Preview by Pancakes

Living life in the suburbs isn’t always a walk in the park. The neighbourhood kids, the salesmen, the hour-long drive to work: there’s plenty of (first-world) problems to be had. Even the youngster Chikura Shizuru (Anzai Chika) can attest to this, wanting herself to venture out and visit her friends, but there’s just one problem on her side. A post-apocalyptic problem. You see no one is around, everything is abandoned, the world is suffering from a strange case of missing civilization and weird floaty alien things, and yet that’s still not enough to dissuade Shizuru from seeking out her friends. Commandeering a conveniently stationed train alongside some likeminded companions and setting out into the great unknown, Shizuru will do whatever it takes to make sure the power of friendship isn’t another casualty to the bleak world around them.

Well if there was ever a potential dark horse this season Shuumatsu Train Doko e Iku would be it. There’s not much tangible info to go off of here outside of anime original (threadbare synopsis gives it away), but the pieces present are hinting towards something interesting. Besides a nifty mix of Gakkou Gurashi vibes with what guaranteed isn’t an unintentional homage to Metro: Exodus in the train to nowhere somewhere, we’ve got a staff especially skilled in CGDCT material (particularly director Mizushima Tsutomu and series composer Yokote Michiko) and a studio in EMT Squared who have all but specialized in cute and fluffy. Tack on a premise which could easily be something out of Tengoku Daimakyou’s playbook (read: deeper than it looks) and pretty easy seeing how this one could wind up surprising in the most unexpected ways. As usual the three episode rule will tell the tale, but if there was one unassuming anime you should watch out for this spring for sheer potential alone this one most definitely is it.

Preview by Pancakes

From the light novel series of the same name comes the biggest of games. The godliest of games. Bored from the curse of too much free time, the gods above decided to liven things up with a game called Play of the Gods. A battle of wits, the game sees so-called Apostles – mortals endowed with a special power – compete in a series of matches against their divine superiors. Should ten victories be achieved, the Apostle is granted a wish. Yet to date no one has attained the ultimate prize thanks in part to the enigmatic nature of gods. Enter Leoleshea (Kitou Akari). A slumbering former dragon goddess, Leoleshea declares upon her awakening for the best person of the era to appear before her – a call which the genius human Fay (Shimazaki Nobunaga) answers. Fay already has three victories in Play of the Gods, but given how the game often goes, he decides to team up with Leoleshea to make a play for the rest. No guarantee of success is there for either goddess or human, but this is one game both are determined to win.

Game-based stories are always fun because you can bet in part for plenty of mental wrangling, psychological suspense, and all the fun which comes from (often) pure popcorn entertainment. And yes, these are all qualities which Kami wa Game has in spades. While a fairly sparse series to date (it only started in 2021), it’s effectively a mashup of Liar Liar and NGNL, where Fay engages in some rather unorthodox “games” thought up by various deities all for the sake of (spoiler alert) finding a lost relative. Plot-wise it’s nothing particularly unique or different, especially once getting into the games themselves, but the parts I read were a pretty fun romp and did – much like NGNL before – leave me wanting to find out what happens next. Tack on a fairly solid cast and a decent studio pick in Lidenfilms and hey, there’s even some room for optimistic thinking. I wouldn’t go as far to say that Kami wa Game will be topping the spring charts, but this one is quite likely to be a good bit of spring entertainment.

Preview by Pancakes

For one Lloyd de Saloum (Koichi Makoto) life is all about magic. Learning it, casting it, dreaming of it: whatever the thing involving magic is, the kid wants to be an enthusiastic part of it. It never used to be that way for Lloyd, originally starting out as a nondescript sorcerer killed off through a duel, but thanks to a bit of resurrection and the fortune of being reborn as the seventh prince to a royal family he now has the full ability to realize his magical dreams. No matter what others thing, no matter the requirements of title and position, since Lloyd can now devote his days to magic he’s going to do so – and enjoy every lasting minute of it.

In the same vein as a few other shows this season Tensei shitara Dainana Ouji Datta node is all about filling that generic fantasy slice-of-life niche. This one is very much the expected slice-of-life tale, where Lloyd has some serendipitous encounters, winds up with ridiculous powers, and goes on to leverage said powers for the sake of his own personal interests. Sure, it’s not ostensibly isekai (given the resurrection premise and *spoiler alert* presence of a veritable mascot companion), but strip away the fluff and slight tweaks on the usual themes and it’s the same mechanics operating under the hood. The one positive here is that the story itself doesn’t take itself too seriously, so as long as the adaptation can avoid cramming too much into its likely single cour run and maintain decent visuals it shouldn’t turn out all that bad. Considering what some of these made-for-marketing affairs turn out to be, I’d consider that a win.

Preview by Pancakes

Nestled deep within golden fields of wheat lies the town of Pasloe. A holdover from simpler times, Pasloe reveres the wolf deity Holo (Koshimizu Ami) for her blessings given each year which promote a bountiful harvest – yet over the years increasing self-sufficiency and growing religious influence have led to Holo being reduced to mere folklore. At least until the merchant Kraft Lawrence (Fukuyama Jun) comes visiting. Sensing an opportunity to finally leave Pasloe, Holo proposes to become Kraft’s business partner and help him with negotiations and bargaining if he in turn will take her to her ancestral home of Yoitsu. It’s not a deal Kraft has any issue with given he wants to eventually settle down and open a shop – and that takes a lot of money – but travelling with Holo will soon lead him to question whether his stated aspirations are what he truly desires.

I’ll be blunt: I have been eagerly awaiting this remake with bated breath. The original Spice and Wolf was one of the first shows really getting me into anime, wonderfully melding a simple adventuring plot with economics 101 (currency is a very fun topic) some sly tie-ins with early Middle Ages societal development, and a very nice and charismatic personality in Holo the Wise Wolf. Similar to Legend of the Galactic Heroes it’s very much debatable if we even need such a remake considering the strength of the original (second season source material cuts notwithstanding), but it’s what we’re getting, it will bring new faces to the franchise, and I’d be lying if more Spice and Wolf doesn’t have me feeling warm and fuzzy inside. The good – and frankly incredible – news too is that the core cast and crew are back from the original: Takahashi Takeo returns as director, Fukuyama Jun is back as Kraft, and Koshimizu Ami remains the Wise Wolf herself. Add on Kevin Penkin for the soundtrack and high expectations only come naturally. While there’s some noticeable trepidations concerning this remake (the more light novel derived art style for one is somewhat jarring when coming from the original anime), if it can so much as match the first adaptation this will definitely be a victory achieved. After all, success here means a good chance at finally seeing the full Spice and Wolf story in anime at last – and you bet your apple eating wolf I want it.

Preview by Pancakes

As Allen (Aoi Shouta) can attest, being a hero isn’t an easy task – particularly when you’re stuck with a low level and no special powers. The result of Allen’s weakling transgressions against the heroes of old result in him losing his titles and being unceremoniously exiled from his duchy. There’s just one catch: it’s what Allen secretly wanted all along. Originally a hero in a previous life, Allen has longed for a peaceful life with few concerns and so leaps at the opportunity his banishment presents. He even gets a slice of that lazy living for a bit, until stumbling across his ex-fiancée Riese (Kurisaka Minami) in dire straights. Unable to help himself, Allen jumps to her rescue, yet in doing so unwittingly loops himself back into the life of a hero. Allen may wish to run away from the title, but one way or another he’ll have to live up to its expectations.

Banished heroes and reincarnation continue to serve as wellsprings for seasonal fantasy, so probably no surprise Dekisokonai throws the two in a blender to get the best (worst?) of both worlds. There will be no twists or gotchas here for anyone who’s watched a few of these shows: the plot is relatively light, Allen is stupidly overpowered with plot armour and cliché backstory to boot, and there’s plenty of female acquaintances vis a vis party members to keep the harem angle a running theme. It’s nothing especially egregious mind you given some of the series which have been adapted to date, but anyone hoping for major depth or complexity best check such expectations at the door. Definitely give it a shot if need of some laid back fantasy adventuring, but don’t go betting yet that Dekisokonai will be breaking from the crowd too easily this spring season.

Preview by Pancakes

Returning to anime after nearly seven years, Touken Ranbu once again brings back what happens when you transform Kancolle and Azur Lane into the female audience equivalent. In the universe of Touken Ranbu sages are individuals bestowed with the power to time travel into the past for the sake of defeating evil. Such victories aren’t achieved alone though; by animating legendary swords into men, sages have the ability to overcome the threat of the day and return back home victorious. In this particular case the time travelled back to is the era of the Honnouji incident and Oda Nobunaga’s assassination. Here four animated swords formerly serving the self-styled Demon King must come together to make a critical choice: live and let live, or permit history to continue as before.

The Touken Ranbu franchise is, much like its compatriot Kancolle, a fairly popular online game with a following that definitely slants hard towards Japan. For the uninitiated this one is very much for female audiences, with bishounen the name of the game and BL atmosphere the whole purpose behind the gameplay. Yes, very much female. Per the synopsis it has already inspired two anime productions of the usual game adaptation quality (read: intended for those familiar with the game), but the selling points for this one arguably are that it’s adapting the well-received stage play version and retains the original writer Suemitsu Kenichi for script and series composition. In short I would not expect a lot more outside of the usual pretty boys doing historical things shtick that Touken Ranbu is known for, but anyone who’s a game fan will definitely get their money’s worth here. And hey, even if not a fan yet still curious, there’s still plenty of time to check out those previous anime adaptations beforehand!

