「グッドモーニングリターンズ SAGA」 (Guddo Mooningu Ritaanzu SAGA)
“Good Morning Returns SAGA”
When Zombie Land Saga came out in late 2018, its mixture of oddball humor, zombie horror, and poignant drama gave the world an amusing examination of what it means to be alive, even if it’s your second chance. And with Zombie Land Saga’s second opportunity to roam the earth, it helps to re-examine where the girls are at this point and how Kotaro needs to whip himself back up into shape if he wants Franchouchou to make a comeback.
I figured there’d be a deeper plot thread carried over from the last season to anchor Season 02, but Franchouchou going into debt works as well. It was funny that the decision that sank them was the overambitious idea to book the Ekimae Fudosan Stadium for a massive concert that only ended up housing the band’s smaller cult following.
At the same time, it did limit the impact of the first episode to have a majority of it focused around getting Kotaro to sober up. Even on paper, it’s one of those ideas that default to circular arguments where Kotaro refuses to hear any of the girls’ pleas for help and shuts them down until way later in the episode where he’s willing to come around and reflect on the impact his coaching has had on the girls.
There is a silver lining to having Kotaro being drunk most of the time as it gives Miyano Mamoru more time to riff. His and Ricco Fajardo’s performances as Kotaro stood out the most even back when Zombie Land Saga first aired for leaning into the tenacity and callousness that embodied the character. Understandably, adding alcohol to the equation ends up giving us a Miyano performance that brings back fond memories of Okabe Rintaro’s delusions of grandeur or Light Yagami’s big breakdown.
One promising thread that I hope is explored as this season goes forward is the girls getting jobs. Many of them have been able to carry regular jobs within a short span of time such as construction, manufacturing, dairy farming, and milk delivery. But while they are having a good time having regular jobs, there is also the underlying tension of concealing their zombie forms, something that’s initially rough without Kotaro’s makeup skills. It’s actually a cool feature in this episode that their human makeup is shoddier and has a porcelain doll feel to it because the girls have to wing it in the booth. The next episode focuses on a local celebrity that Saki knows and loves, so it should be neat to see if this next episode tackles the girls having to navigate the public sphere while they continue disguising themselves as living humans.
Eren!Kotaro: I will keep moving forward, until the rival idol groups are dead. Tatakae! *ehem* I mean, Utae!
This will probably be the #1 anime show in Japan this season like the first season. Anything Idol related is instantly #1 if its good. Cygames being attached just helps it along. That being said the first season wasn’t anything remarkable beyond the cast being zombies. But there was plenty of scope for expansion of the story so a second season was kinda valid.
Sooooo…. the girls will “die” soon or in the end that little revelation will be just a joke?
“I don’t care if our rivals are living or virtual… Utae!“
Glad to see the return of Kureiji Ollie’s zombie-idol sempais. XD That being said, I do wonder if the reporter who’s investigating Franchouchou will be reappearing (or rather, have a story arc involving him) this season?
– LOL at MAPPA giving a few self-jabs (sort of) at Attack on Titan: The Final Season. Even funnier since Mamoru Miyano is considered a sempai to Yuki Kaji (and Yuki Kaji did sound like Mamoru Miyano as post-timeskip Eren–which Kotaro resembles in this episode).
– Franchouchou’s current situation reminds me of the girls of Ochikobore Fruit Tart at the start of that series (and I considered Ochikobore Fruit Tart as an “appetizer” to Zombie Land Saga Revenge). Basically, they’re trying to redeem themselves… Again.
I also wouldn’t mind delving into what made Yamada Tae legendary (besides the memes and running gags about her from the previous season). Back into idol hell again, I suppose.
Yuugiri’s method of discipline fits perfectly with her character. It’s not a matter of her mis-timing her anger, it’s more,, “Now that you’re out of your funk, allow me to reprimand you for worrying all of us.”