Random Curiosity

Fate Grand Order Zettai Majuu Sensen Babylonia – 09

「おはよう、金星の女神」 (Ohayou, Kinboshi no Megami)
“Good Morning, Goddess of Venus”

Remember that episode of Unlimited Blade Works where, after a bunch of intense action pieces, and after the villain basically stomped on the protagonist party but lets them go for no good reason, the anime brings the tension down by basically just having Rin make faces for 20 minutes?

This is exactly the same episode.

Other than the brief but mandated action sequence (though they really should have lead with the magpie-bait if it was going to be Super Effective) this episode was entirely exposition. But it was exposition featuring the face of Tohsaka Rin so I suppose it was far more palatable. It’s hard to be a Fate/ fan without also being a Rin fan (if only because she is arguably the franchise’s most pervasive fixture) so an episode of Rin-service is an automatic slam-dunk. And it serves to reassure us that whatever weird tenancy ratio that is happening inside Rin’s body due to strange mythological permutations, there are still constants.

I suppose the reason Nasu so often throws in a Rin (or any of her prototypes) into his works is that she’s just a really useful type of character to have around. Rin was designed to be a heroine. I don’t means this in terms of waifu-metrics (though I’m sure she’ll score high with any rating board). I mean that she’s assertive. She knows what she wants, she knows how to get it, and proactively works towards it. From a storytelling perspective she can be counted on to do things and have presence. That is, she can steer the plot in specific directions. Sure, an author can just drop a plot device from the sky to spur the protagonist, but such blatant author intervention feels unnatural. Better to have the story feel character driven.

You can see Ishtar being employed in this fashion this episode. It would usually be a tad difficult to come done from all the emotion of last week, whether it be hype about the action or grief at the loss of our heroes. Enter IshtaRin who, with her huge character presence, can just pull the entire narrative towards herself and it doesn’t feel exceptionally forced because she’s designed to have that kind of gravity well. If you need someone to demolish a pensive mood and move on? She’s your girl.

And there’s more in her character to tap, yet. It’s a bit obvious what’s going on but I’ll avoid spoilers all the same. I will say, though, I recall that in an earlier interview about the original Deen Fate/stay night anime, Ueda Kana talked about not being entirely sure how to play Rin and being doubtful about the casting. It amuses me that she’s now voicing like three versions of her in the same episode with complete comfort.

November 30, 2019 at 6:39 pm Comments (28)

Assassins Pride – 08

「ある骸骨の遺言」 (Aru Gaikotsu no Yuigon)
“The Last Testament of a Certain Skeleton”

While there’s no denying Assassins Pride has lost on the pacing front (filler episode why?), I’ll be damned if the show still isn’t managing to pull rabbits from the hat every time I give it the doubting glance. Hatchet job or not there be plenty of fun to wring from this one yet, and we’re getting the biggest example to date very soon. I swear complaining has never been more difficult.

After the setup last week concerning Rose’s hometown troubles and some underage bloodsucking it was pretty obvious we were gearing up for some important details, but colour me surprised the extent of that (upcoming) information. I never thought Kufa would actually reveal his hidden side to Melida for one, or that Rose would also wind up being a vampire to boot. The interesting bit here of course is when Rose succumbed to nightly chomping (because having that happen in the past raises some really intriguing questions about her and Kufa), but I imagine the main focus will be on our new unknown antagonist considering his likely role in the whole mess. After all, although Rose’s father is firmly involved in some nefarious shenanigans, I honestly doubt he has a hand in whatever vampiric presence is running rampant, especially after supposedly being attacked himself—well, at least until we see his body mind you.

The really intriguing matter however is how Melida is going to react to the news Kufa is about to drop at her feat. While the girl will undoubtedly believe Kufa had nothing to do with the attacks, revealing a vampiric side isn’t likely to sit well with her considering what Kufa is possible of (not to mention the voices in her head). When a trusted advisor and friend (and crush) suddenly showcases power already revealed to be fatal it would be natural to doubt the ability of that individual to restrain themselves in the future, especially when our knowledge of Kufa’s true nature is just as unknown to us as Melida. Make no mistake, Melida won’t be throwing the guy to the wolves (the admiration and crushing is too solid for that now), but I expect some noticeable changes in their relationship before all is said and done. With the enemies around Melida only increasing in number and Kufa’s safety net of ambiguity wearing away he’s going to start seriously involving the girl in his plans just so both can survive.

Best stay tuned boys and girls, the fireworks are ready to fly.

Full-length images: 7.

 

Preview

November 30, 2019 at 1:09 am Comments (2)

Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu! – 09

「司は全てを見通しているようです!」 (Tsukasa wa subete wo mitoushiteiru youdesu!)
“It Seems Tsukasa Has Seen Through Everything!”

I think we can all agree that Choyoyu won’t be winning any prominent awards anytime soon, but it’s hard denying the show knows how to make the most out of a ridiculous (yet hilarious) setup. From technology overwhelming to every manner of great balls of fire both blue and red in between, it’s never a dull week when it comes to this isekai romp.

As mentioned before one of things keeping me invested in Choyoyu is the promise of technological development and we certainly saw that in practice this week. While incredibly hard getting around rifled guns being able to go through steel plate (hint: knight armour died out not long after the musket was introduced for a reason), it’s still a blast seeing evil dudes get a bunch a lead to the face, even if some aren’t really that evil. Or deserving of the whallop received. Yeah, war never changes. At least that bit makes better sense than the whole lack of guns on the part of our imperial opponents though. You’d think an enemy already knowledgeable of guns would at least have some of theirs employed, if only to dissuade the peasant rabble from more ambitious intentions.

