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Minami-ke Tadaima – 02 »« Minami-ke Okaeri – 13 (END)

Minami-ke Tadaima – 01

OP Sequence

Minami ke Tadaima   OP   01 Minami ke Tadaima   OP   02 Minami ke Tadaima   OP   03
Minami ke Tadaima   OP   04 Minami ke Tadaima   OP   05 Minami ke Tadaima   OP   06

OP: 「Shiawase☆High Tension↑↑ 」 (Happiness High Tension) by (Rina Satou, Marina Inoue, and Minori Chihara)

Minami ke Tadaima   01   01 Minami ke Tadaima   01   02 Minami ke Tadaima   01   03
Minami ke Tadaima   01   04 Minami ke Tadaima   01   05 Minami ke Tadaima   01   06
Minami ke Tadaima   01   07 Minami ke Tadaima   01   08 Minami ke Tadaima   01   09
Minami ke Tadaima   01   10 Minami ke Tadaima   01   11 Minami ke Tadaima   01   12
Minami ke Tadaima   01   13 Minami ke Tadaima   01   14 Minami ke Tadaima   01   15
Minami ke Tadaima   01   16 Minami ke Tadaima   01   17 Minami ke Tadaima   01   18
Minami ke Tadaima   01   19 Minami ke Tadaima   01   20 Minami ke Tadaima   01   21
Minami ke Tadaima   01   22 Minami ke Tadaima   01   23 Minami ke Tadaima   01   24
Minami ke Tadaima   01   25 Minami ke Tadaima   01   26 Minami ke Tadaima   01   27
Minami ke Tadaima   01   28 Minami ke Tadaima   01   29 Minami ke Tadaima   01   30
Minami ke Tadaima   01   31 Minami ke Tadaima   01   32 Minami ke Tadaima   01   33
Minami ke Tadaima   01   34 Minami ke Tadaima   01   35 Minami ke Tadaima   01   36

「春のはじまり、南家のはじまり」(Haru no Hajimari, Minami-ke no Hajimari)
“Spring is Here, and so are the Minamis”

My God, it’s like being in 2007 again. Pinch me.

Does this mean Seirei no Moribito will be back in the Spring and Ghost Hound in the Fall?

A word of qualification before I begin: I love Minami-ke. The original season (with Ohta Masahiko directing) remains one of my favorite anime comedies of all-time. I even liked large sections of the second season – much-reviled by many – and even more of the third, slightly more well-regarded season. There’s just something about the dynamic of the characters and the writing that clicks with me, but even I’ll admit that the series only rarely re-captured the magic that propelled the first season from good to great. And studio and director changes have definitely taken their toll.

Well, we’re back – with yet another new studio, Feel, and director, Kawaguchi Keiichiro, both of whom I’d regard as entities with mixed track records. But Feel gave us an OVA (Minami-ke Omatase) last Fall and, while not spectacular, it was encouragingly on-point. So I had high hopes from Tadaima, especially after seeing the preview. And based on one episode, I’m thrilled. It all feels like Minami-ke again – the character designs are a nice hybrid of the first and third season (actually it’s the most manga-faithful of any incarnation of M-K in this regard), the writing is crisp, the timing spot-on. Minami-ke, based on this premiere, is back.

What’s most encouraging is that Feel managed to deliver an excellent and very funny opener without using any of its three best side characters, among the best supporting cast in anime: the tomboyish Minami Touma (no relation), the… well, whatever he is Hosoka, and the irresistibly irresistible sometimes-trap Makoto/Mako-chan. The watercolor palette, that background music, even the very faithful to the original OP – it was sheer delight to immerse myself in real Minami-ke again. As I’ve said many times comedy is a very personal thing, and very hard to blog on top of that – and Minami-ke is no exception. It’s a feeling as much as anything, relying less on traditional punchlines and more on its uniquely off-kilter sensibility that skewers the illusions of everyday life. Perhaps that’s why it was so hard for the adaptations to be consistent – you can’t just copy the words out of the manga, but rather capture the mood and rhythm of it. The first season managed to actually improve on the manga, which isn’t the most natural fit for an anime – and that was elusive in Okawari and Okaeri.

