Keppeki Danshi! Aoyama-kun – More Than the Sum of its Parts
|
Aoyama Life! |
This is certainly the summer series that lifted itself in my esteem the most between the premiere and the finale.
|
Aoyama Life! |
This is certainly the summer series that lifted itself in my esteem the most between the premiere and the finale.
「評価」 (Hyouka)
“Final Evaluation”
There’s a real sense that the story is just getting started with Ballroom e Youkoso.
「星待つひと:後篇」 (Hoshi Matsu Hito: Kouhen)
Hoshi Matsu Hito more than stands on its own – in fact, it impresses as an outstanding piece of art on its own terms.
「ボルテージ」 (Voltage)
“Voltage”
People are complicated (and so is this relationship diagram).
「花と額縁」 (Hana to Gakubuchi)
“Flower and Frame”
The only thing in this show longer than the necks is the minutes…
「現実」 (Genjitsu)
“Reality”
There are definitely times when watching Ballroom e Youkoso that my abject lack of knowledge about ballroom dancing frustrates me.
「ライン・オブ・ダンス」 (Rain Obu Dansu)
“Line of Dance”
With the last couple of episodes, I’m really starting to appreciate just what all the fuss was about.
「ダンサーズ・ハイ/ パートナー」 (Dansaazu Hai/Paatonazu)
“Dancer’s High/Partners”
Welcome to the Ballroom is certainly full of shounen tropes, of that there can be no doubt. But it works in spite (and maybe even a little bit because) of that.
「ワルツを踊れ」 (Waltz wo Odore)
“Dance the Waltz”
This might not be a bad time for younger anime fans to Google “Wally Pipp”.