The fun this week however primarily lay with our first big fight with Gustave because nothing says entertainment like a fanatic going wild against an equally crazed (albeit for different reasons) competitor. While the guy is apparently gone, I seriously doubt anyone believes him actually dead, if only because so far at least Choyoyu hasn’t really provided a more suitable antagonist for defining the goodness of our main cast. When you’re going to overcome every challenge thrown your way you need something to make the process tolerable, and nothing does better than wacky inflatable flaming arms and an equally over the top personality to boot. I still believe Choyoyu has even more ridiculous characters to throw at us (have yet to catch a glimpse of the emperor after all), but whether we see them before this season’s end is anyone’s guess at the moment.

I’m not one to doubt right from the start, but the Azure Brigade certainly have some big shoes to fill if those Tsukasa musings are anything to go by.

Full-length images: 30, 33, 34.

November 30, 2019 at 1:00 am Comment (1)

Ore wo Suki na no wa Omae Dake ka yo – 09

「俺なりに考えた結果」 (Ore nari ni kangaeta kekka)
“My Conclusion After Much Consideration”

While we had some miscellaneous happenings here and there, there’s no doubt that the confrontation between Joro and Pansy was the climax of this episode. It gave us the question that needed to be addressed, as well as the subsequent tone and pace to which the story and characters approached any form of resolution. So where to begin? The fracas left me conflicted because I could sympathize with yet criticize both viewpoints. Joro is doing the right thing for the wrong reasons – using the incident as a pretext for avoiding reality. Why should Pansy be allowed to detract from Joro’s solid efforts, in seeking to rectify his own mistake?

Yet from her perspective, he’s being consumed by an inferiority complex. His attempts to avoid mingling with Sun-Chan, Himawari and Cosmos come from a place of feeling inadequate, with his part-time work being merely a pretext concealing the actual truth. Rather than wanting to enable these feelings, which will never fix the fundamental underlying issue, Pansy wanted Joro to take them head on and be honest about them. After all, he became so depressed after messing up at work. When you fuck up that bad, at the one thing you were getting pretty good at, of course it’s going to shatter your self-esteem. But there’s no use in moping over spilled milk so hard – what’s done is done, and you can only really look to the future.

The moment where Himawari gifted him the book illustrated Pansy’s perspective. He wasn’t doing it to compensate the damaged book, as opposed to doing it for himself. Himawari picked up that Joro was feeling down because of the tattered book, and acted extremely selflessly, skipping practice for the sake of acquiring the book for Joro. There’s no way you could construe such a sweet and lovely action in a negative way. However, Joro’s pride became wounded. He gave it his all, he had to be the one to fix his fuck-up, and the meaning was completely lost when someone else bailed him out. So his inferiority complex flared up – causing him to lash out at her in a cruel way.

Fortunately, Joro isn’t a total ass. He realises the error of his ways and quickly turns the situation around, thanking Himawari for being there for him and comes to accept that it’s fine to be run-of-the-mill among a group of outstanding people. I really enjoyed how Joro has been depicted throughout this arc, because his struggles and emotional fluctuation come across as being intensely human. Relatable, organic and fluid. His emotional shifts feel like natural progressions, with how he reads situations and adjusts accordingly, e.g. hesitating to call back Pansy after he told her to fuck off, and acquiescing after he snapped at Himawari. Ever since Hamlet, that mix of inner conflict and hesitancy has really proven to be a winning formula among audiences. And to me, Joro fits this bill to a tee. He might doubt himself, and he might have a load of personal issues, but he’s definitely won me over.

To wrap things off, you’d have thought that giving Pansy a new copy of her damaged book would have brought this arc to a nice and fitting close. But this is OreSuki. No one’s allowed to have nice things, apparently. Table-kun might have been a victim in another show. But Bench-kun is an active perpetrator, taking the characters in this series on extremely wild rides that they hate. And the bombshell dropped at the end of the episode proved to be no exception – the first year who flaked out of the dance festival requests Joro to assist her in getting Sun-chan and Pansy to date. Which sets up the next arc very nicely.

That bookmark from Pansy with the question ‘Would you help me if I was in trouble?’ is quite blatantly one of Chekhov’s guns with smoke billowing out of the nozzle. No way it won’t be relevant. Then there’s the matter of Tsubaki, who I’ll still continue to suspect, because anyone in this show is guilty of harbouring an ulterior motive until proven innocent. I still reckon the two people who helped Joro search for the book, were involved with damaging it and are related to Tsubaki in some way – perhaps they went to her old school. Also, I have my reservations about this Yasuo Hazuki. Though he may come across like a Prince Charming, even giving Joro some excellent advice that helped him reach the stage of acceptance, my trust isn’t so easily won over for reasons. First off, too many seemingly fine characters have turned out to have a moral defect. And if League of Legends taught me anything, any Yasuo almost always means bad news. With all these factors taken into consideration, aren’t you excited to see where and how this train is going to crash? Me too.

Anyway, that’s about everything I wanted to discuss. As always, thanks for reading my post and see you next week!

November 29, 2019 at 5:12 pm Comments (6)

PSYCHO-PASS 3 – 06

「Caesar’s Gold Coins」

Oh boy things certainly went from 0 to 60 on the confusing scale this week didn’t they? As though Psycho Pass didn’t believe two more weeks were enough to contain the plot spillage (not this one) we seemingly got every minor plot and then some this episode, with suicide bombings, religious conspiracies, and good old fashioned kidnapping appearing in all their “told ya so!” glory. I know this is only one confirmed season, but damn does it feel like we’re gearing up for Psycho Pass 4.