I’m going to assume that you know the basics of the premise and dispense with overlong explanations. Of course it’s the story of three sisters (don’t expect too much) and everyone has their favorite: the youngest, precociously childish Chiaki (Chihara Minori), tsun to the world and dere to Haruka (Satou Rina), the eldest – a latent banchou and overall Goddess. And then there’s my favorite, the middle-child Kana (Inoue Marina), one of the all-time great baka in anime history. Like a cat, she’s smart enough to think her way into trouble but usually not out of it (a “genius who plays dumb?” Well…). All three seiyuu are spectacular here, and hearing them again is like welcoming old friends into the house – and it’s the dynamic between the three sisters that drives most of the comedy and occasional sentimentality of M-K. But the series also includes one of the all-time great supporting casts, not just the three standouts mentioned above but a core group in every sister’s circle that all have something unique to add to the comedy stew that is Minami-ke.

We got a pretty traditional four-chapter episode here, and with it a new character to the anime – Miyuki (Nanjou Yoshino) an elfin middle-school classmate of Kana’s who contributes hilarity in a chapter where Kana uses her cuteness to wrest study aid from brainy friend Keiko (Gotou Saori) – naturally, it doesn’t help, and Kana is back to posting test scores that comment on the frailty of humanity. Other highlights include Kana scheming to get Haruka out from under the kotatsu – prompting a classic Chiaki reaction of “You needed my help for that?” (astonished reactions to Kana’s baka-hood are a staple of the Chiaki catalogue) – not realizing that it was Haruka pulling a scheme on her, and yet another frustrating near-miss for Kana’s love-struck classmate Fujioka (Kakihara Tetsuya). Not even a helpful shrine Omikuji could connect the circuits in Kana’s brain, though she did consider it, as Fujioka foiled himself with prior dispatch. Ironically he could have a Minami sister of his own whenever he wanted, as Chiaki has hopelessly crushed on him since they met – even naming her teddy after him – but age-inappropriate crushes involving the sisters and the supporting cast are a foundation stone of M-K. Chiaki’s angel-devil (the latter of which is disquietingly sexy) natures make another appearance as well.

It’s pretty hard to describe just what it is that makes Minami-ke so funny, and why the chemistry is so fragile. All of the ingredients have to be present and in harmony: there are certainly elements of physical comedy (a Makoto/-chan specialty), situation comedy and misunderstandings, and wordplay (reflecting the Japanese passion for puns) along with a real sense of who the characters are. If any of the elements is misaligned the show can be amusing, but just doesn’t feel quite right – the mode of much of the second and some of the third season. But this premiere did feel just right to this Minami-ke fanatic, even in its “needs more Mako-chan” form, and feeling that way again about a show I love is a rare and special pleasure.

 

ED Sequence

Minami ke Tadaima   ED   01 Minami ke Tadaima   ED   02 Minami ke Tadaima   ED   03

ED: 「Kyūsekkin Lucky DAYS」 (Fast-Approaching Lucky Days) by (Rina Satou, Marina Inoue, and Minori Chihara)

Preview

Minami ke Tadaima   01   Preview 01 Minami ke Tadaima   01   Preview 02 Minami ke Tadaima   01   Preview 03
January 7, 2013 at 5:05 am
46 comments »
  • January 7, 2013 at 5:20 amstarss

    She is boss?

    • January 7, 2013 at 9:15 pmName (required)

      Hosaka is the BOSS

  • January 7, 2013 at 5:24 amDomo-kun

    Thanks for blogging this! This first episode was great. As you say, it’s like being in 2007 again :)
    Will you blog the next episodes as well?

    • January 7, 2013 at 5:47 amGuardian Enzo

      I hadn’t planned to do so here, to be honest, as there are so many carryover shows from Fall. But nothing is 100% yet.

    • January 7, 2013 at 6:00 amHakumen

      Beginning to pick up this show in its fourth season, and will continue to watch and enjoy. I hope you or someone will cover it.

  • January 7, 2013 at 5:29 amP Ko

  • January 7, 2013 at 5:30 amEuzio

    “This is just a plain depiction of the daily lives of the 3 Minami sisters.”
    “Please do not expect too much.”
    “Also, brighten your room and keep a distance of at least 3 meters from the TV.”

    Okaeri! Minami-ke! :D

  • January 7, 2013 at 5:54 am7godeohs

    • January 7, 2013 at 8:53 amjunglepenguin

      Welcome to Minami-ke. New fans are always a good thing!

    • January 7, 2013 at 9:26 amStilts

      Pfffft, Kana was getting animated before Azusa even appeared in the source material. All hail our charismatic Minami overlord, for SHE AM BOSS!

      • January 7, 2013 at 10:21 amjunglepenguin

        No one can claim the title of boss unless he or she has hugged a fish. Bow before Hosaka, your king!

  • January 7, 2013 at 6:16 amAiras

    Sure love how Chiaki is attached to Fujioka!