Preview by Choya

Eden Hall is an elusive bar hidden in the outskirts of the Ginza district. It’s not a bar you could merely find by checking a map; it’s a bar that finds you. Many lost souls wander into the bar searching for inspiration, a sense of purpose, and a calming alcove to decompress at. Luckily, the lone bar is operated by Ryuu Sasakura (Terashima Takuma), a bartender with a natural gift to craft the perfect cocktail for any guest. The people who enter his bar hoping for someone to lend an ear to their troubles are greeted by the warm atmosphere Ryuu presents as he concocts the ideal cocktail to help steer his guests in the right direction as they leave with a renewed sense of purpose.

We’ve started 2024 with some pretty great anime about nightlife, but rather than the hustle and bustle of the lively world surrounding urban pubs, Bartender offers a stripped-back experience. The ethereal, mystical nature of each drink Sasakura crafts centers his drinks as the catalyst behind the lives and experiences of his clientele. In a way, Sasakura’s pub is treated as an apothecary for modern-day maladies that plague our contemporary lifestyles. Whether it be workplace strife or interpersonal woes, Bartender posits that an intimate pub might just be the perfect place to reflect on life and decompress after one sip of your favorite drink. You might just find yourself wanting to stop by when Bartender whips up a concoction to sweeten the spring season.

Preview by Pancakes

The Magical Kingdom of Klyrode is known for one thing and one thing only: perpetually battling it out against the Dark One and his innumerable demonic legions. Alright, two things: also summoning hundreds of potential heroes from alternate worlds to do the battling for them. Banaza (Hino Satoshi) is one of these heroes, yet is afflicted with the unfortunate state of being a merchant. Magic; fighting prowess; luck stats? Zilch and nada. It’s so bad Banaza gets relegated to frontier duty almost out of pity as much as cruelty – but Banaza has a hidden secret. You see he’s simply a late bloomer, and when that level two upgrade hits, well, let’s just say the world shall never be the same again.

Honestly at this point this sort of fantasy all but writes itself. Weak and downtrodden MC who gets shafted from the fun right away? Check. Hidden OP abilities set to adorn him with ridiculous plot armour and the affections of many a girl? Scratch it off too. And let’s not forget the slice-of-life-esque focus for some cozy something somethings. And I mean cozy: Banaza outright marries off the bat to also claim some matrimonial points. Hell the big thing here is arguably that Lv2 kara Cheat isn’t a true isekai – i.e. no Earthborn humans – and saves the supercharged powerup for (slightly) later, but get down to brass tacks and you should know exactly what to expect (need look no further than the promotional material). The one positive I will say is that this sort of story is right in J.C. Staff’s wheelhouse and has over eight years of light novel source material to work with, so provided the ubiquitous adaptation hacking and slashing is kept under wraps it should make for a decent bit of lighthearted fantasy fun. After all, you don’t have to be groundbreaking to be entertaining.

Preview by FJ Freeman

Prepare to immerse yourself once again in the tranquil world of outdoor adventures with “Yuru Camp△ Season 3” Returning with its signature blend of cozy charm and breathtaking scenery, this beloved anime series invites viewers on another journey of friendship, discovery, and the simple joys of camping under the stars. As the seasons change and the air grows crisp, the camping club at Motosu High School eagerly anticipates their next escapade amidst nature’s embrace. Leading the charge is Rin Shima (Touyama, Nao), the seasoned solo camper whose love for the great outdoors knows no bounds. Alongside her are her fellow club members Nadeshiko Kagamihara (Hanamori, Yumiri), Chiaki Oogaki (Hara, Sayuri), Aoi Inuyama (Toyosaki, Aki), and Ena Saitou (Takahashi, Rie), each bringing their unique personalities and passions to the group.

In this eagerly awaited third season, the camping club embarks on a series of new adventures, from exploring hidden gems in their local countryside to venturing further afield to distant mountains and coastal retreats. With each excursion, they deepen their bonds of friendship and forge memories that will last a lifetime. But amidst the laughter and camaraderie, challenges abound, testing the resolve and resourcefulness of our intrepid campers. From unexpected weather changes to culinary mishaps around the campfire, every obstacle becomes an opportunity for growth and learning, strengthening their resolve to embrace the wonders of nature with open hearts and open minds. Join Rin, Nadeshiko, and the rest of the camping club as they embark on a journey of self-discovery, friendship, and the timeless allure of the great outdoors in “Yuru Camp△ Season 3” From starlit skies to crackling campfires, let the warmth of their adventures kindle your spirit and ignite your passion for life’s simple pleasures!

Preview by Princess Usagi

Love can be a mystery- why or with whom it happens can’t be explained or predicted. Hinase Hotaru (Hanazawa Kana) cannot understand romantic love, but not lacking for friends or family, is unbothered by this. Her conception of this four letter word changes when her kindness towards the rejected Hananoi Saki (Kobayashi Chiaki) leads to receiving a confession from him, followed by a date. He inspires new feelings in Hotaru, which could be the very thing she felt she had been missing all along.

Hananoi-kun to Koi no Yamai is sourced from a manga that has been well received, winning Kodansha’s best shoujo manga award a few years ago. Notably, the director is (Makino Tomoe) whose restrained, yet impactful directorship of (Kotaro wa Hitorigurashi) was quite good, which looks promising for this adaptation. From what I’ve seen thus far, it looks like this could be a gentle, heartfelt addition to the slate of romance series on schedule this season.

Preview by Pancakes

Some would say Tomokui Kanata (Satou Takuya) won the game of life. Isekai’d right into alternate world greatness at the tender age of 25? What’s not to like? Quite a bit actually. Besides Kanata being sent to fantasy heaven via murder at the hands of his childhood friend turned stalker Kirimine Aoi, he’s also put in the unenviable position of being reborn as a goblin, the lowest of monster classes. All of that however isn’t enough to keep Kanata down. Equipped with all the memories of his prior life and a unique ability to literally eat his way into permanent status boosts, Kanata renames himself as Goborou and sets out to make a name – and a place – for himself in this new world. The ride won’t be easy, the ascension to power not quick, but Goburou isn’t about to let fate dictate his future.

As far as isekai go Re:Monster is a funny one to see adapted, and not because of that synopsis. This one is basically the Tensura progenitor, starting up in light (web) novel form almost two years before it and featuring more than a few major similarities. Besides the isekai’d monster origin, we’ve got the powerup through eating, the level zero start, and – oh yes – a focus on growing a village and building up its people quickly turning into a display of ridiculous abilities. Re:Monster naturally plays to its goblin theme more than Tensura’s multi-species cornucopia, but the same principles rest under the hood – up to and including an evolutionary ascent into veritable godhood. The big filter though will likely be execution. Besides having a somewhat meandering story after the first bit (often one of the curses for this sort of thing), the PV material isn’t particularly impressive given what the light novel had in its stead. There is at least a completed story to work with, so provided the usual adaptation pitfalls are avoided there’s nothing pointing to extravagant trainwreck. Again don’t bet on Re:Monster topping the isekai charts, but anyone after a grittier version of Tensura for their spring watching need look no further than this.

Preview by Pancakes

Furin High School is only known for one thing: delinquency. And not your ordinary, chalk brush on teacher’s head or teasing of the MTG playing nerd at the back of class delinquency, oh no. No, at Furin High it’s all about fighting where only the strongest get any claim to fame. It’s this infamy which drives Sakura Haruka (Uchida Yuuma) to register at the school as he is in part determined to showcase his own strength. Not interested in weaklings, heroics, or teambuilding, Haruka is solely determined to prove himself through sheer grit and determination. Considering the nature of Furin High however and how many are chasing the same goal, Haruka will soon find out just how troublesome his goal will wind up being.

It gives me a chuckle (and slight trepidation) knowing with the isekai and villainess wellsprings thoroughly tapped that delinquency and gang/yakuza-based stories seem to be one of the next sources of material anime is turning towards. Tokyo Revengers is the big one of course, but there’s also Rokudou no Onna-tachi and (to some degree) Mashle which have thrown open the doors and seemingly greenlit the likes of Wind Breaker. For anyone familiar with those aforementioned series there should be no surprises here, with fighting (and lots of it) being the name of the game, teenage-focused gangs and cliques the thing driving conflict and tension both, and a story which is very much shounen-esque with a villain of the same calibre to boot. In short pure popcorn entertainment – but given it’s a CloverWorks production with them apparently bringing their animation A-game a pretty damn good shot of excellent popcorn entertainment. Don’t expect any miracles here, but Wind Breaker will definitely be worth the watch for anyone in need of some quick and dirty no holds barred action to round out spring.

Preview by Pancakes

The sorcerer Zagan (Kobayashi Yuusuke) is feared for his prowess, talent, and sharp tongue, but no one knows of his true weakness: Nephie (Ichinose Kana). A silver-haired elf slave, Nephie was put up for auction as part of the late Archdemon Marchosias’ estate and just so happened to catch Zagan’s eye when he decided to participate. And catch his eye Nephie did. Spending all his money to secure ownership to the bewilderment of his companions, Zagan went all out because he actually fell in love with the girl at first sight. The guy has absolutely no idea what to do with Nephie, how to grow their relationship – hell, even get her to realize he wants to woo her, not enslave her – but if there’s two things which can help a relationship blossom it’s time and trying, and Zagan is eager to expend both.