Arguably the biggest aspect coming out of this week obviously lies with the links emerging between our latest villains and the Bifrost group, and not just for the immediate protagonist implications. Psycho Pass has been slowly leaning towards some sort of overarching societal manipulation this season, with Bifrost in some capacity always behind the movements and directives being handed out to the foxes circling the henhouse. It’s still unclear just what Bifrost’s objective is in all this (or even the nature—i.e. good vs. evil—of that objective), but the intent sure seems to be upending the current order in a way our little gang of three desires. Not difficult seeing why certain actions are being taken after all when you come out desiring the return of predatory economics (read: unregulated capitalism), or what may come next after revealing the rampant crimes occurring in society’s most vulnerable. Once Sibyl is shown to be openly tolerating the very thing it’s designed to prevent, utopia’s legitimacy (and the reason for Sibyl’s existence) is going to be slightly less guaranteed.

What makes it all the more interesting (or confusing) are the other battles going on under this umbrella. The Foreign Affairs Bureau for example appears to have deeper involvement in domestic matters than one would typically expect, while the always adorable (if still equally one track minded) Mika continues to hide some key information regarding Akane and her latest promotion. Couple this with our religious pawns apparently engaging of scheming of their own and we’re looking at one hell of an interagency struggle. It’s really unknown how all of this will come together in the end (if it does!), but I firmly wager the missing link lies with Kei and Arata and the hazy murder uniting their past. Considering Kei’s apparent relationship with Bifrost and Arata’s special powers I’m even down to thinking our inspectors have more involvement with our current villains than they think.

After all, you don’t just openly capture the wife of a two-bit inspector for nefarious purposes just because he’s proven good at infiltration.

November 28, 2019 at 11:39 pm Comments (9)

Chihayafuru 3 – 08

「これやこの」 (Kore ya kono)
“As Friends and Strangers”

It’s qualification time for our favourite karuta players. All except one of course. All our beloved characters are meeting up in Eastern and Western Japan to compete against one another. I’m surprised we’re going to get such a long arc without Chihaya being the glue that holds the whole story together, but it’s actually quite refreshing.

This arc will provide space for supporting characters to show a little growth in both their abilities but in character as well. Take for example the calculating Sumire. For the first time, she’s put Taichi’s feelings before her ambition to sweep him off his feet. And with such a beautiful gesture, she’s perhaps even caught his attention the right way, inadvertently and without any mischief. We all know she’s fallen for karuta as much as she has Taichi and she just won’t admit it yet, but this is the first time she’s truly putting herself at risk for the wellbeing of her senpai.

On his end, Taichi has a whole roaster of competitors to go up against before he can qualify for the master finals. Will he succeed? Will his mother come between him and his newfound dream? It’s difficult to say. Perhaps for the first time in his karuta playing career, he’ll be able to sway his mother’s opinion of the sport. Or maybe not… It must be difficult for Taichi to find motivation with that kind of pressure, yet, he’s made it to the qualifiers.

Arata, on the other hand, is having a rough start with his stomach taking the bulk of the load before his first match. But he’s showing a lot of promise and improvement since last we saw him compete. I’m hoping he’ll go head to head with Taichi. I really want this season to build up to that. These two boys should have another match against one another, just as they did way back when. But this time, Arata will be able to complete the match.

But who between the two will dethrone the current Master? I can’t even put my finger on who I want to see up there or who I would like to see as Master, side by side with the Queen.

November 28, 2019 at 3:45 pm Comments (5)

Hataage! Kemono Michi – 09

「プリンセスxパンツ」 (Princess x Pantsu)
“Princess x Panties”

Fatigue hits fast in this episode of Hataage! Kemono Michi when it plays out like a greatest hits of the worst running jokes of the anime. As always, Genzou sucks out any kind of entertainment from the show with his joyless antics of ignoring everyone around him until he decides to mindlessly assault anyone who wants him to kill demons. His efforts at maintaining gender equality are among his most egregious moments as he barely even lets Princess Altena explain why she summoned him before he decides to spend the remainder of the episode suplexing her and leaving her spread-eagle for the entire town to see their princess humiliated and violated by the hero of this story. It doesn’t help that any type of characterization they give to Princess Altena focuses less on her as a leader and more of the blushy and flustered feelings she gets about being manhandled and humiliated by Genzou.

And if you got tired of Genzou’s endless suplexing of Princess Altena, this episode is going for a double-play by having yet another scene where Genzou goes to the guild to attack everyone who cheers for him to kill or hunt the Demon King. He goes there to learn about the Demon King, and, because he’s his own worst enemy, he learns nothing because he’s too busy attacking everyone in unprovoked outrage over the mild slight of even the mildest insinuation of killing the Demon King. It’s really miserable material, and it takes up a majority of the episode. And as icing on the cake, we have another appearance of Wolfgang crippled and scarred from being publically assaulted yet again as Misha plans a Death Wish-style revenge campaign against Genzou. Its tonal shift is both jarring and completely unbecoming of a show that’s supposed to be funny.

It’s a shame because there are some jokes that did work within the episode. The initial response to Altena’s appearance was hilarious by virtue of having everyone in the house swiftly team up to try to have Genzou arrested and paint him as a colossal pervert that has wronged just about everyone he’s ever encountered. Camilla also gets a good joke in by using Genzou’s obsession with the Demon King as a way to trick him by lying about how he looks and getting him excited over a bogus and eccentric interpretation of the Demon King to get his hopes up. MAO’s side of the story was great as well since it gave us one joke where Joanna spins MAO’s reference to knitting as a hint that he’s actually been knitting evil garbs using cursed material to impress Rose. It’s almost as it MAO was supposed to be on Princess Altena’s side with how normal and cordial that MAO has been about getting the beast kingdom by his side while Genzou’s been violating all of the royalty and animals he’s ever come across.

