CODE GEASS – Stage 24 & 25 Special Commercial

At the end of last night’s episode of Nanatsuiro Drops on MBS, there was a commercial broadcast for the CODE GEASS Stage 24 & 25 Special with some very interesting shots.
Note: The above images are relatively non-spoiler, but the images in the post most probably are, and I’ll be doing some speculation, so continue on at your own risk.

Random Musings – The Publicity Stunt of Suzumiya Haruhi

I talked the other day about how there was an announcement concerning Suzumiya Haruhi coming on Tanabata (today), which was the same day as some special events in the third novel. Well, it seems that Kyoto Animation has produced a publicity stunt of sorts by uploading a 22-minute flash promotional video onto the official website depicting the events of that night in live action (with Haruhi and “John Smith”) from a security camera point of view. For those of you with niconico accounts, you can watch it here since the official site appears to be down at the moment from probably getting hammered by all the fans trying to access it. For those of you without accounts, there’s also a torrent of it available on Tokyo Toshokan. In any case, I’m very impressed by the extent to which Kyoto Animation is promoting this show since this video matches perfectly with the Newtype magazine announcement. I expect that this will eventually make its way one of the DVDs for the second anime season, but for now, this is almost like getting a glimpse of what a live-action Haruhi would be.

Looking Beyond: Freedom of Expression

This inquiry has been on my mind for about a couple of weeks. In episode 22 of Nodame Cantabile, there was one scene that really made me think. It takes place where Nodame explained Chiaki her true intentions for entering the competition. Then Nodame says, “What is wrong with playing the piano freely as you like?”

It brings up this question: Do we have the right to tamper an original work in order to suit our taste?