I have to admit, digging into Maou no Ore ga Dorei Elf for this preview wound up proving more interesting than first thought. This one is basically the inverse of ugly orc makes beautiful elf happy meme (or the less overtly hilarious version of Isekai Maou), where Zagan’s whole purpose is to get Nephie to see him as relationship material while both play the well-established game of romantically dancing around the edges. Communication troubles will abound (Zagan is incredibly introverted), cutesy wholesome moments will feature in abundance, and you best bet there are also a few other girls who will clamour for their time in the spotlight. While the heavy focus on slavery as a core plot and setting element will definitely rub some the wrong way – seriously, it’s the lens through which Maou no Ore ga Dorei Elf structures its worldbuilding – provided it keeps more to lighthearted romcom than critical analysis there’s lots of room to get something interesting. In short I wouldn’t expect a lot, but Maou no Ore ga Dorei Elf has you covered for some laidback fantasy fun this spring season.

Preview by Choya

Kaburaya Sosuke (Furukawa Makoto) is a detective who’s been struggling to make ends meet. However, his life starts to get lively when he comes across a princess from another world named Sarah (Yano Hinaki). Despite the heavy turmoil and impoverished living conditions that the two face, they start living with each other as Sarah becomes adjusted to her new life in contemporary Japan. Will they find normalcy in their cohabitation, or will her magical powers attract the neighborhood oddballs?

The biggest selling point for Henjin no Salad Bowl is that it’s another anime adaptation of a Hirasaka Yomi work, and an anime project they’re a part of. If you’re familiar with irreverent comedy anime like Boku wa Tomodachi ga Sukunai and Imouto sae Ireba Ii., you’ll know what you’re getting into. That is to say that they’re an acquired taste with their horny, otaku-tinged sense of humor, but have enough heart to give their characters a sense of depth and personality. If this is your speed, then Henjin no Salad Bowl might just be your kind of spring mix.

Preview by Choya

After being let go from his job as a chef, Takumi (Saitou Souma) lands a gig at a boarding house known as Astro-sou. Although he was hesitant about taking on the job after learning that he’d also have to move into the boarding house, he changes his mind when he meets the beautiful caretaker, Mira (Uchida Maaya). Her charms immediately compel him to sign on, but as Takumi gets sucked into Mira’s world, he learns quickly that this world is a lot more interstellar than he would’ve assumed.

Astro Note is an original comedy anime, but rest assured that the pedigree behind this show guarantees that it’ll be in safe hands. Shinji Takamatsu Shinji Takamatsu’s involvement as a chief director means that it’ll have the backing and support from people who brought Gintama, Grand Blue, and Danshi Koukousei no Nichijou to life. It’s supernatural romantic elements also provide a ton of potential for scenarios where Takumi has to absorb the absurdity behind what he’s been roped into. It’ll be neat to see if Astro Note becomes this year’s go-to comedy when it arrives in the spring.

Preview by Pancakes

Back for its third (well, technically fourth) anime outing, Tensura once again returns to the adventures of Rimuru (Okasaki Miho) the slime and his eclectic band of monster – and not so monstrous – companions. Having previously ascended to the title of true Demon Lord, Rimuru has successfully fended off the machinations of Clayman and helped see the Demon Lord Council rebranded as Octagram. Never one to rest on his laurels however, Rimuru returns home to the Great Jura Forest to help continue overseeing its growth into one of the world’s most vibrant – and strongest – powers. Yet others don’t see things the same way. The Holy Empire of Lubelius for one is severely shaken by Clayman’s defeat, especially considering its chief knight Sakaguchi Hinata (Numakura Manami) had only recently returned from an effort to destroy Rimuru. It’s an untenable situation for both sides, and as Hinata sets out to settle the score, Rimuru will learn that reconciliation can often be the hardest feat of them all.

And so continues the journey of the OG isekai slime. At this stage Tensura should be a known quantity for most anime fans, having three cours, a spin-off, and a still ongoing light novel series which remains incredibly popular to date. While somewhat overshadowed now given the spacing between seasons (even the cool kids suffer when each season is cranking out 15+ fantasy shows at a time), it doesn’t make it a bad story or adaptation, and with very good pacing, a laid back, easygoing plot, and some fun characters, I for one have maintained a soft spot for watching the latest Rimuru shenanigans. The good news for this season is that it’s confirmed two cours, which alongside the usual cast and crew reprising roles and a suitably fun arc to look forward to (round two with Hinata will be doing that) means any serious quality shakeup is unlikely to happen. Don’t expect this season to change any minds, but fans of Rimuru and the gang will certainly enjoy what this one has on tap.

Preview by Pancakes

After a four year hiatus, the widely popular light novel series Mahouka Koukou no Rettousei is back for its third kick at the anime can. Centered on a world where magic has become the next great frontier of technological development and scientific progress, users known as Magic Technicians practice the concept in its various forms and learn it in specialized magic schools. It these schools too which make or break talent, as exams ruthlessly split the high achievers from the crowd and ensure only the best (as they see it) reach the top. Siblings Shiba Tatsuya (Nakamura Yuuichi) and Miyuki (Hayami Saori) are two such students, with Miyuki dominating the spotlight as school prodigy while Tatsuya, thanks to middling practical skill, is relegated to the low achievement stream. Except Tatsuya is anything but talentless. Secretly possessing extraordinary skills, knowledge, and combat expertise, Tatsuya may not excel at tests like his sister, but he has the power to ensure their magic school life will be far from routine.

Ahh Mahouka, it’s honestly hard at times finding a more divisive, absolutely love or emphatically hate, light novel franchise. This one has it all: in-depth world building and (excessively) detailed magic systems, relatively shallow plot meant to give reason for the former, and one of the most blatant Gary Stus in Tatsuya the Magic Jesus to round out the details. While I won’t deny it being a guilty pleasure at times (the Onii-sama-isms will never not be funny), the nature of its adaptation – i.e. the usual rushing and chopping – and the very long delays between seasons make it a somewhat troublesome franchise for the uninitiated to get into, particularly given just how ridiculous author Satou Tsutomu gets at times with his world building. The good news at least is that Mahouka is now a concluded series with over 21 volumes to still work through, so provided this season follows the last in adapting two or three volumes (likely the Ancient City Insurrection arc this time) there shouldn’t be any major shakeup in comparison to what we got before. Don’t think for a second if on the fence that this cour will change opinions (and if unfamiliar I strongly encourage watching the first season to get an idea), but anyone liking the adventures of Magic Jesus will certainly enjoy the fireworks – and sibling bonding – set to come out this continuation.

Preview by Pancakes

Another day in the same Tokyo of old, another group of aspiring musicians hopes to see their band achieve glory. While Iseri Nina (Rina), a second year dropout, struggles to make it into university while working the day away, Kawaragi Momoka (Yuuri) comes to grips with betrayal and a seeming lack of future as Ebizuka Tomo (Natsu) learns how to survive without parents in a city she’s wholly unfamiliar with. All however are brought together through a shared love of music, a passion bringing them into contact with fellow music lovers Rupa (Shuri) and Awa Subaru (Mirei), and an interest soon spawning a collective goal. With the world unfair and life a cruel mistress, why not make a place to belong through music? So begins the journey of the band Togenashi Togeari and the striving of friends to finally find a place for themselves together.

It probably tells you the lopsided impact of yearly powerhouses when the first thing Girls Band Cry will get compared to is Bocchi the Rock, and not without reason. Yet another K-On esque anime where a motely mix of cute girls get together to do cute musical things? To be fair it basically is, yet to Girls Band Cry’s credit it has technically been in the works since 2021, already has five songs out under the Togenashi Togeari name, and, if character ages and descriptions are any indication, is aiming for a story more along the lines of Beck than the aforementioned Bocchi (not to mention is a pure anime original). What’s likely to filter hard here is the animation: this one is full 3DCGI and is in the hands of Toei, effectively guaranteeing either Polygon level surprise or a serious crash and burn. Nevertheless considering it also sees Sakai Kazuo and Hanada Jukki of Love Live fame on staff I would not be so quick to write Girls Band Cry off. As Bocchi itself proved back in 2022, sometimes the greatest dark horses have the most unassuming of exteriors.

Preview by FJ Freeman

Embark on a journey of dreams and aspirations in “The iDOLM@STER Shiny Colors,” where the spotlight beckons and the stage awaits the next generation of idols. Produced by Polygon Pictures and helmed by the visionary director Mankyuu, this captivating anime series follows the exhilarating adventures of Mano Sakuragi (Sekine, Hitomi) and her comrades as they strive to make their mark in the dazzling world of idols. For Mano Sakuragi, an ordinary girl with an extraordinary passion, the path to stardom begins with a chance encounter that ignites a flame within her soul. Drawn to the allure of the stage and the promise of boundless possibilities, she takes her first tentative steps into the realm of 283 Pro, a renowned agency teeming with aspiring talents. Amidst the bustling halls of 283 Pro, Mano finds kindred spirits in Kazeno Toori (Kondou, Reina) fellow dreamer who shares her unwavering determination to seize their moment in the spotlight.

Together, they navigate the trials and tribulations of idol life, from grueling rehearsals to heart-pounding auditions, each step bringing them closer to their ultimate goal. But as they ascend the ranks of stardom, Mano and her friends soon discover that the path to success is paved with challenges and sacrifices. From rivalries that test their bonds of friendship to the relentless pressures of fame and fortune, they must confront the harsh realities of the industry while staying true to themselves. As the curtains rise on their journey, Mano and her companions strive to captivate audiences with their unique talents and unwavering passion. With each performance, they weave a tapestry of hopes and dreams, inspiring countless hearts and forging connections that transcend the stage. Set against the backdrop of pulsating beats and electrifying melodies, The iDOLM@STER Shiny Colors invites viewers on a spellbinding odyssey of music, friendship, and self-discovery. From the dazzling lights of the stage to the quiet moments of reflection, join Mano Sakuragi and her comrades as they shine brightly in the spotlight of destiny.