November 27, 2019 at 4:26 pm Comments (10)

Vinland Saga – 19

「共闘」 (Kyoto)
“United Front”

Zaiden’s Take

Hearing ‘shougi’ come out of a viking’s mouth makes for extremely questionable viewing. Sure, I know that they probably meant some Viking board game equivalent. But it was quite jarring nevertheless. That said, it’s pretty much the only minor complaint I can come up with, considering how well the rest of the episode played out.

As creatures of reason, it is only natural that humans attempt to seek out meaning in our own existence. For Askeladd, such meaning would be the emancipation of his Welsh brethren. For Thorfinn, it would be to exact revenge on the very man who orchestrated his father’s death. As it happens, Thorkell has constantly fretted for two decades over a riddle he cannot solve – what does it mean to be a true warrior? A question ostensibly posed to him by the only individual he ever recognised as being superior to himself, Thors. And one that absolutely matters to him. Though it may seem like he is a creature of instinct that lives and breathes the heat of battle, he proves to be no exception in the search for meaning in life. Since he never followed Thors and with the Troll eventually dying in the decade they spent apart, Thorkell finds himself plagued with the spectre of retrospective hindsight – realising that if he had followed his friend perhaps he might have discovered the answer. And now, he might even be consigned to a lifetime where he can never discover this truth for himself, with Thors now being in a place where he cannot reach. The irony of this situation is that there are people in his presence who hold the key to it all. And it is highly poetic that this key comes into play as a solution, after lingering in the background of the series for so long.

Thorfinn has pretty much perfectly memorised the moment of his father’s demise, only he chooses to reject such a philosophy because it would prevent him from achieving revenge. As for Askeladd, he too will cling onto his sword even at the doors of death, when mutinied and hacked down by his band of mercenaries. It takes a special kind of strength or a particular cunning to let go of your only weapons during a life and death situation. And funnily enough, thanks to advice from Askeladd, it is by discarding his blades and feigning weakness that Thorfinn is able to surprise Thorkell and overcome him. It can be said by accepting Thors’ philosophy, Thorfinn comes to embody the true warrior in the moment, seizing victory from the jaws of defeat.

Yet it wouldn’t be correct to describe Thorfinn as Thors successor in his present state. He is filled with insatiable anger, carrying none of the serene grace his father emanated. Askeladd too lacks the characteristic empathy and regality that defines Thors. But as Thorkell observes in this episode, it is Canute who possesses the same kind of demeanor in his eyes, belying an inner fire and conviction to realise his ideals into reality. Though he exhibits a moment of intense anger when Askeladd reveals that he was behind Ragnar’s death, he chooses not to execute the knave, letting go of revenge in a way that Thorfinn could never hope to achieve. Of course, some folks might find Canute’s sudden shift in temperament to be jarring. It undeniably is.

Regardless, I still find this transition to be highly enjoyable, because the contextual epiphany is profound enough for me to suspend the majority of my disbelief. And the animators have also been working overtime, with the results showing. Those who follow these posts know that I’ve had a nasty habit of moaning and complaining about Wit’s inability to replicate the facial expressions that Yukimura masterfully crafts. However in this episode, Thors’ enlightened serenity, Thorkell’s primal rage and Canute’s kingly disposition were wonderfully animated and truly captured the essence of their characters. With the young prince winning over the berserker’s respect and allegiance, having revealed the truth behind his own dire circumstances, it remains to be seen whether this makeshift team can challenge King Sweyn and force him off the throne. Can it be done? Before Ragnar’s death, not a chance. Now? Maybe the odds aren’t amazing, but they’re definitely looking a lot better.

Finally, he might be a charming bastard with one hell of an evil villainous laugh at the premonition of his keikaku coming together. But I have to emphasise that Askeladd is most certainly NOT a surrogate father figure to Thorfinn. It is a flawed romanticisation in my opinion that is utterly twisted if you take a step back and consider it. Yes, he’s a complex character with his own reasons that helped out this young boy in his time of need and was a vital reason why he was able to survive and mount that comeback. However, his charming aspects and personal reasons do not exempt him from moral scrutiny.

And Askeladd himself admitted his life was on the line if Thorfinn lost – very clearly revealing that his motives come from a place of self-preservation. It would be akin to calling Jimmy Saville a hero to children for making their wishes come true. Did he have a charming public persona? Did he make them come true? Yes. But there was always an ulterior motive and he’d always massively screwed them over in such a contemptible way that it would be ridiculous to say that a pedophile like him would be a hero or a father figure to his victims. Just as it would be ridiculous to say that Askeladd is a surrogate father figure to Thorfinn or Canute – with the man killing off their fathers and viciously manipulating these boys for his own goals. Anyway, end of rant. That’s about everything I wanted to discuss. As always, thanks for reading my post and I’ll throw it over to Guardian Enzo for his insightful take on the episode!

Guardian Enzo’s Take

There’s a thematic consistency to Vinland Saga that I truly admire – among the many things about the series that I do. Even when it fluctuates stylistically (and pretty widely, too) there’s an undercurrent of thoughtfulness that never goes away. And of course the sheer entertainment value it delivers every week is off the charts too. This interconnectedness is definitely one of the series’ strengths – nothing feels as if it ever happens in isolation. It’s a big story with a lot of characters (though not unwieldy), but it’s always easy to see how everything fits together.

