Sono Bisque Doll wa Koi wo Suru – 12 (END)
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「その着せ替え人形は恋をする」 (Sono kisekaeningyou wa koi o suru)
“The Bisque Doll Falls in Love”
One gets the vibe watching these two together that the formalities are largely irrelevant.
Sono Bisque Doll wa Koi wo Suru – 11
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「ラブホテルにいます」 (Rabuhoteru ni imasu)
“I’m in a love hotel”
That would have been a lot more interesting if we’d seen what would have happened if the phone hadn’t interrupted.
Sono Bisque Doll wa Koi wo Suru – 10
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「誰にでも色々あるんです」 ( Dare ni demo Iroiro Arun Desu )
“We’ve All Got Struggles”
Generally speaking the more time Sono Bisque Doll wa Koi wo Suru spends on Marin-Gojou interaction the more charm it seems to have.
Sono Bisque Doll wa Koi wo Suru – 09
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「写真を見たら色々あったからです」 ( Shashin o Mitara Iroiro Atta kara Desu )
“A Lot Happened After I Saw That Photo”
I’m probably the worst judge of whether this was any good.
Sono Bisque Doll wa Koi wo Suru – 08
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「逆光、オススメです」 ( Gyakkou, Osusume Desu )
“Backlighting Is the Best”
The metaphor on the beach at Enoshima wasn’t subtle, but the point was made.
Sono Bisque Doll wa Koi wo Suru – 07
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「しゅきぴとおうちデートやばっ」 (Shi ~yukipitoouchi dēto yaba ~tsu)
“A Home Date with the Guy I Wuv Is the Best”
The disparate sides of Bisque Doll’s personality don’t coexist peacefully – they’re in direct opposition to each other.
Sono Bisque Doll wa Koi wo Suru – 06
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「マ！？」 (Ma!?)
“For Real!?”
This was like a race to fit as many annoying modern anitropes into 22 minutes as possible.
Sono Bisque Doll wa Koi wo Suru – 05
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「この中で一番いい乳袋だからじゃん？」 ( Kono Naka de Ichiban Ii Chibukuro da kara jan?)
“It’s Probably Because This Is the Best Boob Bag Here”
Anime knows what sells.
Sono Bisque Doll wa Koi wo Suru – 04
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「彼女のとか？」 (Kanojo no toka?)
“Are These Your Girlfriend’s?”
Wonder what Gramps put down for “cause of injury”.
Sono Bisque Doll wa Koi wo Suru – 03
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「じゃ、付き合っちゃう？」 (Ja, tsukiatchau?)
“Then, Why Don’t We?”
One can already say that Bisque Doll is a fascinating conundrum of a show at the very least.