Preview by Choya

The NEX Race event has revolutionized racing by implementing new technology that allows vehicles to safely travel at 500 km/h, or roughly 310 mph. This anime’s futuristic story involves Rin Rindou (Izumi Fuuka), a young girl whose aspirations for ballet are dashed by a dream-ending injury. Even though the injury had caused her to live a NEET lifestyle with her grandmother, she is given a second chance at prosperity when she discovers NEX Race for herself. With the power of AI control support and “Revolburst”, Rin seeks out her true potential as a professional racer.

In recent years, anime has been a launchpad for most potential mixed-media productions. Cygames is one of the busier producers in these regards as they’ve gotten their tales of horses, zombies, and maid mafias up off the ground as TV shows to gauge interest in new IPs. With HIGHSPEED Etoile, Studio A-CAT is given an assist from King Records and Good Smile Company. It’s interesting to look into the latter because the dubiously funded figure company has its finger on the pulse when it comes to the anime they throw down money on. If the anime they produce isn’t a guaranteed moneymaker, then chances are the show has some quality about it that gives it the potential to be a worthwhile, hidden gem. It may be too soon to hedge your sports bets on HIGHSPEED Etoile, but I would keep my eye on a show like this to see if it may blossom into a must-see racing anime for the spring season.

Preview by Guardian Enzo

You gotta love sports! This time it’s a long-running golf manga that’s – as usual – been totally invisible in English. It’s the story of an orphaned high school girl on a small island in Kagoshima who takes up golf using her late father’s 3-iron, and the retired pro who takes her under his wing. I know nothing about the material and the staff seems nondescript, but I’ll give it a punt.

It’s worth noting that I’ve been lamenting the almost total absence (and I mean, ever) of golf anime, despite a number of well-known manga, and predicting its day would come. Well, it has – starting with the frankly awful Birdie Wing we’re seeing a number of properties being produced, which makes sense given the game’s popularity worldwide and Matsuyama Hideki’s rising stardom (including winning The Masters, the first major win by a Japanese man). IMHO the best of the current lot would be the current WSJ series Green Green Greens, but unfortunately I think it’s unlikely it will escape cancellation long enough to get an anime.

Preview by Choya

Shintaro Tokumitsu (Umeda Shuuichirou) lives by his lonesome as he attends high school and makes the most of his solitary life. That is, until he finds a girl named Towa (Toono Hikaru) lingering around his balcony. Her sweet, kind demeanor may seem otherworldly, but that’s because she is blessed with true, bonafide divinity. As an angel who’s getting better accustomed to human customs, Towa intends to stay with Shintaro as his new roommate drags him into as many adorable hijinks as she can.

This should prove to be a cute anime. At first glance, it doesn’t seem like a show that’s bound to stick out when so many iconic anime about guardian angels have graced us. But it’s bound to be a reliable and comfortable alternative to some of this season’s more aggressive, in-your-face productions. If you need some time away from tense fights or dramatic twists, then you’ll find plenty of relief with One Room, Hiatari Futsuu, Tenshi-tsuki’s approach towards its perspective on guardian angels. With an ever-expanding cast of angels to welcome themselves into Shintaro’s life, One Room, Hiatari Futsuu, Tenshi-tsuki will be one heck of a lively anime when it blesses us this spring.

Preview by Princess Usagi

Once, long ago, in Yamauchi, an alternate universe circa ancient or medieval Japan, there existed a government controlled by beings who can switch between crow and human forms. These beings called themselves the Yatagarasu clan. Yukiya (Tamura Mitsumi), one of these crow people, becomes fated to work for the prince. Braving the court intrigues by his prince’s side, the two of them develop a bond like no other.

What caught my eye was the setting- I find it interesting to see how different authors (and by extent, anime staff) put their own spin on historical timelines. Especially when combined with a supernatural angle. The catch is that most series like this (Hikari no Ou sprang to mind immediately) have trouble delivering a consistently good storyline after the first few episodes. Will this series be different? Who knows, I hope so. The novel this is based on is already finished, and the anime is slated to run for 20 episodes, so there’s a good chance we may get the satisfaction of seeing the full story adapted. The studio Pierrot has a pretty good track record with adapting complex, well-thought out story lines (Akatsuki no Yona and Hikaru no Go), so that certainly seems promising in terms of a decent production.

Preview by Choya

There are whispers in the streets of a legendary hitman who has claimed numerous lives for a variety of clients. His name? Fable (Okitsu Kazuyuki). Although his reputation precedes him as an expert assassin, this comes at a major cost when the death toll of his latest job skyrockets too high to ignore. Fable is ordered to lay low for a year by his boss, who recommends that he take on a civilian lifestyle for both safety and valuable experience for future jobs. He is joined by his driver, who will help him assimilate by assuming the role of a fake sibling known as Youko Satou (Sawashiro Miyuki). Taking on the name of Akira, Fable must take on a one-year sabbatical from taking a life, or else.

Taking a grim, gruff dude and throwing him into the average person’s daily routine is always a recipe for a great show. There’s nothing like the fish-out-of-water stories that come from hardened killers having to adjust to what civilian life is like. The direction that The Fable takes is also fascinating because the condition of not killing a single person sounds like Fable will be put to the test one way or another. This means putting Fable into dangerous situations that go outside of his new daily schedule where he might be tempted to pull the trigger on someone. Will he be able to hold out until his sabbatical ends, or will he risk having his protection revoked by taking a life? Find out when you learn of The Fable’s lesson this season.

Preview by Choya

Dreams are made in Shibuya. As a major hub for commerce, commuting, and collaboration, it’s a place that’s given rise to some of the most influential trends in fashion and entertainment. For Kouzuki Mahiru (Itou Miku), it’s where she regains inspiration to channel her pent-up energy towards her creative endeavors. When she is offered a glimpse into the world of music by a new friend, Mahiru decides to join them and other like-minded creatives to form an anonymous artist collective known as JELEE. She joins a former idol, a prideful VTuber, and a mystical composer in collectively pursuing their dreams, feeding off one another for the inspiration they’ve been seeking out.

As an original anime, Yoru no Kurage wa Oyogenai has the advantage of not needing to live up to any outside sources. If you’re familiar with Jaku-kyara Tomozaki-kun, you might have a decent idea of what the tone will be like. However, I believe that Yoru no Kurage wa Oyogenai’s greatest appeal is showing the strength of what a team of creatives can manage to accomplish together. Along with inspiring one another for true greatness, they also have a chance to encourage each other to carve out their own identities in a city where anybody can be somebody. Make your mark this spring when Yoru no Kurage wa Oyogenai arrives.

Preview by Choya

There’s an old rural town where people mingle with youkai and gods during their day-to-day routine. In some instances, even the most seemingly normal beings are capable of divinity. This is the case with a 23-year-old cat known as Buchio (Kaji Yuuki). One summer, Buchio evolves into a nekomata, or a cat youkai, out of the blue. This newfound power inspires Buchio to learn more about why and how he transformed, curious about the evolutionary cycle that blessed him with supernatural abilities. In this tale, Buchio’s transformation into a nekomata is his passageway into learning about the town he resides in and the mysterious circumstances that affect the local youkai, tengu, and divine beings.

One major selling point of Tonari no Youkai-san is the relaxing atmosphere and introspection this anime has going for it. A world of youkai isn’t seen as a ghoulish place where certain danger lurks from every corner, but instead, offers a lens into the presence of spiritual wealth. Where lingering memories of the life we know and the hereafter coalesce and mingle with one another. Humans look to spirits for guidance as well as reflection given how a youkai’s insight on this world can lend us new ways of understanding the people and elements we interact with daily. I sincerely hope that viewers of Tonari no Youkai-san who experience this show from start to finish gain a fresh outlook on the lives we lead and the communities we foster when it arrives for the spring season.

Preview by Pancakes

In another world in a Japan very much the same, things aren’t going so well. The emergence of beings called the Unknown have plagued the country have plagued the country for some years, forcing the so-called ERDA – Evolutionary Railway Development Agency – to come up with a countermeasure. A speedy countermeasure. Transforming bullet trains into giant robots called Shinkalions, ERDA recruits kids to serve as conductors – i.e. pilots – for Shinkalion, of which Oonari Taisei (Ishibashi Hiiro) gets the dubious distinction of joining the ranks of. Having originally transferred schools to find out more regarding his missing sister, Taisei gets the one-two of his teachers discovering his piloting aptitude and the Unknown returning after nearly a decade of quiet. Taisei may not wish to fight, but he may have no choice if he wants to find his sister.

It’s not often we get a legitimate kids’ franchise making a play for more mature audiences (explaining the preview here), but Shinkalion is here to make another crack at it. This one started out as a true kids show for an established toy line back in 2018, netting itself both a sequel and a decent following as a result. It’s basically your standard mecha premise through and through, just with a railway flair (*chuckles in bullet train robots*) and, of course, the focus on the preteen demographic with the usual character archetypes to boot. At least until now. As mentioned Change the World effectively one ups the original Shinkalion setting, taking a veritable page from recent Digimon by placing its cast in their teens, embracing a more Evangelion-esque narrative and feel (if the franchise name wasn’t already a giveaway), and emphasizing a grittier, more “mature” art style. Outside of general story not much is known about this one, but provided the actual material matches what the PVs are showcasing, it should wind up being a decent bit of campy mecha fun. Considering how few and far between true mecha shows often wind up being, anything along those lines is worth a shot.