In that context, I think this was a very important episode because Thorkell is a very important character. And he’s been the outlier among the central cast so far, to an extent – a relatively simple man by all appearances, driven by simple motivations. And indeed, compared to the impossibly deep and introspective nature of last week’s episode, this one was rather straightforward – yet it still managed to redefine Thorkell’s character and integrate him into the narrative far more than he was before. It’s only fitting that should happen in more straightforward fashion than it did with the others – he’s still Thorkell after all.

For a long time, the story Thorkell told Thorfinn while he graciously let the boy gather his senses (and the bones in his broken arm) seemed rather unsurprising. Perhaps it was a bit unexpected that the giant would have cried at Thors’ “death”, but that suits him, really. The real story begins when Thors and Helga show up at his old house at the Jomsviking compound, six months after Thors disappeared beneath the waves. Thorkell has seemingly been sleeping on Thors’ roof – a kind of Viking Hachiko – even though he thought Thors to be dead, and he initially mistakes Thors and Helga (with baby Ylva in tow) for thieves.

Honestly, I felt sorry for Thorkell here, because he has no context to try and rationalize what’s happening. He loves Thors as a brother (though technically he’s a nephew in-law, as it turns out), and what Thors is telling him simply doesn’t grok. The difference in their strength is obvious, even here, as Thors defeats his old comrade despite being unarmed. Thorkell seeing something inexplicable in Thors’ eyes was the key moment in his life in many respects – he didn’t understand what he was missing, but probably for the first time he understood that he was missing something. And for the rest of his days he regrets not following Thors to find out what.

Let’s be clear about one thing – Thorfinn didn’t “win” their duel, even if Thorkell is proud and honorable enough not to quibble. He relied on Askeladd’s help (which had to grate pretty hard), both for the cheat code and the blinding trick. And clawing the big man’s eye out was probably uncalled for (Thorfinn seems to be downsizing Thorkell piece by piece). And truly, he couldn’t have reciprocated and told his opponent what he remembered about Thors’ time in Iceland? Still – Thorkell betrays no anger at any of this, only at himself for allowing himself to be tricked and at his men for interfering to save his life.

The wild card here is, of course, Canute. His unexpected arrival has an explosive effect, and he manages to stun everyone into inaction. What he tells Thorkell about his father and the reason he’s here is self-evidently true once it’s out in the open – Thorkell can sense that for himself. Thorkell certainly isn’t vindictive – if Canute has no value to him as a bargaining chip he would normally be of little interest at all. But the big man sees the same look in Canute’s eyes that he saw in Thors’, and in those eyes a chance to perhaps grasp what he thought he’d lost when Thors cold-cocked him and walked out of his life forever.

I like the fact that what finally brings Thorkell over to the same side as Thorfinn is that he, too, has an unfulfilled yearning for something. Askeladd finds all this hilarious, of course. And his decision to tell Canute that it was he that killed Ragnar is one that’s certainly subject to interpretation. I see it as a calculated gamble, more or less – and that’s pretty much how Askeladd rolls anyway. By telling the boy the truth he can, perversely, regain his trust – and even if Canute has progressed far faster and more decisively than Askeladd expected he’s still of great potential use to him and his political goals. All the more so, in fact.

There’s certainly the sense that this is a watershed moment – all the major players on the same side at last, with a common enemy (for now). To say it’s an odd menagerie is an understatement – Askeladd allied with the two boys whose father/mentor he killed, Thorkell with the boy who claimed two of his fingers and his left eye, Canute with the man who seeks to use him and the man who sought to barter him. Even Torgrim and his brother are here, and Bjorn of course – who must now suspect the truth about his captain. Askeladd’s smile when Thorkell tells him to forgive the killing of most of his men is a chilling reminder of just what he is, and he’s the sort of ally who you never want to turn your back on – but he’s really in the same boat himself now. This new alliance is unorthodox to say the least, but it promises to be anything but dull.

November 26, 2019 at 7:53 pm Comments (8)

Enen no Shouboutai – 17, 18

Episode 17

Episode 18

「黒と白と灰色 / 発火の極意」 (Kuro to Shiro to Haiiro / Hakka no Gokui)
“Black and White and Gray / The Secrets of Pyrokinesis

They’re all alive but they all took a serious beating. Thank goodness for new Fire Force 8 recruit Professor Licht, huh?

So much is happening in such a short period of time that it’s proving difficult to keep up. I didn’t expect Sho and Shinra to meet so soon. At the very least, I thought their meeting would be built up a little more but I guess it’s been built enough. It is the seventeenth episode after all. What power exactly does Sho have that he can easily maneuver and move around his enemies at such a quick pace? Also, why does he have wings as a signet for his ability? Is he meant to be seen as a holy being? There is mention of his ability being linked to the Evangelist through his Adolla Link, but does that mean he’s on borrowed power, borrowed time?

Whatever brainwashing Sho went through at the hands of the Evangelist worked wonders because the man he sees in front of him doesn’t set off any emotions whatsoever. As the head of the Knights of the Ashen flame, he sees Shinra as an objective, something to acquire for a greater cause. Unfortunately, their less than grandiose reunion is interrupted by a quick getaway and an assist by the Joker.

The Joker isn’t on anyone’s side, yet he works with Licht, who himself works with Haijima Industries and the Fire Force. Are they both kindred spirits who have a different take on the Cataclysm, Amaterasu, and everything that’s led to these events? What link do they have exactly that puts them on common ground? Either way, the Joker is actually much more powerful than I originally thought, managing all on his own to withstand Sho’s immeasurable strength.