    • January 7, 2013 at 6:19 amGuardian Enzo

      Which one? ;-)

      • January 7, 2013 at 6:59 amjunglepenguin

        It’s like a Fujioka sandwich.

  • January 7, 2013 at 6:33 amVaans

    I AM BOSS

  • January 7, 2013 at 6:43 amkam

    adult chiaki is hawt

  • January 7, 2013 at 7:06 amjunglepenguin

    This is what I’ve been waiting for. After two sorely disappointing seasons, MINAMI-KE IS BACK FROM THE DEAD! I… I could just cry over this.

  • January 7, 2013 at 7:12 amKit-A-Ron-Ron-Kat

    Damn but that was good !

    The best part for me ? It is that I now have a perfectly legit reason to grab the previous seasons and watch them again (for the zillion-th time).

  • January 7, 2013 at 8:13 amRifuloftheWest

    I was so happy to hear about the fourth season of Minami-ke and the opening episode did not disappoint. This was so much like the first season I was almost in tears.

    This was the show that basically helped me expand my anime genre from just the typical shonen, mecha, action types. It remains one of my favorite anime comedies…actually, of any comedies out there.

    The Kana/Chiaki dynamic is something I just cannot get enough of. Looking forward to this season.

  • January 7, 2013 at 8:17 amAffy

    Kana <3

  • January 7, 2013 at 8:21 amLGrey

    No 00:19:56 fullcaps of Haruka?
    @_@

  • January 7, 2013 at 8:23 amowq

    Okaeri, Kana-sama! *BOWSBOWSBOWS*

    Kotatsu arc was awesome

  • January 7, 2013 at 8:30 amdeathtogenericshows

    At the risk of seemingly negative (I’m not at all, you may find if you care to read the rest), I’ll say that It’s safe to assume that this is a fanboy Enzo mode coverage we’d be seeing for this show’s coverage.

    Nothing wrong with that; why would there be? Let me repeat for those lazy brains who don’t read beyond 1st sentence before judging. Nothing wrong with that.

    It’s also safe to assume that he has made that point quite clear here -and that this will not be some objective clinical analysis of a show going forward (is it even possible for a pure comedy show to begin with? It’s mostly whether the gag works or not as the writers in the past who covered comedy shows duly noted). He’s clearly bringing some past bagage into this, which happens to be “fanboyness, aka. enthusiasm overload” and as long as it’s not pretending to be otherwise, I think we will all agree -most of us anyway- that this could be a blast for those who find this kind of gags funny.

    I find it generally hard to trash a pure comedy show and this one is no exception. Doesn’t anybody feel that way, too? It’s for all good and fun; no pretend angst, no nonsense. This is a very different animal than “drama pretending to be a pure comedy show” like sakurasou, Chuunibyou, and LB to name of a few from last season (or one might say, no, those are comedic dramas or dramas with comedic elements, to be nicer and that’s fine as well); this show is much closer to shows like azumanga daioh and nichijou in spirits, albeit even more slice-of-life feel to it. You won’t see overtly pseudo-angst, mean-sprited teenage blooding in this show, that’s for sure. I don’t even care much if those Irritating tropes that I find so objectionable in other genres stare right back at me in pure comedy shows. it’s either you get the jokes or not (or if the said jokes are your kind of cup of tea) when it comes to right to it. What’s there to trash? While I find Miname-ke type of clean & gentle PGish gags not as funny as, say more lewd, down and dirty, grittier kinds found in shows like Mitsudomoe at times, but nonetheless I have no complaint. No complaint at all.

    • January 7, 2013 at 8:51 amjunglepenguin

      I share some sentiments, and I do feel that you might be taking things a little to seriously, but I mostly don’t care, about angst, tea or trash. I think we’re all here to celebrate the return of the Minami family. And you should too.

      • January 7, 2013 at 9:28 amdeathtogenericshows

        Au contraire, junglepenguin. Didn’t I say just a pure comedy show is “for all good and fun” and basically defending the show pretty much all the way to future potential trolls/bashers? Where exactly am I being a little too serious?

        It seems like you didn’t give a damn about anything I said (kudos for trying to put down my post by curtly summarizing with “angst, tea or trash”, btw, LOL!) and while that’s fine, but why do I feel like your tone seems like you’re tsk-tsking and disapproving me of violating something sacrilege, that is, your “celebrate the return of the Minami family”? I don’t get you, but then you didn’t get me, either; in that, we find the common ground. Ain’t that something?