Preview by FJ Freeman

In the bustling corridors of Shiritsu Paradise Private Academy, two contrasting souls find themselves embarking on a journey of unexpected discoveries and heartwarming friendships. Meet Himari Aozora, a shy and introverted first-year junior high student brimming with dreams of amassing 10,000 friends in one fell swoop. Despite her timid demeanor, her heart pulses with a boundless desire to connect with others. Opposite her stands Mitsuki Hoshikawa, a cool and composed fellow first-year student, known for her prowess in academics and her knack for piano melodies and sweet confections. As fate intertwines their paths, Himari (Fujidera, Minori) and Mitsuki (Hiratsuka, Sae) stumble upon a shared secret that binds them closer than ever before. Through a series of unforeseen events, Himari finds herself thrust into the spotlight of iPuri, an enigmatic realm where secrets are laid bare and bonds are forged. However, amidst the allure of newfound revelations, both Himari and Mitsuki harbor hidden fears and insecurities, concealing truths that could either strengthen their friendship or tear it asunder.

Guided by the whimsical allure of friendship and the promise of uncovering the depths of their hearts, Himari and Mitsuki embark on a journey of self-discovery and camaraderie. With each passing day, they navigate the intricate tapestry of school life, facing challenges both mundane and extraordinary. From dodgeball escapades to late-night confessions, the duo learns that true friendship transcends the barriers of fear and vulnerability. But as the shadows of doubt loom ever closer, Himari and Mitsuki must confront the ghosts of their pasts and the uncertainties of their futures. Will they muster the courage to confront their innermost secrets, or will the weight of silence fracture the bonds they hold dear? Amidst the azure skies of Shiritsu Paradise Private Academy, the stage is set for a tale of laughter, tears, and the enduring power of friendship. Join Himari and Mitsuki as they unravel the mysteries of the heart in “Himitsu no AiPri,” a heartfelt journey of self-discovery and the bonds that unite us all.

Preview by Pancakes

On another world at a similar time, the greatest of struggles unfolds. The Villainous Army of Evil, extraterrestrial invaders from afar, seek the total subjugation of Earth and its inhabitants while the Dragon Keepers, a motely collection of individuals enhanced with the power of the Dragon Gods, seeks to hold them back and keep Earth safe. Or so the average person thinks. In reality the Villainous Army was defeated in less than a year and turned into the unwilling participants of the world’s greatest theatre. Every Sunday they must line up to be defeated by the Dragon Keepers before audiences worldwide and help their victors keep their ratings high. It’s humiliation of the highest order, and a situation Footsoldier D (Kobayashi Yuusuke) in particular refuses to tolerate any longer. While a lowly trooper, D has the skills to infiltrate the Dragon Keepers, and maybe, just maybe, destroy them from the inside. He has no idea if his plan will work or if he will even survive, but anything is better than continually playing the fool.

I have to hand it to Sentai Daishikkaku, it certainly knows how to pique the curiosity. This one is a real showcase in popular genres right now, effectively fusing a superhero premise with alien invasion and tokusatsu feel, and then completely subverting expectations by looking at it from the invader’s perspective (and with a parodic flair mind you). It’s basically as if Koiseka met Gridman, dropped the romance, and decided to try out a bit of My Hero Academia: there are ridiculous moves, over the top action and abilities, and lots of crazy (or cheesy) moments to round out affairs as D does his best to overcome the hero sentai squad. As this is a work of the Quintessential Quintuplets series’ author and is also an ongoing manga it’ll be a question of how well the dialogue-heavy source material translates to anime, but provided it can keep the pace reasonable I don’t foresee too many troubles on the horizon – especially given how nice that PV looks. Something tells me this one will wind up surprising.

Preview by Pancakes

After two popular seasons and a pair of movies to boot, the widely acclaimed Hibike Euphonium series is back for a third round of anime band-life shenanigans. Based on the novel series of the same name, Hibike Euphonium follows the trials and tribulations of the Kitauji High School Concert Band Club as they come to grips with the daily rigours of student life, the drama of interpersonal relationships, and the stressful struggle of reaching the heights of their former clubmates. Club member Oumae Kumiko (Kurosawa Tomoyo) in particular has had it rough, but through hard work, perseverance, and a commitment to better herself, helped the club reach the heights of national fame – albeit fame without an accompanying award. Now in her third year and quickly approaching her own graduation, Kumiko finds herself both as club president and the one who must finally bring Kitauji to the top of podium. No matter the doubts had, Kumiko will find a way to make the dream of hers – and her entire club – a reality.

At its core Hibike Euphonium is pure refined school-life – and I mean that in a good way. This one very much follows in the vein of say Sora yori mo Tooi Basho, where hard-pressed club meets struggling new member(s) and together work towards fame and the elation of personal growth, just over a much longer period. While Hibike Euphonium is more drama focused and somewhat hindered by the manner of adaptation (the movies in particular were fairly condensed material-wise), it certainly did the trick for cathartic character development and the satisfaction of struggle yielding success, particularly with it being music focused and KyoAni having a natural knack for making this sort of story sing (no pun intended). While a more mature outlook should be anticipated this go around (in part from Kumiko gearing up for graduation), expect little else to change plot or production-wise considering all key cast and crew remain on the stage. With this likely to be the last anime production Hibike Euphonium sees as well, there’s no better time to give it a shot and see just what this series is all about.

Preview by Pancakes

Social ineptitude is the curse for many a school student, yet Asano Taiyou (Kawashima Reiji) particularly feels the pain after getting left an orphan following the death of his family. The only person Taiyou can properly interact with is childhood friend Yozakura Mutsumi (Hondo Kaede), a very cute and very popular girl who just also happens to be the head of her family. The head of a major spy family. The relationship between Taiyou and Mutsumi eventually causes problems with Mutsumi’s older brother Kyouichirou (Konishi Katsuyuki), as not only does he have a serious sister complex, but he also has the skills to quickly terminate Taiyou. Solution? Have Taiyou marry Mutsumi. Sure, it comes with all the responsibilities of doing spy stuff and looking out for Mutsumi, but Taiyou isn’t one to run from a challenge. Especially a challenge with his life on the line.

Strap in boys and girls, we have a fun one here. Although Yozakura-san will inevitably get compared to Spy x Family given the espionage theme, at heart this one is probably better related to Nisekoi (sans romance) as outside of impromptu family formation there’s not a lot of direct similarities. The focus here is very much on discovery and growing into a role, with Taiyou both needing to run missions for the Yozakura family to protect himself while simultaneously coming to grips with Mutsumi’s past. While romance does feature considering the premise, it largely plays second fiddle to more overt scheming, shounen action (read: superpowers are a thing), and layered machinations, especially considering the antagonists in Yozakura-san are more from within the titular family than without. Helping matters too is this being a Silver Link production which is right up its alley given the source material, so provided there’s no major rushing or chopping, we’re quite likely to see a fairly faithful adaptation. Spy x Family Yozakura-san may not be, but anyone needing a new stylized take on the spy life will want to keep an eye on this one when it sneaks on into spring.

Preview by Princess Usagi

To be in love and unable to touch the object of that love sounds like absolute torture, but that is the daily life of young Bocchan (Hanae Natsuki). Cursed by a mysterious, powerful witch, anything he touches dies, so he and his maid, though deeply in love, cannot embrace. Between Alice’s (Mano Ayumi) intense flirting and adventures with their cast of friends, life is never dull in Bocchan’s mansion. Seeking to break his curse so he can assume the family title, rejoin normal society, and marry his sweetheart, Bocchan sets out to find a way to break his curse.

While the animation is nothing to write home about, it’s not horrendously distracting, and the production over the past few seasons has done justice to the story and characters. In fact, it was highly entertaining, and now that the story’s threads are unravelling more and more, I have been looking forward to this next season. Not to mention the absolutely gorgeous soundtrack by Okuda Gen and Watanabe Takeshi make this a must-watch this spring!

Preview by Choya

Shouzou (Miki Shinichiro) and Ine Saitou (Noto Mamiko) have had an everlasting marriage that has endeared stronger than ever throughout the years. The strength of their love lasts through to their elderly years as they remain a loving couple. In a sudden twist of fate, they wake up one morning to find out that they’re young again! Many people would embrace their youthful energy if they could turn back time, but Shouzou and Ine see the thrill in carrying about their current routine with their younger selves. As they spend time with their family and go about their daily lives, the two appear as younger adults who defy expectations and embrace the extra time they have to do what they love and care for the people around them.

I can see this being an extremely cute concept for a series. It’s difficult to see long-lasting sincere love in anime given how so much romantic anime is about falling in love rather than staying in love. With this in mind, the show’s premise should give us a wonderful glimpse into what it would be like to see a loving couple mingle with one another, and bond with their families. And since we’re dealing with grandparents, there’s the added charm of seeing their younger forms acting out their humble hobbies such as gardening and cooking as youthful, fresh-faced lovebirds. It’s not a hard sell to experience a cozy show that offers the comfort of capturing the everlasting domestic bliss of a couple that has loved each other through the ages. There isn’t a better way to transcend the boundaries of aging this season than tuning in for Jii-san Baa-san Wakagaeru.

Preview by Pancakes

It’s morning again in Japan, and that means another unfortunate soul has found the secret isekai path. Once a blissfully ordinary salaryman slaving through the daily grind, Ars Louvent (Fujiwara Natsumi) is now the progeny of nobility in a world of swords and magic. Although lacking major talent in either of those fields, what Ars has going for him is his Appraisal skill, a unique ability letting him immediately determine a person’s strength, their potential, and – most importantly – just where their talents lie. It’s quite useful too given the strained state of his home country and open corruption risking real revolution encouraging the domestic nobility to start gathering arms in preparation for war. For Ars to ensure both his family’s and his own survival, he’ll need his special powers to find the best and brightest possible and win them over to his side.