Shinra is a bit of an optimist huh? Clinging onto an old promise he made as a child, imagining a reunion with his brother that wouldn’t require killing him, and casually yelling out: “I’ll be back for you” when he just struck down your mate. A mate you don’t fully appreciate yet but have built a steady and loyal bond with. My question for Shinra, or his character, is: “How can you be so naive?” Or is it because of his innocence that he’ll be able to see things clearly as they unravel? Unlike Shinra, I’m not so much an idealist. I’m more practical. And with the anticlimactic way Sho reacted to reuniting with his long lost relative, I’d think it’d be much more practical to strike him down.

In the end, after Dr. Giovanni walks away with the key (a usb?) to Amaterasu, the gang returns to their home base with two new members: Yuu and Vulcan as their engineer. The Fire Force 8 circus is at full blast, with the exception of Tamaki’s “lucky lecher lure”, during their welcome dinner which makes them feel at home. So much so, Vulcan has already desecrated the church with an animal skull.

At least he’s found another home.

And episode 18 was a nice set up for what’s to come. This episode was written as a clear cut sign that upcoming battles will be more challenging which is why everyone is getting an upgrade. Shinra is learning a new finishing blow technique by practicing on Benimaru and using one of Professor Licht’s ideas, Maki is receiving power hammers her sputters can manipulate, Captain Obi is getting new gear too, and Arthur is going back to basics with his sword.

Looking forward to the upcoming events! I’m sure they’ll be a blast. See what I did there? No? OK.

November 24, 2019 at 7:28 pm Comments (6)

Hi Score Girl II – 05

「ROUND 20」

Before we begin, let me just formally state for the record that I found the whole bit with the Jeffry McWild screen idle sequence to be absolutely hilarious. That includes Haruo’s mom reacting to it, of course. It’s just such a silly spectacle to begin with, with those clunky CGI still shots. Then when you put it in context and add the way it was shot, well – genius. Comedy is an odd alchemy, and there’s a point where showing something on-screen can go from long enough to too long – but then, if let it run, loop back to being perfect. Selling out the joke as far as it can go takes guts, but the rewards can be considerable.

Before that, of course, we had the “final showdown” between Koharu and Akira. Given the choice of venue, Koharu picked “Super Street Fighter 2 Turbo” – having been promised by Akuma that he’d win the day for her. My limited experience with fighting games notwithstanding, I know SSF2X is supposed to be pretty damn hard, which makes it a fitting choice. Indeed, both girls punt getting the character they want the first time around, so Koharu suggests a do-over before it counts (and Akira agrees). One think about Oono-san – she never Bogarts the advantages. She’s always content to let the opponent have any advantage they can – which is really the ultimate expression of confidence.

This whole scene is beautifully brought off, as Koharu’s inner turmoil is contrasted with the absurdist images on the console. Koharu never has an unexpressed thought or a moment of inner peace, it seems, and she basically talks herself into losing. “Taking every advantage you can is a valid strategy” is basically true, but Koharu lets Akira shame her into fighting on her terms. The symbolism here is not lost on anyone – when Hidaka fights Oono on a level playing field, she never really has a chance. She could have won this match – but given what the battle was really about, that would have been much sound and fury signifying nothing.

Meanwhile, Haruo is planning on getting his motorcycle license (which he is old enough for in Japan). Miyao-kun continues to rack up endless wingman points, taking it on himself to make sure Haruo understands the difference between racing games and actual streets (which is a legit worry, in my view). Miyao has his own ideas about Haruo’s real motivation for this move, and while he lets himself be talked out of them, the truth of course is that he’s pretty much on the money. While there’s basically no difference in their ages, it’s pretty clear who’s the big brother in this relationship.

I think the whole scooter thing says a lot about the larger nature of Haruo-kun’s relationship with Akira. Most boys, deep down, want to be knights in shining armor where girls are concerned – especially romantics like Haruo. A scooter is a steed of sorts to be sure, and every gallant champion needs one. Makoto promising to give him her bike if he passes the exam (she can obviously afford it) proves where her rooting interest lies in all this. And I also like the way Namie-san deals with this. The stereotypical mom reaction to her 16 year-old getting a scooter would be to freak out, but while she’s not unconcerned (including about the Jeffry study video) she’s supportive of her boy trying to move forward.

All this seems to be building up to something, and the blush on Akira’s face when Haruo gallops up on his new charger to show off betrays no reason to think otherwise. Neither does the smile on her face when he veritably bubbles over with pride in explaining how this will improve their lives. But then she pulls away, quite literally – leaving Haruo confused and unsettled. Nothing that happens in the buildup to this moments explains why it exists – which means the explanation will be revealed next week, unfortunately for new viewers.

November 24, 2019 at 4:01 pm Comments (5)

Fate/Grand Order: Zettai Majuu Sensen Babylonia – 08

「魔獣母神」 (Majuu Bojin)
“The Mother of Demonic Beasts”

To continue our Hobbit analogy from a few episodes back, Merlin is the Gandalf character. Obviously. He’s the wizard who advises our hero. He manipulates events to nudge the plot along. He has the staff/sword dual-wield combo. But Merlin is not going to slay a balrog. Could he win a purple laser duel against a monster god? Eh, maybe not (though in the game, totally. Mechanics, yo). Whether he can or not, though, there’s no way they’re going to allow Merlin to be useful two episodes in a row. It’s never good to over-rely on the Gandalf character. There’s a reason why Gandalf was expressly forbidden from intervening too directly in Middle Earth; from a metafictional perspective, a magical person can trivialise the plot. Those who’ve only watched the Hobbit movies will not know this, but in the novel the ‘Necromancer’ that Gandalf had to split from the party to deal with was not originally intended to be Sauron. He readily admitted it was just a plot device to get Gandalf out of the way, so that the adventure will have actual obstacles instead of it all being solved by a literal wizard.