      • January 7, 2013 at 9:41 amdeathtogenericshows

        well, if anything, for other viewers: perhaps I was slightly overcerebral, a tad too long-winded, perhaps a wee bit too detached and objective on my initial approach to defend this show and other pure comedy shows in general, along with the clearly perceived writer’s enthusiasm (believe me, that could irritate some in some cases for whatever’s worth) when I should have just said, “OMFG, Kena is back~~!! Fuck yeah!” like many others… Yep, that could’ve worked, too.

      • January 7, 2013 at 10:09 amjunglepenguin

        I got you, or at least I think I did. I’m quite sure you didn’t get me, because my first line didn’t seem to mean much to you. With the number of comparisons you’ve drawn and points you’ve made, I’d say Enzo’s post seems less serious than yours.

        I didn’t mean to come across as disapproving. I just thought that you sounded overly-concerned with issues that just don’t seem like issues we need to care about. Besides, who trolls about a series like this? Who’s likely to feel bothered by such a thing? Who’s gonna fault Enzo for going fanboy nuts over anything about this series? Ah, heck. What I meant to say was “stop thinking and just have fun”. That was what you wanted too, wasn’t it? If writing that post of yours was fun for you, then good for you.

      • January 7, 2013 at 10:11 amjunglepenguin

        That’s more like it. =D

    • January 7, 2013 at 2:34 pmGuardian Enzo

      Did you just basically skip the part where I said the second and third seasons were nowhere near as good as the first?

  • January 7, 2013 at 8:54 amkanade_

    Season 1: Good
    Season 2: Fail
    Season 3: Double fail
    Season 4: Back to being good

    As a result, I would like to call “tadaima” as a legit 2nd season of Minami-ke.

    • January 7, 2013 at 10:47 amcshin9

      So much better than Okawari.

  • January 7, 2013 at 9:23 amStilts

    Watching this, I was remembering watching the first episode of the first season back when it was airing, when Marina Inoue was still a newbie fresh off her first her first big role in TTGL. As Enzo so rightly notes, that was in 2007.

    Fuck me I’m getting old! (For an anime watcher)

    • January 7, 2013 at 1:02 pmK

      Yeah. I remember that was when I became Inoue Maria’s fan. Her voicing Kana just caught me.

  • January 7, 2013 at 9:50 amZannafar

    Great first ep.
    Did Keiko’s personality change or is she finally used to dealing with Kana?

    It’s good to see that wild, unrestrainable manliness will return in the second episode.

  • January 7, 2013 at 10:26 amPen3

    Haha Haruka caught a huge stag beetle.

  • January 7, 2013 at 10:59 amqwert

    A good Minami-ke just leaves you with a warm fuzzy feeling at the end for no particular reason.

    I love that feeling.

  • January 7, 2013 at 12:30 pmMukyuu

    2007 feels like it happened many ages ago…Well this 1st ep was pretty good! Looking forward to more episodes!

    And I know that feeling Kana, doing worse on another test by a small difference…gah it burns.
    It’s great to have the Minami sisters back, oh how I’ve missed them!

    • January 7, 2013 at 2:21 pmVaans

      Yes, It’s great to see the Minami sisters back. I feel I’ve gone back in 2007. lol

  • January 7, 2013 at 6:42 pmRickyMack

    ahhh natsukashi, love the whole cast.

  • January 7, 2013 at 7:16 pmwhee

    I really loved the first season op-based remix!
    so glad this season looks and feels amazing so far.
    Waiting on mako chan and some hosaka action :3

  • January 7, 2013 at 7:54 pmBaKaYaRou

    This series is still showing that it’s one of the best slice-of-life series out there, glad to see the 3 sisters back again ^^

  • January 8, 2013 at 4:06 amRyuuzaki21

    i really missed the Minami sisters! thanks for blogging it enzo, i hope that you continue to blog it (at least half of the season)

  • January 8, 2013 at 7:38 amKayjay

    Good to see MK back on form.

    But I do miss “The Bible-Black style” extreme close-ups from the first season.

  • January 13, 2013 at 9:49 pmesquirek

    God damn it Haruka-neesama, you will forever be my bias <3.

    p.s. I find it fantastic that you're so enthusiastic about the series as you blog it :)! It injects a whole lot into your post and makes it thoroughly enjoyable to read.

  • January 18, 2013 at 12:16 pmcshin9

    Doesn’t Yoshino’s hair seem longer?

  • February 4, 2013 at 12:15 amYou know, for kids!

    Hoping to see Chiaki’s angel/devil in the future—especially her devil.