’t wait until Saturday Night.
That’s all true. I guess I was thinking of the threat of death during battle, which doesn’t seem to be as high as in other shows – compare the fight scenes where Musashi troops are pushed onto their asses to any of the more bloody shows where mook troops get impaled as a matter of course – but you’re right, there definitely are casualties. Even if some are brushed away (I have heard that the pilot of the God of War that Margot and Malga shot down survived), it’s doubtful that everyone that Tadakatsu and co attacked did, and it’s equally doubtful that everyone on the Eikomaru escaped.
So yeah, you’re right!
There’s actually a frame when you see something fly off the Eikomaru and then become a star in the distance. It’s a short shot but it’s there. Also If I’m remembering right Gods of War are basically the same with safety measures.
Awesome article again Stilts. And thanks for clearing up the debate between Toori and Horizon. I guess I sorta got why he won, yet it still didn’t click. Guess I needed to read it to do it.
Excellent article Stilts, I recently finished another rewatch of Horizon (4th time now, loveeeee the series…)
I didn’t notice the 2 conflicting…viewpoints in P-01s so when I rewatched that scene dang…Nice catch there(and toori’s confession + their debate is my fav scene of the series so far XD)
— I do have one question since you are quite observant, but in episode 12, after Futayo jumps on Muneshige’s back before delivering her last few strikes and defeating him…what was the point of her detaching part of her spear?
Anyway…I think I fell in love with the series for almost all the reasons you did when it was airing. (the characters, the camaraderie they had for one another,etc. Also can’t forget the wonderful OST!)
Really Horizon was the gem of the fall season for me. (not a novel reader btw~) F/Z was close but I already read the novels a while before the anime adaption for that was even announced lol)
S2 is almost here~
Futayo detached part of her spear to make it lighter. She had to whip it around really quickly to block Muneshige’s strike (who was coming from behind at that point). Then she was at close range with him, where weight and power matter less than speed and maneuverability. That’s why, once she was able to get under his strike and knock it away – and notice how far she knocked it away…she pretty much knocked him off balance there – she was able to press forward and strike him multiple times before he could react.
tl;dr – she did it because less weight = extra speed, and that’s what she needed right then to win
Great review, you did a wonderful job!
I dropped the show when it was airing after the 1st episode thinking it’d be just another generic/mediocre anime like Ichiban Ushiro no Daimaou…seems I was terribly wrong and thanks to your review I just finished marathoning the 1st season just in time before the start of the second season.
..If only Chrome Shelled Regios and Legend of the Legendary Heroes were given to the same anime staff that did Kyoukai Senjou no Horizon..
Agreed. I had such hopes for Legend of the Legendary Heroes, and I still quite like the characters, but it was just all over the place. Such a shame!
“The thing I like most about the characters of Kyoukaisen is all of them.”
You, my dear sir, are a man after my own heart. Many thanks for the summaries, it’s been a great refresher to get ready for season 2!
Finally ended it. And to be honest, I didn’t need your posts as much as I first thought. Still, if it weren’t for that info at the previous post and your impressions of the 4 first episodes, I wouldn’t have enough information of the setting to figure out the rest on my own. Now, after having finished everything, I went to read this whole post through (which took quite long, actually xD) And it was a really good read, one which helped me understand some points that passed through me, like what was the meaning of the dance intermission of the fight between Kimi and Futayo and the thing about how money could provide power. I also hadn’t gotten how Toori and Horizon got out of the wall (which is rather strange, since I understood how the previous debate had worked), so your insight was helpful on the issue as well.
But anyway, I really have to thank you for being the catalyst that got me to watch this series, and also for your first post, which I read right after watching the first episode and without which I wouldn’t have enjoyed this as much, for I wouldn’t have had any base understanding of the setting to relate and build up the information acquired through the episodes. I thank you for giving me the little push to start a series I ended up enjoying immensely. ^^
I’m glad it was helpful : ) Now, onto season 2!
http://i43.tinypic.com/n36z5h.jpg
http://i1207.photobucket.com/albums/bb480/Yumekichi11/Picture12/3c58f2a3.jpg
This has been bothering me for a while but who are these people? I’m not sure if they are from another country as I asked other people and said they were probably characters from volume 3
The guy with the cat ears is Satomi Yoshiyori, Chancellor of Satomi Academy. Their clan is future allies of Musashi and they appear for the first time in Volume 3 of the novels.
Impressive work, Stils.
Thank you.
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