This problem is compounded in Fate/Grand Order because its rosters of characters are all heroes from history and mythology who are all supposed to all be capable of impressive feats. Even if you only know of heroes like Ushiwakamaru and Leonidas by reputation, it’s easy to appreciate that they are protagonists of their own tales and their presence looms large in F/GO. But they aren’t the protagonist, so their looming presence is actually a hindrance to storytelling, upstaging the main characters. What do you even do with a bunch of superpowered badasses just hanging around in the supporting cast? Often, they become overly convenient plot resolvers as the deus ex machina (again, wizards). Or, the story leans in the other direction and they become the Worf.

Even casual fans of Star Trek should know Worf. He’s the Klingon crew member of the Enterprise, and the resident expert in violence. The problem with having a violence expert in the cast is that for every plot obstacle that arises, the implicit question is, why not solve it with violence? Violence is very simple for an audience to understand and even simpler to apply, but it’s not going to make for very engaging television to have the tough guy punch the plot into submission week after week. And so the obstacle has to be tougher than the Worf, and to demonstrate that, Worf has to get beaten up. That’s basically the purpose of Ushiwakamaru and Leonidas in this episode. Sure, they get some pretty impressive action scenes (did Ushiwakamaru dancing around amidst all the chopped up Gorgon bits remind anybody else of a Shaft fight? And Gorgon has Laputa-robot lasers). But they’re there to be defeated. We know Ushiwakamaru and Leonidas are historical badasses who live up to their hype. But this Gorgon!Tiamat thrashes them both! Back to back! This must be a very impressive antagonist indeed!

Crushing our resident violence experts also demonstrates that this antagonist isn’t one that can be defeated via conventional means. It justifies the existence and worth of our protagonist, who may not be a violence expert at all (if, say, he was a bald British thespian). There’d be no incentive to think outside the box otherwise. Problem is, Ritsuka is of incredibly little worth in general. Other than indirectly inspiring Ushiwakamaru and throwing the most pathetic punch in the history of anime he does nothing this episode but stand and gawk. In fact, I’d say there is a bit too much standing and gawking in Babylonia as a whole. Didn’t Merlin use a rather effective buff last episode? Couldn’t it have helped here? But, no, we’re all just going to stand around and let our champions be defeated one at a time. Shape up, peoples. You can’t always rely on being saved by arbitrary villain deadlines.

November 24, 2019 at 12:34 am Comments (24)

Boku no Hero Academia – 69

「嫌な話」 (Iyana Hanashi)
“An Unpleasant Talk”

Leave it to HeroAca to make a meeting compelling. I’m not being snide there—it illustrates how excellent storytelling comes not from action, but from tension, and tension doesn’t require someone to be hanging off of a cliff to evoke. Though the tension in this episode very much had to do with a threat to someone’s life: to Eri-chan’s, and to all those who could be hurt if villains can permanently destroy a hero’s quirk on a whim.

Can we acknowledge just how terrifying this episode really was? This is the second time we’ve heard of a child being bio-engineered to maximize quirks—first Endeavor/Shouto, and now Overhaul/Eri. This is reducing children to tools in their parent’s machinations, and I’m not going to claim that real life doesn’t contain examples of that (children of royalty in antiquity being a great example … you had to have successors so your generals and bankers didn’t jump ship to a challenger), but this is pretty stark. Then there’s the fact that Overhaul is abusing a child, his own child, and distributing her blood in bullets to gather power. It’s horrifying no matter how you look at it.

But I was most focused on a couple of young boys with regret thick on their shoulders, Izuku and Mirio. It’s really humanizing to see Mirio bow under the same emotions as Izuku, though I’m not surprised; he never came across as actually believing his bluster to the degree he puts it out. He’s way too cheery for that. I just feel for them, and the regret they feel for letting Eri-chan get away, even if they thought they were doing the right thing … well, Mirio did, but Izuku trusted him and let her go, and Izuku is too good to blame Mirio for that. They’re both culpable, so they both regret. And Nighteye… I feel for him. He doesn’t want to be the soothsayer who predicts his colleagues’ demises.

Next time the heroes will close in on Shie Hassaikai. Let’s hope their one big shot works.

Random thoughts:

  • Excellent references this week, from the Beetles album cover shot to the Reservoir Dogs gang.
  • Also, loved that Kirishima got so much kudos. The girls were all praising him, awww!
  • My novels are available now (Wage Slave Rebellion, Freelance Heroics). Sign up for my email list for updates, or follow me at stephenwgee.com for miscellaneous blogging.

     

    Preview

November 23, 2019 at 5:07 pm Comments (7)

Assassins Pride – 07

「上も下も標はなく」 (Ue mo shita mo hyou wa naku)
“No Guidance Above nor Below”

You know what’s better than the fluffy slumber party with a tinge of magical fan service? Why the jealousy-fuelled harem building follow-up set to really go places if allowed of course! Assassins Pride may be breaking fan hearts left, right, and centre with adaptation choices, but for all the issues the show still manages to stay (at least for me) on the right side of fun. After all, it’s about to get really fun.

The main event this week obviously lay with Kufa and his hidden side, and frankly it’s not hard seeing why. I seriously doubt for example that anyone couldn’t identify who the boy in Rose’s flashback was, or what (or who) the voices Melida is hearing actually belong to. It may be a case that Kufa is in fact innocent in this regard (it’s unlikely he’s out attacking the rest of the girl gaggle for one), but the links are too strong given what we know, and most importantly, what we don’t know. Not hard imagining Kufa’s vampiric side has certain physical requirements, or demands and desires of its own; after all, it’s not apparent whether it’s a simple power up or something more. Kufa may not wind up revealing his full history to Melida during this arc (Rose is actually a better one to reveal to considering the memory loss and her position vis a vis the girls), but you can fully bet we’re going to get some substantial information for ourselves very soon.