If there’s one thing to say about Tensei Kizoku it’s that you know right away what it’ll be about. These series honestly write themselves at this point, with isekai premise yielding the usual alternate world shenanigans, just now with a focus on strategic mindset and letting others do the heavy lifting. From the parts I read it’s effectively Genjitsu-lite, where eagle-eyed MC picks out the best talent and shows them off through a mix of slice-of-life and the usual conflict. Well besides it leaning more towards shouta than teenager, but that’s just an extra dash of spice on the starting mix. In short don’t expect anything stupendous here, and with a fairly middling staff and studio at the helm I wouldn’t anticipate any production miracles either. Still there’s always fun to be had in the strangest of places, so provided Tensei Kizoku can play to its strengths, it’s arguably worth a shot for any isekai fan.

Preview by FJ Freeman

Enter the enigmatic world of “Vampire Dormitory,” where secrets lurk in the shadows and forbidden desires burn bright in the night. In this captivating tale of love and mystery, Mito Yamamoto (Ichinose, Kana) finds herself drawn into a whirlwind of intrigue when fate leads her to a chance encounter with the alluring vampire, Ruka Saotome (Toki, Shunichi). Blessed with an ethereal beauty that captivates all who behold him, Mito’s life takes an unexpected turn when he finds himself ousted from his job and cast adrift in a sea of uncertainty. However, fate has other plans in store when a seemingly chance encounter with Ruka Saotome, a mysterious figure with a taste for the forbidden, propels Mito into a world beyond imagination.

As Mito grapples with the revelation of her true identity—a girl masquerading as a boy in a world where secrets reign supreme—their forbidden romance blossoms amidst the whispers of the night. With each stolen moment and clandestine encounter, they defy the conventions of society and embrace the intoxicating allure of their forbidden love. But as darkness looms on the horizon and secrets threaten to tear them apart, Mito and Ruka must confront the shadows of their pasts and the demons that haunt their souls. Will their love withstand the test of time, or will the forces that seek to tear them asunder prove too great to overcome? inst the backdrop of moonlit nights and haunted corridors, Vampire Dormitory invites viewers on a spellbinding journey of passion, intrigue, and the timeless power of love. From the depths of despair to the heights of ecstasy, join Mito and Ruka as they defy fate and forge a destiny that transcends the boundaries of mortality.

Preview by Pancakes

From the mobile game of the same name, Blue Archive tells the tale of Kivotos city and its many different academies. Kivotos itself is organized into districts, each with a large degree of autonomy, and all reporting to the General Student Council effectively governing the federalized structure. Yet the recent disappearance of the student council president has thrown such order into chaos. Without a leader many tensions have come to a head, many conflicts rekindled. In desperation the council turns to the Federal Investigation Club – also known as Schale – to help stabilize the situation. With a trusty senior to help keep the club on track and a mandate to resolve any and all incidents around Kivotos, the members of Schale will do what they can to keep the peace – no matter the cost.

To get the obvious out the way yes Blue Archive is yet another mobage adaptation, and yes, it’s going to be everything you love (and hate) about this game/story format. Besides the nameless/faceless Sensei serving as the player tie-in, the focus is very much on cute girls doing cutesy investigation things – just now with a heaping dose of military-grade weaponry and combat against evil forces to boot. Wanted a more school-focused Arknights? You got that. Wondered what Toaru Kagaku no Railgun would be if it went proper club life? You’re in the right place. Needed your gatcha player insert to finally have a form and secure the harem? Heck you’ll even get that too. In short don’t be expecting Blue Archive to pull too many surprises compared to other mobile game adaptations (especially with it unclear which part of the game’s story it will adapt), but if its execution can match what Arknights managed it stands a pretty good chance at being a good cut above the competition. Considering how most of these shows turn out in practice I’d take that as a win.

Preview by Pancakes

Continuing where it left off in summer 2023, Mushoku Tensei returns to finish the second half of its eagerly anticipated sequel. As Rudeus Greyrat (Uchiyama Yumi) goes through the extreme highs and exceptional lows of with the fallout concerning first true love in Eris, a surprise reunion (in more than one way) with childhood friend Sylphiette (Kayano Ai) winds up with the kid not only coming to terms with the past and present, but also discovering the will and drive to venture off into the future. Rudeus’ mother after all still remains missing and many of the Greyrat family are eager to put the last piece of the mana calamity far behind them; to find her, however, won’t be an easy feat. Between school life and research there’s plenty of leads to work through, yet Rudeus won’t let such affairs overwhelm the act of trying. After all, sheer determination and force of will has driven him this far – and if there’s one thing the kid won’t tolerate any longer it’s standing still wallowing in despair.

And the Mushoku train keeps on chugging along. At this point there’s not much to be said given how far-reaching this franchise has become in isekai circles: you either love it for its slow yet methodical (and introspective) march through the life of an isekai’d NEET or you hate it for the philandering pervy nature of said isekai’d NEET – and there’s not much sunlight in between. Last season especially accentuated the boundary between both camps given the actions involving Sylphiette in particular, however this second half largely shakes things up by returning more to Rudeus’ stated goal of finding his missing family. Or at least mostly (no spoilers). In short expect quite a bit of the same out of Mushoku for this go around once again both story and animation-wise, particularly given the enthusiasm and production values studio Bind has shown to date. And if this season ends where everyone is expecting it to, well, let’s just say it’s likely to turn into one of spring’s more noticeable fireworks shows.

Preview by Choya

In this world, hierarchies among men are built on dominance. While an Alpha is a dominant leader type, an Omega is submissive, gentle, and, in this case, can give birth to an Alpha’s child. If you don’t have a strong personality or urges dictated by your need to dominate or submit, you would fall under the Beta label. Masaki Fujiyoshi (Tamaru Atsushi) faces adversity as a stay-at-home spouse who feels that his Omega status is a burden to the people around him. Luckily, his loving husband Hiromu (Morikawa Toshiyuki) helps him achieve domestic bliss as they raise their child Hikari together in a cozy neighborhood. As Hikari reaches his second birthday, his parents decide to cultivate bonds with the people around them, including a Beta college student that their infant endears to, a work friend, and a mysterious single father. However, when they decide to confront their families as new parents, they second-guess whether they can continue to try reconnecting when it’s hard to ignore the friction caused by their pursuit of parenthood.

Omegaverse is one of the more fascinating movements in fan culture as it connects the dominance hierarchies in furry fan circles with erotic slash fiction. Although it’s prominent in BL circles, popular Omegaverse stories are often centered around werewolf characters, especially since it makes it easier to explain the power hierarchy and the added element of male pregnancy. What makes Tadaima, Okaeri fascinating isn’t just that it brings Omegaverse to the anime sphere, but it also centers around humans, making the story more grounded in the real world than a fantasy world with werewolves or beasts. Because of this, Tadaima, Okaeri is likely to be the safest starting point for Omegaverse since it focuses on the domestic troubles of new parents, and doesn’t seem to emphasize the hornier elements of the genre. For those looking for an adventurous romantic anime this season, then you might want to give Tadaima, Okaeri a try.

Preview by FJ Freeman

In the pulsating world of competitive cycling, where the roar of the crowd echoes against the sleek curves of the velodrome, a new generation of athletes emerges to carve their names into the annals of history. Enter Ito Izumi (Kawamura, Umino), a spirited high school student with an insatiable passion for bicycles and a heart brimming with dreams. Drawn into the electrifying realm of women’s keirin, Izumi bears witness to the fierce battles waged by the world’s finest cyclists on the international stage. Inspired by their tenacity and skill, she pledges to pursue her own destiny as a champion cyclist, alongside her loyal companions. But the path to glory is fraught with challenges, as Izumi soon discovers. Beyond the glitz and glamour lies a world of unyielding dedication and unforgiving competition, where victory is earned through sweat, tears, and unwavering determination. As she delves deeper into the intricacies of keirin racing, Izumi encounters her destined rival: the prodigious talent known as Nana Hiratsuka (Aoi, Azusa).

Set against the backdrop of the resurgent “Rinkai League,” a revival of women’s keirin racing that captivates audiences nationwide, Izumi and her fellow competitors embark on a journey of self-discovery and camaraderie. From the velodromes of bustling cities to the tranquil countryside tracks, they weave a tapestry of courage, perseverance, and unbreakable bonds. As the stakes soar higher and the competition grows fiercer, Izumi and her allies must confront their fears, overcome their doubts, and soar to new heights of excellence. With each race, they defy the odds and expectations, proving that true victory lies not only in crossing the finish line first but in the journey taken to reach it. Join Ito Izumi and her companions as they pedal their way towards glory in “Rinkai!” a gripping tale of passion, perseverance, and the enduring spirit of athletic excellence. Experience the thrill of the track, the rush of the wind, and the bonds forged in the crucible of competition as they strive to etch their names into the annals of cycling history.

Preview by Pancakes

Normally marriage is a happy affair. You find one you love, you make a bit of small-talk, you wind up proposing – and bam, you’re successfully betrothed. Not in Prince Oscar’s (Nakajima Yoshiki) case. Beset with a curse killing any woman whom he happens to take as a wife, Oscar is desperate for a solution, a desperation driving him to scale a deadly tower all for meeting Tinasha (Tanezaki Atsumi), the Witch of the Azure Moon. It is said that Tinasha is strong enough to break any curse, but when Oscar meets her and witnesses her beauty he suddenly gets a better idea: if Tinasha is so strong why not marry Oscar instead? Naturally Tinasha turns him down, but does agree to live with Oscar for a year as to find a solution for his problem. As Oscar will soon learn however, beauty is only skin deep.

