GOSICK – 15
「二匹の怪物は心をかよわせる」 (Nihiki no Kaibutsu wa Kokoro o Kayowaseru)
“Two Little Monsters Have a Heart-to-Heart”
Well, at least I was right on one part. Dude was African alright.
So here’s a top down accumulation of facts regarding the setting GOSICK is actually in. The time takes place between WWI and WWII, the first of which ended at 1918, the second of which started in 1939, a span of 21 years. According to episode 1, the current year is 1924. GOSICK in its entirety has scaled to an alternative take on history, rather than simply an isolated story. In essence, this episode changes everything. Basically, it’s the question of, what would happen if there were one additional country in the world with the possibility to actually influence the war? Despite that, Sauville inevitably won’t matter in the course of history, since I see the whole story like Cameron’s Titanic, a fictional romantic tragedy merely using an actual tragedy as a foundation. Throw in whack beliefs and fortune telling, and you’ve got motives for the greedy to gain an advantage for power. And thus, Albert de Blois comes into play.
The arc of Leviathan was a huge surprise that connected the dots for the multitude of arcs past, enlightening that everything’s basically being spun around the inevitability of WWII, and Victorique is the heart of it all. Hungry for power, Albert is the link between Leviathan and Victorique, trying to create a homonculus army for influence in WWI (lolFMA), and now harnessing Gray Wolves for WWII. The origin of the Gray Wolves remains the biggest mystery of them all, and despite the reality over supernatural basis Victorique relies on to solve mysteries, she herself and the myth that precedes her is still constantly referred to as nothing but supernatural.
GOSICK depicts our wars as if they were something almost fantasy-like, calling them gales and storms, making them feel like impossibilities, only possible as a crafted epic that sounds like it was from Tolkien, and I find this perspective rather interesting considering that if you do step back and look at it, wars really do sound like fantasies. Albert’s description of the first war is almost chilling, and it’s hilarious that if I were oblivious to history, I would probably think such a plot would be insanely epic. The series has become considerably darker, and the prophecy holds stronger than ever to perpetuate one depressing fate. Kujou’s definitely going to struggle soon. After seeing Cordelia escape with worry, and Roscoe’s continuing insults, it’s probably unlikely Cordelia’s much of a manipulator at this point. Roscoe seems to be more of the rebel against the de Blois aristocrats, and breaking out Cordelia would be a rob of that power. He hates Victorique because she’s a tool “created” by Albert, and probably doesn’t possess much compassion for Cordelia either.
In any case, this is definitively the halfway point of the series. While the mysteries haven’t been incredible, the fact that they connect to each other in such a manner makes it all seem worthwhile. The added depth has changed my view of the show rather significantly, making the last half more promising than ever. To my surprise, Victorique’s forced disappearance already begins next week.