Category: Rurouni Kenshin

「決着」 (Ketchaku)
“Settling the Score”

There are so many things that make Kenshin exceptional, but the hard truth is that the most exceptional thing is the number of people he’s killed.

「理想の男」 (Risou no Otoko)
“The Ideal Man”

Damn five minute episodes…

「その男・雷十太」 (Sono Otoko Raijuuta)
“That Man – Raijuta”

This was the first episode where I’d say the ’23 version flat-out thrashed the ’96.

「死闘の果て」 (Shitou no Hate)
“Battle’s End”

Megumi frankly gets a better deal than she deserves here, but that just puts the onus on her to do the right thing with it.

「御頭・四之森蒼紫」 (O-kashira・Shinomori Aoshi)
“Okashira – Aoshi Shinomori”

I can’t but think of Dylan Thomas as I watch these two rage against the dying of the light.

「壮烈の般若・創痍の式尉」 (Souretsu no Hannya・Sōi no Shikijōu)
“Savage Han’nya – Honorable Shikijou”

One thing that can be said about Rurouni Kenshin is that it gets increasingly unconventional as it progresses.

「動く理由」 (Ugoku Wake)
“A Reason to Act”

Structurally speaking, it’s with the Oniwabanshuu that the series starts to take on its final form.

「御庭番強襲」 (Oniwaban Kyōshū)
“The Oniwabanshu Strike”

The Oniwabanshuu arc makes for an interesting acid test.

「逃走麗女」 (Tōsou Reijo)
“Beauty on the Run”

Ah, yes – now we’re into the meat of the story.

「人斬りふたり」 (Hitokiri Futari)
“The Two HitokiriThe Two Hitokiri”

This was a crucial part of the story to get right, and this adaptation really did.