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Mushishi Zoku Shou – 16 »« Mushishi Zoku Shou – 14

Mushishi Zoku Shou – 15

「光の緒」 (Hikari no O)
“Thread of Light”

I’ve wondered, for a while now, exactly how common knowledge of the mushi is in Mushishi. Although the mushi-shi seem to have a wealth of research on the subject, the layman seem to have no understanding of the hidden forces that make their world work. The ones who do seem to be the exception rather than the rule. That’s understandable, I suppose, what with only select few people being able to even see the mushi. I won’t be surprised if, to some, the mushi-shi look awfully like charlatans, asking simple villagers to believe that the solution to mysterious illnesses are arbitrary rituals that somehow drive away invisible creatures. It’s quite impressive that the modern human can ‘believe’ in things like microbes causing diseases. I suppose that’s why vaccine hysteria and Flat Earthers and climate change denial are still things; for the layman, science is still in part a matter of faith.

It is notable that, at least in this episode, faith is something that is rewarded. Gen believes that his mother watches over him in the form of an angel, and that faith is entirely vindicated. In contrast, Gen’s father distrusts Gen’s mother, which ends up causing him more problems in the long run. Note, also, how it is often in Mushishi that children are able to see mushi, but adults cannot. This is not an uncommon theme in fictions. Children can see faeries. Children can fly if they believe. Children are open to magic and wonder, while adults have lost imagination. At the same time, children seem to have an innocence that protects them from duplicity. Remember the Emperor’s New Clothes? Funnily enough, Thread of Light is in some ways an inverse Emperor’s New Clothes stories, in which the robe in question is both splendid and real, even if nobody can see the thread.

While the robe is real, it’s not necessarily literal; like many things in Mushishi, it serves as a metaphor, representing Yui’s dedication to her son. You will remember that last week’s episode was about motherhood; Mushishi Zoku Shou seems to be doing its episode in pairs. Whereas Secluded Cove was about about the dangers of depending too much on that relationship, Thread of Light is about the dangers of wantonly severing it. To paraphrase Ginko, adults make do without it, but infants cannot survive without it. Indeed, when Gen and Yui are reunited, all their problems are resolved. Gen, no longer teased about his absentee mother, makes peace with the other children. Yui, no longer having to work the ether, regains vitality. It feels like a bit too neat of an ending, but Mushishi seemed to have been playing a few too many angles this episode, so perhaps needed something simple to wrap it all up. The message to take home is about the value of that Thread of Light: invisible yet precious, and a rare treasure indeed.



November 16, 2014 at 9:29 am
  • November 16, 2014 at 10:17 amDdadain

    As always, although Mushishi portrays simple facets of life in a historical fantasy context and in a somewhat laidback fashion, its commentary on societal norms and its subsequences are always powerfully delivered.

    In this episode, it seems it deemed fit to touch on the plight of families with parents working for their child’s(rens’) sake too the point of neglecting all other responsibilities of parenthood and how truly, truly sad such a situation is, touched me deeply as I experienced a form of this while I was growing up.

    Mushishi has done it again~!


  • November 16, 2014 at 4:41 pmkondee

    Nothing like a mother’s love. Fantastic episode. I enjoyed that in light of Yui’s self-sacrifice, she’s still able to watch over Gen in the past two years after being exposed to the ether. There’s something warm and comforting about that.

    Enjoying these episodes so far and it’s concentration on relationships and connections.

    It feels Mushishi is a bit underrated in this site which sucks :(, I realize it is kind of niche but I was hoping more people here would be watching it.

    • November 17, 2014 at 12:30 amPasserby

      I don’t think something like Mushishi is what most people are looking for when they watch anime. It’s a bit of the arthouse movie of anime, more for contemplation than entertainment. I think if Mushishi wants to be more mainstream it’d have to sacrifice some of its subtlety, and I would frankly rather that not happen.

    • November 17, 2014 at 2:04 amilion4o

      I don’t think it’s underrated, maybe it’s just that most people that are watching it don’t comment so often. I for once loved this episode, but there isn’t really anything in particular I had to say about it(certainly nothing that Passerby hasn’t already mentioned, and much more eloquently at that!) Mushishi usually speaks for itself :-)

    • November 17, 2014 at 10:34 amkondee

      You guys do make solid points. I’m aware of how arthouse it is but I’m still surprised and expected more discussion.

      @ilion40, I had a feeling it was this…I sometimes have trouble coming up with something particular to say sometimes too as opposed to other anime titles where each episode is more over the top. Mushishi does speak for itself and the pacing of the scenes leaves you enough time to let it sink in.

  • November 16, 2014 at 5:46 pmGyabo

    Maybe it’s just my preference for these sort of lush settings, but I feel like Artland have really stepped up their game with backgrounds lately. The past 2 episodes blew me away with the scenery (to the point I was distracted at some points).

    I agree that this ending felt a little too clean for Mushishi, but it’s also nice to see a happy ending since so many in the past 2 seasons have been bittersweet at best.