Natsume Yuujin-chou San – 11

「映すもの」 (Utsusu mono)
“The Picture”

For the first time one of Natsume’s friends can truly understand his world, and that’s a pretty important moment for the series. This whole season seems to be building towards the crucial moment when Natsume tells his foster parents the Fujiwaras – the most interesting of Natsume’s human companions – about his gift, but whether that long-awaited event occurs in the last two episodes remains to be seen.

NO.6 – 10

「奈落にあるもの」 (Naraku ni Aru Mono)
“What Lies in the Abyss”

For such an earnest and seemingly old-fashioned anime as this often seems to be, No. 6 has quite the talent for slapping the audience in the face occasionally. Seeing a baby being nursed by a dog is certainly a first for me, anime or otherwise – and that’s just for starters.

Steins;Gate – 23

「境界面上のシュタインズゲート」 (Kyōkaimenjō no Shutainzu Gēto)
“Open the Steins Gate”

I’m going to go against character and make this post a brief one, which is fitting I think in that this penultimate episode was one that pretty much speaks for itself. And I’ll start with a confession – I finally caved and re-watched the first episode before I watched episode 23.

Natsume Yuujin-chou San – 10

「割れた鏡」 (Wareta Kagami)
“Broken Mirror”

Over the course of three seasons Natsume Yuujinchou has consistently delivered superb examples of what is generally referred to dismissively as “filler”. Except that the filler for this series – such as the previous two episodes – is very often among the best the show has to offer.

Dantalian no Shoka – 08

「等価の書 / 連理の書」 (Tōka no Sho / Renri no Sho)
“Book of Equivalence / Book of Connectionr”

Well, there’s no denying that this was a pretty lightweight pair of stories for Dantalian no Shoka this week. But you know, I think this is a face that the series wears well – I find the series quite charmer when it shows its warmer, funnier side.

NO.6 – 09

「災厄の舞台」 (Saiyaku no Butai)
“Stage of Disaster”

Even though it isn’t always working for me, in a way I really admire NO.6 to sticking to its guns. Nine episodes in and it’s still preposterously theatrical, comically sincere and terribly muddled. But at least it doesn’t sell itself out and try to be something it’s not.