「常の樹」 (Tokoshie no Ki)
“Tree of Eternity”

It’s interesting that some shows feel like they end before the final episode, while others, like Mushishi Zoku Shou, reach the last episode without feeling like it has ended. Such is the way of Mushishi, with Ginko wanderings going ever onwards, much like life itself. That’s why episodes of Mushishi is, by and large, standalone, without much emphasis on an overarching continuity. Each story is timeless in and of itself.

Tree of Eternity is yet another meaningful addition to Mushishi‘s prestigious portfolio, though I admit I carry a fair amount of personal bias. I suspect that Castle in the Sky Laputa and all the Japanese media it has influenced has conditioned me to feel sympathy for giant, ancient trees. Stories of sacrifice are not uncommon to Mushishi, but Tree of Eternity is at the same time on a whole different scale and a whole different level of subtlety compared to other tales. Parents sacrificing for their children, siblings sacrificing for each other, sacrificing for your love, all bear a certain sense of humanity that makes it easy for us to empathise with their sentiments. But a tree is, in the end, just a tree. A very majestic tree, yes, but it’s still harder to infer noble intention from a plant. Ginko only suggests the possibility that the tree let itself be cut down to save the forest and the village, and it is due to Mushishi building up the tree’s long history and chequered relationship with the villagers that I was so willing to believe it.

Way back in episode 11, when I first started to cover this second half of Mushishi Zoku Shou, I mentioned the Shinto underpinnings of Mushishi‘s mythology. Tree of Eternity may be the episode where this is most apparent. At the very least, there was an emphasis on the divinity in all things, and a certain reverence for nature that is hard to put into words without talking about spirituality. Fitting, it is in this episode that Mushishi plays most with the tension between cynicism and mysticism that had shown itself regularly in previous weeks. It starts with Ginko suspecting Kanta (voiced by one Tsujimoto Kouji) by one of running a con (and that’s a bit ironic in itself), but is fully embodied by the village’s relationship with the tree over the generations. When man could not cut it down, it was revered as a god. But man eventually overthrows its gods, and the tree’s divinity is treated as superstition. Then, in hindsight, the knowledge and experience of the tree that saves the village from disaster once again elevates it to a state of divinity. What that says about humanity’s historical treatment of spirituality I will leave as an exercise for the reader.

The weight of the tree’s long experiences is important, because what makes Tree of Eternity appropriate as a final episode is its emphasis on the past. The entire episode may remind you of episode 14 of the first season (In the Cradle), but there are other references that you might recognise. Subtlely, it reminds us of all that has come before, and how much the viewer has seen of Mushishi‘s world after almost fifty episodes. That parallels with Kanta, who uses the tree’s vast experience to avoid an earthquake. It is the past that builds towards the future, and Kanta’s fate is true to that. Kanta’s wanderlust came from always wanting to experience new things, but you don’t always have to travel to see the world. He inherits experiences from the trees, and passes those experiences to his daughter in the form of stories. That’s how humanity’s collective knowledge has traditionally endured, as stories. It’s apt that the final episode of Mushishi, a collection of meaningful stories itself, takes some time to note their importance. Of course, this is not the last story Mushishi has in store. A movie has been announced for 2015, which may perhaps bring the world of Mushishi and its open ends (like the Forbidden Mushi) to a close. That’s a slice of future worth looking forward to.

Full-length images: 11, 15, 17, 30, 42.




Final Impressions

There is little praise I have reserved for Mushishi that have not already been conferred by myself and others before, and Mushishi deserves all of those honours. For the anime world, Mushishi is almost an arthouse piece, but it never felt the need to be particularly avant-garde. Instead, it always strove to be unerringly beautiful in both style and substance, no matter if it was being light or being dark. It never proselytises heavily about its weighty themes, instead choosing to let its beauty move the viewer, letting beauty itself be evidence for its principles. It worked for Einstein, and it worked for me. As such, Mushishi remained didactic while also being a pleasure to watch.

