CLANNAD ~AFTER STORY~ – 15
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Summary:
With Nagisa now two months pregnant and Tomoya vowing to protect the child, Sanae is reminded of how Akio had said something similar a long time ago.
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Summary:
With Nagisa now two months pregnant and Tomoya vowing to protect the child, Sanae is reminded of how Akio had said something similar a long time ago.
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Summary:
After a long climb, Jil and company get pretty far up the Tower and reach the frigid area where Melt and Coopa are.
First off, Happy Belated Birthday Nana-chan! Despite being fairly knowledgeable about seiyuus and their past roles, I’m not quite obsessive enough to bother remembering their birthdays. Incidentally, I stumbled upon the fact that Nana’s birthday is on January 21st and she just turned 29. Her age makes me wonder if she’s going to tie the knot with anyone soon or if she even has anyone in mind, since she’s nearing the big three O soon. Takahiro Sakurai (Suzaku in CODE GEASS) perhaps? Unlike their North American counterparts though, most Japanese people seem to be so career-oriented that being single at 30 years old doesn’t automatically trigger some sort of mid-life crisis. Interestingly enough, it was Inoue Marina‘s birthday the day before (January 20th, turned 24), Makino Yui‘s the day before that (January 19th, turned 23), and Paku Romi‘s birthday today (January 22, turned 37). I’m not sure what’s up with all the January birthdays, but since they’re all noteworthy seiyuus in my book, best wishes to all of them.
More after the jump…
Admittedly, I’ve always preferred female vocals over male ones, but it’s even better when it comes from an all-female rock band. Unconsciously, I tend to associate the ability to play an instrument with musical talent. Anyway, all-female rock bands aren’t something I recall seeing a lot of, with ZONE being one of the more popular ones off the top of my head. I don’t tend to follow “mainstream” Japanese music much nowadays with the constant influx of music from anime OP/ED singles though (some of which may be mainstream), so I’m far from being the most knowledgeable person in this area.
In any case, I’m really starting to like Stereopony‘s music, which has already been featured in Bleach as the 17th ending theme prior to Gundam 00. For those following Bleach, “Hitohira no Hanabira” 「ヒトヒラのハナビラ」 was their first single and did fairly well on the Oricon Weekly Charts, peaking at 25th.
More after the jump…
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Summary
Walking home from school one day, Natsume stops in amusement to watch a group of very tiny youkai carrying a mikoshi struggle to think of a way to pass over a small puddle of water on the ground.
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Summary:
Despite the pressure from everyone to get Yuusaku to run for student council president in order to prevent the evil Taiga from winning, he doesn’t change his mind.
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On this day of Barack Obama’s inauguration (I had to stop myself from titling this post “State of the Union”), here are some notes on myself and the series I’m blogging:
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Summary
While napping in class, Natsume recalls a nightmare about his young classmates calling him a liar and bullying him because they couldn’t see the frightening youkai Natsume could see. After waking, he returns to a world of pleasant school friends and family who don’t know a thing about the fact that he can see youkai, and he’s grateful for it. When his two friends ask him if he’s alright or if he’s not sleeping well, Natsume just tells them everything’s fine and he’s living everyday in happiness… and ironically they joke that his answer reeks of a lie.
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Summary
In an unusual state of girlish cuteness, Touma excitedly comes home from school one day only to find the pudding she wanted to eat in the hands of her older brother Natsuki.
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Summary:
On the phone with Touya, Rina asks about the fortune that she brought him, so he explains that it just means she brought Yuki.