If there’s one thing to say about Unnamed Memory it’s that is already wins the fantasy war this season by being neither isekai or resurrection-based. Much as the synopsis teases this story is very much romance focused, with Oscar’s situation leading to a meeting with a mysterious yet magnetic witch Tinasha which soon turns into something greater. The thing which especially stood out to me reading a bit of the light novels is the underlying complexity: there’s a surprising number of moving parts at play, especially regarding the role witches play in Unnamed Memory’s universe and how they gradually alter Oscar’s perceptions of the world. Tack on some fairly organic romantic development between the two and a major plot shakeup halfway through (spoiler alert) and there’s quite a bit here for both fantasy and romance fans to enjoy. I wouldn’t make any serious bets until the first few episodes are out and the run length is known – let’s just say a single cour will lead to some interesting season finale discussions – but anyone needing a different flavour of fantasy this spring would do well keeping Unnamed Memory on their radar.

Preview by Choya

In baseball, the connection between a pitcher and a catcher, or a battery, is every batter’s worst nightmare. For the gifted pitcher Kiyomine Haruka (Masuda Toshiki) and the skillful catcher Kaname Kei (Miyano Mamoru), their synergy is unparalleled to anyone else in their senior league days. However, their reputation for shattering dreams comes to an end when Kaname loses his memories and winds up going to school at the unremarkable Kotesashi High School. Although Kiyomine joins him at Kotesashi, it is also the school of choice for the many former players who had their aspirations destroyed by their battery. Will the battery find a way to patch things up and establish a brand new baseball club with their former adversaries? Find out as they come together for Boukyaku Battery.

Baseball is a magical sport that transcends barriers and opens up new doors. It’s a language that is universal to the point that a player like Shohei Ohtani is considered to be a massive figure in both Japanese and American sports. The fact that Japan takes baseball seriously means that it takes commitment for someone to do baseball justice when it comes to portraying it outside of the roaring stadiums packed with pumped-up fans. With this in mind, there are high expectations for Boukyaku Battery to capture the same kinetic energy and unbridled passion that is shared by athletes and fans alike. Will this new baseball epic be on the same level as recent sports anime hits? Or will the next big baseball anime come further down the line? Hopefully, Boukyaku Battery will make it to home base when it steps up to the plate this season.

Preview by Choya

They say you should keep your friends close and your enemies closer, but what if they were the same person? Yuuhi Yuugure (Toyota Moe) and Yasumi Utatane (Itou Miku) are two voice actresses who have been begrudgingly attached to the hip since high school. As classmates, they would be a natural fit to host a weekly radio program together, at least, you’d hope they would. But in this case, opposites absolutely do not attract. Chika’s quiet tendencies and Yumiko’s outgoing demeanor clash to such an extent that they cannot stand each other, and every waking moment off-air is dedicated to fostering their resentment towards one another. Will they ever get along, or will they remain best frenemes until the end of time? Or perhaps, their feelings are so strong that they manifest into dedicating all of their time and energy to each other. After all, the passion and devotion that goes into hate could easily bloom into… No, no, no, what am I saying!?

Researching this story has been a fascinating experience because of how many genres this seems to encapsulate. Much of their banter leans towards comedy, but as the story goes on, there are hints of a romantic element to their relationship. This is further exasperated when their interactions with the dark side of the entertainment industry push it further and further into dramatic territory. It might seem like a show that’d fly under peoples’ radars, but I believe it’ll offer an experience that is both interesting and kinda nuts. It should prove to be a unique journey when Seiyuu Radio no Uraomote goes on-air this season.

Preview by Choya

Ogawa Sumireko (Fairouz Ai) is a writer in her late 20s who is desperately trying to recapture the spark she had as a young hopeful novelist. Although editors would eventually crush her spirit by focusing more on her age than her work, she still has a primal reaction toward urban legends and supernatural mysteries. But when an occultic book is drop-lifted at her job at a local bookstore, she comes face-to-face with the latest mysteries she thought she’d only encounter on internet forums.

In this bizarre anime, the main philosophy behind its story is boiled down to three key words: weirdness, girls, and sexuality. With these context clues in mind, it starts to make sense how the story unfolds as a mystery ecchi that leans on the surreal nature of mingling with the supernatural. It may lean on the cheekiness of its characters and full embrace of nudity, but also aims to embrace the oddities that Ogawa comes across as her deep fascination with the occult sends her down a long, winding rabbit hole. Look forward to Kaii to Otome to Kamikakushi when it mystifies you this spring.

Preview by Pancakes

No, don’t blink, you aren’t seeing things: the third season of everyone’s favourite collection of misfit isekai troublemakers is finally here at last. Centered around Kazuma Satou (Fukushima Jun), the unfortunate hikkikomori NEET brought to alternate world nirvana by slow moving tractor, Konosuba follows his efforts (read: hilarious struggles) coming to grips with the isekai life while simultaneously herding the likes of Aqua (Amamiya Sora), the very goddess who brought him over, Megumin (Takahashi Rie) the Arch Wizard who can only use one explosive spell per day, and the crusader Darkness (Kayano Ai) who very much embraces the vulnerable side of life. Crippling debt; menial labour; dysfunctional allies; exasperated enemies: whatever this party touches quickly turns into a (sometimes literal) riot, and with a meeting with the crown now up for them all following the defeat of the Demon King’s general Sylvia, that situation won’t be changing anytime soon.

When it comes to isekai few honestly rank higher than Konosuba. This one almost came to single handily define comedy within the genre during the 2010s, taking a pure vanilla concept, throwing a bunch of ridiculously crazy characters in the mix, blending it with a hearty dose of self-aware parody, and letting it ride where the insanity took it. Perfect? No. Revolutionary? Not really – but an example of what strong execution and well-picked voice actors can do? Oh you best bet your daily explosion on that one. While time has somewhat worn away the sheen on Konosuba (the recent Megumin spinoff in particular had its troubles) alongside production shifting over from Deen to Drive, considering all familiar faces are back reprising their roles, the PV looks great, and one of the better arcs is now up for adaptation (Princess Iris says hi!), I have little doubt this season will easily live up to quality of the last. Whether a true fan of isekai or firmly exhausted with alternate world shenanigans I firmly recommend keeping Konosuba on your spring radar: one way or another this is one show which won’t disappoint.

Preview by Pancakes

Nary a year after its fourth anime outing and Date A Live is here to remind us what true harem shenanigans look like. Centered on the very ordinary Itsuka Shidou (Shimazaki Nobunaga), a high school kid firmly engaged in background living, Date A Live follows his interesting experiences following a so-called spacequake devastating his hometown. Stumbling across a mysterious girl in the aftermath, Shidou gets the triple whammy of his sister popping up during his rescue attempt, said sister being the commander of a secret organization called Ratatoskr, and little sis demanding he woo said girl for the sake of global peace. Thus began Shidou’s epic harem escapades in the name of saving the world, and now having won over the hearts of girls left and right, the endgame for the kid finally beckons at last.

Date A Live has certainly been an anime fixture over the past decade, showcasing all the strengths (and weaknesses) making old-school harem such a ubiquitous concept. Action, story, the very drama between girls and guy? The bread and butter for weekly chaos, hilarious laughs, and all the titillation it brings – i.e. just what the harem lover ordered. The fourth season last year did pretty damn well in recovering from a lot of the self-inflicted face plants owing to studio changes and source material cuts during the third, and with the series nearing the end of source material left to adapt (just five light novel volumes remain), there’s a pretty good chance at seeing either this season segway into a final sixth one or a movie conclusion. In short, Date A Live will do as Date A Live has always done and it’s highly recommended going back and checking out the earlier seasons if you haven’t kept up to date. After all, this just might be the last TV hurrah for one of anime’s more prolific harem escapades.

Preview by Pancakes

It’s never easy being at the bottom of the social latter when in school, particularly when your name is Yoo Hobin (Niwa Satoshi). A continually bullied nobody, Hobin’s days are spent dealing with humiliation and abuse both, and only punctuated by graveyard shifts at the local convenience store to help pay for his mother’s medical bills. Hobin’s situation eventually comes to a head when, after accidentally interrupting a recorded gaming session of Jiksae – the cameraman for a popular streamer and head bully of Hobin’s named Pakgo – he snaps and dukes it out with Jiksae. What Hobin learns afterwards, however, changes everything. Not only was Jiksae’s camera at the time recording the fight with Hobin, but the clip seemingly went viral overnight, earning nearly $100k from the viewership. It’s enough to get both Hobin and Jiksae thinking: if one short spontaneous fight clip can do that, what happens when both make a serious effort at making more?

Tired of the ordinary shounen powerups? Looking for a bit more oomph to your martial arts inspired fisticuffs? Well strap in everyone because here’s a series with some real chest hair. Alright, while firmly tongue in cheek, Kenka Dokugaku does admittedly deviate from the usual standards of action these days – and in a good way. For starters it’s a fairly realistic take on teenage brawls (realistic in the sense of fiction), where ridiculous abilities or otherwise fantasy-based powers take a backseat to physical carnage and the associated damage it invites. At heart it follows the typical shounen progression of fighting stronger enemies to in turn find and fight stronger enemies, but now with the slight twist of doing it for driving eyeballs to and creating revenue from Jiksae’s resultant streams. Tack on some comedy, dash with a bit of underdog catharsis, and darling you’ve got yourself a readymade rough and tumble package. Provided the fight scenes can match the (frankly) impressive artwork of the source manhwa there shouldn’t be any major stumbling blocks here, so don’t think twice about Kenka Dokugaku if needing some simple action this spring season – this one has you covered.