Great credit must be given to original mangaka Urushibara Yuki for penning the incredible world of Mushishi, but I would also like to extend commendations to the anime staff for their work on this adaptation. The background and colours of the anime speak for themselves, but the animation, though sparse, always felt very deliberate. It combined well with the music, a score of minimalist brilliance that always managed to create that air of otherworldly fascination that Mushishi thrives on. The haunting power of the music and the atmosphere it created follows the viewer beyond the end of each episode. It showed great mastery over anime as an audiovisual medium. Indeed, there wasn’t a week where I finished and didn’t feel the need to sit back in my chair and ponder what Mushishi was all about.

I always feel that Mushishi has something to say, and I’m glad that each week I got the opportunity to talk about what I thought that was. Thank you, gentle readers, for following these ten episodes with me this season. It hasn’t been a very long ride, but I enjoyed every week of it, and I hope you did too. It’s been a great pleasure to have had the opportunity to cover Mushishi Zoku Shou here on Random Curiosity. I suspect that we will not soon see the likes of it again.


  1. I may or may not have teared up a bit at the announcement at the end (even if it was expected that that story would be adapted anyway) because I’m a massive baby when it comes to this show. Y’know. Maybe.
    I thought this was a great finale, even if it didn’t quite feel like an end, like you said. It just felt right to end with an episode about nature since that’s what Mushishi has always done best.

    Thank you for covering this season, Passerby! I admit I was pretty disappointed when I saw no one was going to cover it initially but it made my day when you did. Whether I shared your opinions or not, I was always interested in reading what you had to say about each episode.

  2. Thank you for the coverage on this anime. Your impressions are always great to read. You go beyond commenting on what happened and give lot of food for thought every week.

    This episode was a great episode to end on as for the reasons already mentioned (Mushishi being a collection of stories). The ending where the father passed an ancient story to his daughter makes it so appropriate.

    I also really liked this episode because like Tanyuu and that woman with the rain mushi, he learned to co-exist with the Mushi in ways that is not intrusive and even helps people after the initial shock wore off. This episode felt very much like Miyazaki. Something about divinity, nature, and it’s relationship with man along with the latter trying to overthrow what they thought was a god seemed something that reminds me of Princess Mononoke(my favorite anime movie).

    This season was great. I liked the thematic connection shared between some of the episodes and the stories it covered was very varied. It delved from more universal emotions to the darkest aspects of humanity(something not tackled a lot). It gave a more complete package and definitely made it one of the most memorable viewing experiences.

  3. Thank you for covering this anime. It’s been a pleasure to read your thoughts on each episode. There was a time when I used to think that Cowboy Bebop was the best series ever. At my current age, I think Mushishi is.

  4. I’m still kinda shocked that despite this anime being covered, it still doesn’t get enough attention. I had a blast reading your reviews, and all episodes never disappointed. It’s like reading a good book and the adventures Ginko have will be has plentiful as the things in the Mushi world we’ll never understand (or even know of yet).

    The preview was showcasing an upcoming movie?

  5. – Is it me or could the 2nd season of Mushishi have face some budget issues?

    I don’t know for you but I notice throughout the entire second season that there were more ‘faceless facial expression’ (noticeably more ‘blank face’ in the 2nd season) and also the fluidity of the motion in general of the characters were slightly lacking in some parts (its like they were missing some key frames) or the characters move in 5% slower than usual.
    I say those cause I mainly notice that in the 2nd season(2014) as compare to the 1st season(2005)… but it could have been just me.

  6. A little late to the party, but nevermind.
    First, I wanna thank you (and Enzo for that matter) for covering this series. My mere words cannot express the overwhelming gratitiude I feel for everyone involved in making and promoting this little gem!
    Thank you!
    Of course, we still have “Drops of bells” to look forward to and I hope you will be here to give us your insight once again…especially with a series that seems sooooo hard to comment on, let alone blog about! It’s been a blast every week!:)


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