Outside of Kufa’s increased importance is also the wildcard in Rose’s father and what definitely isn’t a simple disease. Not hard imagining the voice Melida is hearing is related to the disease for example, or that it has something to do with the mystery magnets how do they work spots located around town. Hey, maybe it involves some memory manipulation too, you never know! Considering Rose’s father is just oozing hidden side and our spunky new teacher needs her time to shine (something significant was clearly chopped from her scholarly introduction), we’re looking at some more interesting magical shenanigans one way or another. The only question is just how involved Melida will wind up being in this situation.

Between , romantic competition, and those ridiculous cliffhangers, it’s not hard guessing what the answer is going to be.

 

Preview

November 23, 2019 at 12:10 am Comments (4)

Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu! – 08

「葵は想像以上のスペックを発揮するようです!」 (Aoi wa souzou ijou no Supekku wo hakki suru youdesu!)
“It Seems Aoi’s Specs are Greater Than Imagined!”

After a few weeks of playing geopolitical simulator it was about time Choyoyu got in the mood for a little violence (well, more than the previous battles) and we certainly received this week. Fire, flames, and guided rocketry all featured in abundance, and while none of it was really surprising, it’s good to know Choyoyu has the visual aspect down pat. After all, it only gets crazier from here.

Although I think we’re all inured to Choyoyu’s unique sense of technological development (mascot AI controlling four-legged mobile washboard launchers? Hold on I’m registering the patent now), having our samurai girl one up the theatrics definitely starts straining the sensibilities—or at least more than usual. I can fully get behind superhuman running and brute force momentum changes for example—thank you shounen!—but I’d like to think barefoot running over broken brick might leave a few scratches and wounds. I mean samurai get their calluses on their hands right? Right. Kind of funny to be nitpicking on Aoi and her time to shine when the likes of Keine and Akatsuki are arguably worse in the disbelief department, but I like to think of Choyoyu now like any (subjectively) decent B grade movie: if you’re not tearing holes in it and laughing in enjoyment during the process, you’re definitely doing it wrong.

The real fun (and entertainment) however is going to be when our good pal Oslo El Gustav makes his second move, because oh boy was the first one a blast to watch. Literally. Choyoyu may have its share of problems, but its villains are the one thing I really hope it doubles down upon. Between golden grills and idolatry gone wrong there’s just something pleasantly chaotic about watching our seven prodigies be challenged by enemies who are seemingly determined to one up them via pure mental derangement. Obviously it’s never going to work of course (something something good guys always win), but if we’re already getting urban firebombing I’m really interested seeing what Choyoyu throws at us next.

Considering Lyrule is about ready to embrace the magical voices and we have our local NPCs ready to go full Russian militia, I expect the resulting fireworks will be glorious.

November 23, 2019 at 12:00 am Comments (5)

Ore wo Suki na no wa Omae Dake ka yo – 08

「俺の悲劇は気づくと始まってる」 (Ore no Higeki wa kizuku to hajimatteru)
“Before I Knew it, My Tragedy Had Already Begun”

The moral of the story? Be careful what you wish for. When Joro wished for a harem of girls who would be infatuated with him, I doubt he’d ever expect to get hit by the Monkey’s Paw, with the baseball game being a commonality between every new problem. At least Darth Bench has taken something of a backseat, considering Joro is already at the limits of his sanity.

So there’s a new girl in town. Tsubaki, whose family owns a deep fried meat skewer shop, sold Joro all the skewers he’d saved for Sun-chan after he lost the baseball game. In fact, he brought out every single skewer at the stall. She was so moved by his selflessness and dedication towards his friend that she decided to switch schools and pursue him. Tsubaki is like an angel of salvation, making it clear that her intention is to protect Joro from elements making his life more miserable. She seems like a completely pure and honest maiden. Seems being the key word.

Because if this series has taught me anything, appearances can be really contrary to expectations and just about everyone who’s appeared so far has some kind of moral defect to their character. And an incredibly suspicious event transpires immediately after her introduction, Pansy lends Joro an extremely valuable book to her, Kokoro by Natsume Soseki, hoping that he’ll come to understand something important. Though what exactly she wants him to realise remains a mystery.

However, one twist leads to another turn and he loses the book, only to discover it in an extremely damaged state. Those two girls who helped him search for it have raised my suspicions, since they were in the nearby vicinity during the afternoon, and happened to be in the same place hours later during the night. It’s as if they’d anticipated he would return to search for the book. My gut tells me that they’re linked to Tsubaki, and she has some kind of involvement. After all, she came away from this incident as the only winner – offering Joro a part time job at her family’s fast food store, allowing her to spend more time with him.

My only doubt would be this. With Asunaro having just screwed him over, would OreSuki really pull the same plotline twice in a row? Pansy also flashed an extremely telling smile when she walked away, after Joro manned up to confess about what happened to her precious back. It seems like it was well within her expectations for the book to be damaged – leading me to reckon that she probably set up the whole thing herself. So all according to keikaku. But to what end? What does she want him to realise? I don’t think she’d do it for the sake of doing it to increase her chances with Joro. So I believe she’s sniffed out some nasty intentions and is in the process of locking down the true perpetrator. The thick plottens and my hunch is against Tsubaki, though we’ll have to wait and see how it turns out.

Anyway, that’s about everything I wanted to discuss. As always, thank you for reading this post and see you next week for some more OreSuki!

November 22, 2019 at 7:49 am Comments (3)

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