「夢・想」 (Musou)

I’m not certain what the hell was going on here, but it sure was well done.

I’m still not convinced that all the story elements are going to pay off with SSSS.Gridman, but the truth of it is that matters less and less the closer we get to the end. There are a lot of series for which the ending is truly critical, but I believe that’s less so with Gridman. That may sound contradictory but in truth, when a show can ask this many interesting questions in such a fabulously creative and stylish way, it’s not the end of the world (no pun intended) if the answers aren’t wholly satisfying. For me, this series is more the journey than the destination.

Gridman is a fascinating mix of elements, and that’s no doubt one of its strengths. It’s not a tokusatsu, kaijuu or mecha show, it’s not Trigger (though it literally is of course), it’s not Gainax – but it has elements of all those things. It truly feels as if this may be the first series – Trigger or otherwise – to evolve the Gainax model to a new form, something that builds on it but establishes itself as something fresh and new. Amemiya Akira is not someone who was prominent on my radar, but he will be now – he’s a formidable talent, and the team he’s put together for Gridman has done a truly fantastic job on the production side.

This episode, like much of the series, had a strong sense of Anno Hideaki about it. Whatever else happened the final episodes were surely going to revolve around Akane one way or another, but the turn taken here was surprising in some ways – less so in terms of plot than execution. As to the former it’s hard to judge because it’s dangerous to think we know exactly what we were watching, but to take the narrative track of showing Yuuta, Shou and Rikka in three independent Akane-fueled dreams was a master stroke. But it was full of riddles, even so.

In broad terms, it still feels as if we’re in some sort of virtual simulation created by Akane. But I still struggle to accept that the three protagonists are simple NPCs – most especially Yuuta, but not only him. Would NPCs have the ability to rouse themselves from a dream because they recognized that something was off? Maybe – we don’t know the rules here. But if Akane is indeed the God she claims to be, why can’t she (ever) make anything in her creation bend to her will? “Even in dreams I can’t reach them” is a plaintive cry indeed, but it isn’t one that speaks of omnipotence.

Having repeatedly failed to subdue Gridman in battle, it seems Akane has attempted to do so through more subtle means. That she’s able to force the main trio to enter a dream world of her creation does suggest Godlike powers, but the fact is, they have free will and they keep exerting it. It also seems as if Gridman was quite intentionally trying to break through and communicate with Yuuta, to draw him back to “reality” (whatever that is). Just who and what Yuuta is remains one of the towering enigmas at the heart of this plot, though it certainly has a lot of company.

There were so many visual highlights from these three dreams that it’s hard to know where to start the praise. Especially beautiful to me was the way Yuuta’s face was reflected in the Tonkawa family grave marker, with the Kanji for “river” appearing as tears on his face. Akane and Shou’s trip to Nakano Broadway (“Sevendarake” indeed). The way Gridman’s face kept appearing – in reflections, on giant TV monitors. The full bus (for a change) becoming the usual empty one when Rikka hit the “stop request” button (which was itself a gorgeous metaphor). And I loved the use of the “God Zenon” form of the Junior High squad, as they fought Akane’s newest kaijuu (which seems to have been critical in generating the dream state for the SSSS) without Gridman’s help.

Now we wait and see what Rikka is about to say to her fellow squad members – though it seems very possible that she’s figured out what’s going on here, at least to an extent. Gridman’s statement that Akane needs to be woken from her dream seems to set up the finale arc, and this is one of those elements I’m not sure is going to pay off – I still don’t buy redemption for her, as I see nothing that makes me think she deserves it. But it nevertheless asks those interesting questions – most pressing, perhaps, what happens to Yuuta, Rikka and Shou when Akane wakes up? That depends on what they are, I suppose – and SSSS.Gridman wasn’t quite ready to tell us that just yet.


    1. That’s a very interesting question. Perhaps the influences here – Gainax nostalgia, kaijuu, tokusatsu – are simply more tuned to Japanese otaku tastes than Western, There’s fanservice but it’s fairly low-key, not really a lot of CGDCT, and it paints wish-fulfillment in a pretty unflattering light.

  1. I think Powered Zenon also make reference to old transformer combining toys or some sort, due to it’s arms not having elbows and unable to bend, and the show animated it while keeping it in mind, and that is awesome.

    Redjuice Fan

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