DEVILMAN crybaby – 01
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「I Need You」
Any time you get a Yuasa Masaaki-directed TV anime you’ve got an event, and when you pair that with the fact that it’s based on a manga by the legendary Nagai Go the hype factor is off the charts.
Mahoutsukai no Yome – 12
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「Better to Ask the Way Than Go Astray」
There’s a lot of confidence on display here – in the story and the staff’s ability to tell it, and in the audience to buy in.
Ballroom e Youkoso – 24 (END)
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「ボールルームへようこそ」 (Ballroom e Youkoso)
“Welcome to the Ballroom”
Think back on this for a second: how many anime end with their finest episode?
Mahoutsukai no Yome – 11
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「Lovers ever run before the clock.」
We remember, deep down, the music of wind and water and earth, before there were words.
Ballroom e Youkoso – 23
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「伝統と進化」 (Dentou to Shinka)
“Tradition and Evolution”
I find myself torn about what I’d like to see happen in the final stages of this competition, and that’s not a bad thing.
Mahoutsukai no Yome – 10
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「We Live and Learn」
So let me get this straight – Lindel is Hisoka, his familiar is Gon and his master is Sailor Moon?
Ballroom e Youkoso – 22
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「リーダーパートナー」 (Leader Partner)
“Leader Partner”
I must confess this episode of Welcome to the Ballroom had me a bit worried for a while.
Mahoutsukai no Yome – 09
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「None So Deaf as Those Who Will Not Hear 」
Elias may be old and in many ways wise, but clearly he doesn’t understand Chise’s heart yet.
Ballroom e Youkoso – 21
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「扉(ドア)」 (Door)
“Door”
I suppose it’s no revelation, but in many ways Chinatsu and Tatara are the worst possible pairing one could imagine in ballroom dance.
Mahoutsukai no Yome – 08
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「Let Sleeping Dogs Lie」
If the greatest sin you can ascribe to a show is consistency, you know it’s in pretty good shape.