Preview by Pancakes

Humans, spirits, and even gods themselves: all at some point have succumbed to Anoth (Umehara Yuuichirou), the Demon King of Tyranny. Yet for his conquests there’s just one itch Anoth can quite scratch: boredom. With none capable of giving Anoth what he desires, he chooses to reincarnate in a later age and see what the future holds. And what it holds is very different indeed. Weak demonic descendants, senescent magic; nothing is as Anoth knows, so he thus enrolls in Demon King Academy to correct these faults. Although Anoth’s immeasurable power and unknown status turn him into the academy’s social pariah, fellow students (and newfound friends) Misha (Kusunoki Tomori) and Sasha (Natsuyoshi Yuuko) show him his goal of revitalizing the world isn’t entirely hopeless. And now, after crushing a few enemies and ensconcing himself as the Academy’s up and coming prodigy, Anoth is well on his way to reclaiming his former glory.

Oh how the mighty have fallen. Maou Gakuin, similar to Hataraku Maou-sama in hindsight, seems to have really pulled the short end of the adaptation stick when coming to sequels. While featuring a fairly derivative yet surprisingly fun first season, a change in VA for Anoth – no offense Yuuichirou, but Suzuki Tatsuhisa has you beat – a rapid increase in pacing and material condensation, and the abrupt and prolonged delay for episode premieres wound up effectively nullifying a lot of major aspects defining this series. Not to say the second season was a total trainwreck when taken together of course, but it certainly earned its bloody nose and middling impressions. The one positive here if that is the show continues under Silver Link’s banner with some choice material up for adaptation (say hello to Anoth battling dragons) so there’s at least a decent shot at redeeming that second cour. I wouldn’t make any serious bets on that happening myself (something something once bitten twice shy), but hey, always up to be proven wrong.

Preview by Guardian Enzo

This series has the right name, because it’s one of the franchises in there with a shot to be the “next big thing”. The manga is extremely popular, it has Production I.G. behind it, loads of buzz, and has been the beneficiary of a vigorous P.R. push. It follows an elite military unit called “sweepers”, set up to combat the presence of kaijuu randomly appearing across Japan.

There are elements, of traditional sci-fi, horror, and mystery with Kaijuu 8-Gou. That tends to be a common formula with shounen that go really big these days, and from a commercial standpoint the mix here looks just about right. And the fact is that it’s among the best-selling manga which don’t yet have an anime adaptation. Keep an eye on back-issue sales a few weeks after the premiere, because that will be a leading indicator as to whether it’s going to be truly huge or just big.

I don’t find the manga to be anything special if I’m honest, though I haven’t read much of it. I do think it’s a perfectly competent shounen, however, and good enough so that if it gets a real banger of an adaptation – always a possibility with I.G. – it could wind up being a very good anime. Even if it doesn’t I expect it to be a huge hit, maybe the biggest of the season and (though I’d bet against of) of the year.

Preview by Guardian Enzo

Even setting aside the abysmal Okada Mari original second season, I haven’t always loved Kuroshitsuji. There are times when Tobiso Yana’s writing gets pretty full of itself, and certain characters (like Grell) are best in very small doses. But at its best (which for me is the “Book of Circus” arc) Black Butler is a genuinely deep and powerful tragic fantasy.

It would be tempting to dismiss Public School Edition as yet another misguided Hogwarts arc. But if there were ever a series ideally suited to that change of venue, I think it would be Kuroshitsuji. And the manga fandom seems to hold this arc in quite high regard. The story finds Ciel enrolling at the exclusive Weston College to investigate students (one of whom is a relative of Queen Victoria) cutting off their families and refusing to return home. And of course where Ciel goes Sebastian follows, so he goes undercover as the housemaster of Ciel’s Sapphire Owl House.

We do have a new director this time in Okada Kenjirou, and he’s one that’s done much of his work at Shaft no less. I’d be lying if I said that didn’t concern me a little, but oftentimes we find that it was Shaft that was the problem with its expats direct elsewhere, and Okada does have some background outside that studio (including a fair amount of work at Bones). Even bearing that change in mind Kishuku Gakkou-hen seems like a pretty safe bet.

Preview by Choya

For Himari Kino (Shimano Hana), her first day of high school proves to be eventful when she is captivated by her senior Asanagi Yori (Seto Asami) while she was singing with her band. Yori is caught off-guard when Himari confesses her admiration to her, grappling with the possibility of being romantically confessed to. When Yori recollects herself and consults her bandmates, she gains the resolve to return Himari’s feelings and accept her new admirer’s love. The only problem is that Himari loved her music, not her. For Yori, who is now smitten by Himari, this means she’ll have to work hard for Himari’s love for real this time.

There is an impulse to examine any new GL anime with a fine-toothed comb. Much like BL, there are many GL anime that feel almost pressured to come up with a million conditions to sanction any kind of romance. Whether it be trying to friendzone the main duo or push their development into supplementary material or interviews, it’s easy to be wary about if you’ll get the same kind of in-depth romance as straight love stories. With Sasayaku You ni Koi wo Utau, the story between Himari and Yori is centered around whether Himari would eventually recognize the flame in Yori’s heart for her or let the light flicker. There is a ton of excitement for this anime though given that GL stories have had a pretty prominent resurgence with genuinely great anime. Hopefully, Sasayaku You ni Koi wo Utau lives up to its potential as it sings us a love song this spring.

Preview by Pancakes

Everyone thought SAO was the end all be all of VRMMOs rug pulling its player base into a death game. Everyone was wrong. The New Gate, a young whippersnapper by online game terms, decided it too needed a crack at literally killing off its players and so locked tens of thousands in its game world, all for the sake of seeing if anyone could beat it. Thanks to the efforts of Kiritani Shinya (Ono Kensho) however, one of The New Gate’s most skilled players, many trapped were spared real-life death as Shinya successfully defeated the last boss and unlocked freedom. Well, at least mostly. While everyone else got to go back to normal living, Shinya found himself instead transported to The New Gate’s world once again, only now some five centuries into the future. How did it happen? What’s he to do now? Shinya has no idea – but he’s going to find out soon enough.

Ahh it’s been a while since we had a tried and true kick at the OG isekai format, and one not even bothering to hide its influences. The New Gate is basically what happens when someone read/saw SAO’s first arc, decided it was worthy of a different sort of follow up from GGO, and zeroed on Overlord’s premise as a suitable path forward. Besides this being a very long-running series (started back in 2013), The New Gate is fairly derivative at heart with, like its influences, one focused hard on overpowered abilities, quasi-harems antics, and the usual collection of cookie cutter characters, medieval settings, and slice-of-life focused plot developments and character development. It’s not bad in terms of the usual isekai these days, but anyone hoping for some imagination to renew interest in the concept best check such expectations at the door. Even for isekai fans too there’s some concerns too between very novice staff, middling studio, and the potential for a rushed single cour one and done affair (because source material marketing). Nevertheless The New Gate is one of the few “true” isekai to have made an appearance of late, so if you’ve been looking for some grittier virtual reality fun definitely keep this one close at hand.

Preview by Princess Usagi

Imbued with superpowers by his mentor, Izuku Midoriya (Yamashita Daiki) pursues his dream of becoming a hero while facing off against many challenges at UA High. Unfortunately, ideality and reality are not one and the same. In the vicious battle against the villain alliance, Midoriya and his friends are confronted with societal backlash and deeper issues inherent in the hero forces which threaten the foundation of the profession he put so much faith in. As the tension grows on all sides, Midoriya uncovers more about the legacy passed down to him, marching ever closer to the showdown destined for him since day one.

As great as every season of BnHA has been, last season, for me, was really the pinnacle. It showcased with finesse the character and world building that was carefully put in place from the beginning, delving into the deeper layers of the story. Not only that, it addressed some very difficult topics both on personal and societal levels that three dimensionalized the story, speaking to the society we live in today. I am looking forward to how the conflict and Horikoshi sensei’s broader message will continue to be fleshed out from here.

Preview by Choya

After Nezuko (Kitou Akari) overcame her demonic influence, Muzan (Seki Toshihiko) has focused entirely on his main goal of using Nezuko to overcome his weakness to sunlight. Because this involves Muzan bringing the fight to the Hashira’s doorstep, Tanjiro (Hanae Natsuki) and the rest of the Hashira must hone their skills and test their strength to make sure they are ready and prepared for Muzan and his strongest surviving compariats.

Kimetsu no Yaiba is in an odd spot at the moment. As it’s become a shonen staple for older generations looking for a new anime to embrace, it is constantly at odds with shonen fans looking to move onto the new hotness. Because Kimetsu no Yaiba is a relatively safe story for the time being, the shonen crowd is eager to move onto stories that trigger power-scaling conversations like Jujutsu Kaisen. It doesn’t help that this adaptation is a short training arc before the big finale, making this an arc that could have easily been a movie or an OVA series. But just because Kimetsu no Yaiba star hasn’t shone as brightly as before in the western anime fandom doesn’t mean it has nothing left to offer. As the Hashira get ready for their final battle, they have their work cut out for them as Muzan’s last line of defense are some of the scariest demons in their universe. The Hashira are expected to be prepared for the stakes to skyrocket when the anime returns for the spring season.