Random Curiosity

Assassins Pride – 09, 10

Episode 09

Episode 10

「悠久の契約 / 迷宮図書館」 (Yuukyuu no Keiyaku / Meikyuu Toshokan)
“An Eternal Pact / Labyrinth Library”

With two fun-filled weeks (read: not fun in the slightest) of real-world trials and tribulations now out of the way, it’s time to return to back to the revelry which is Assassins Pride, and I’d dare say I came back at the right time. After dancing around the edges and teasing the future for so long we’re finally getting some serious movement, and while it may come slightly late for some (only two episodes to go after all), it’s always better late than never.

Arguably the biggest shocker for me right now isn’t so much that Kufa’s secret came out, but the reaction (and related fallout) of Melida. Shock and surprise definitely, but almost immediate acceptance? Slightly eyebrow raising considering this is a girl who has dealt with monsters before. Of course the explanation comes down largely to romance, and frankly it’s not that unbelievable in the end. For all that Assassins Pride has brutally carved a path through its source material the slow building relationship between Kufa and Melida has always received attention to make stuff like this sensible considering the situation. It may be hugging the borders of Twilight a little too hard in spots (sparkling skin? Oh I know where this is going), but at least there’s now a strong connection between both characters worth putting to the test. This time, there’s no ambiguity.

As for what’s going to test Melida and Kufa, well, we didn’t have long to wait to find out. While the vehicle may prove surprising for some (don’t think many expected Mule to pop back up in this capacity), it was always a given someone would eventually try exposing Melida, with the only unknown being when. The degree of failure for the latest attempt is up in the air (I don’t expect Kufa will take too long blasting through walls with daddy Angel in tow after all), but something is bound to come out no matter the results. Mule for example isn’t likely all she seems at face value, and I’d seriously doubt her sticking with the plan if Melida’s actions (and exam results) overcome whatever potholes Mule intends on creating. Much like with Rose’s backstory and the growing number of those in the know, there’s plenty of space in the Melida orbit for some other conspirators, particularly those with above average powers and playful personalities to boot.

It may not all wind up being that complex in the end, but Assassins Pride certainly has a few more cards left up its sleeve.

Preview

Full-length images: 18.

December 14, 2019 at 1:12 am Comment (1)

Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu! – 10, 11

Episode 10

Episode 11

「林檎は勇気を出して狩人になるようです! / 桂音は悪い子を決して許したりはしないようです!」 (Ringo wa yuuki wo dashite karyuudo ni naru youdesu! / Katsura oto wa warui ko wo kesshite yurushi tari wa shinai youdesu!)
“It Seems Ringo’s Worked Up the Courage to Become a Hunter! / It Seems Keine Can’t Stand Naughty Boys!”

Well after the hell which was final week of fall semester (note: 100 page design memorandums are not fun to concoct) it’s back to the grind of isekai and the fun which is Choyoyu. And oh boy what fun it was these past couple of weeks. I’m on record saying I loathe having to do double posts, but after the shenanigans last time and the reveals this week, I dare say my real-world troubles couldn’t have picked a better time to happen.

While obvious from the start that Choyoyu would be the usual alternate world affair, I quite like how the show can liven up the usual isekai escapades. Past scenery for example has well-established the quasi-harem nature familiar to us all, but no matter its overall genericity, Ringo pulling a cutie pie with cat ears and copious blushing is always going to be a win in my books. It’s about time we got the girl’s backstory after all, and while essays could be written on the more adventurous aspects of it (a Nobel prize at six—and then two immediately after? Not happening for even the greatest of prodigies), at least we got an explanation for that Tsukasa crush. I honestly don’t know how a (self-)styled political prodigy can so blatantly miss the forest for the trees, but hey, got to keep those tropes rolling somehow.

The real fun though obviously lay with Keine, because while Ringo may be three points shy of inducing diabetes, she cannot top the maniacal 180 switch we’ve got with our new Light Yamagi/Tanya Degurechaff hybrid. Medical impossibilities or not (I’m trusting Dr. Stone more on the whole sulfa production chain to be honest), having one of our magical seven go full evil is firmly a win no matter how you look at it, and we haven’t even got to the important enemies yet! Choyoyu might be chocked full of issues and inconsistencies left to right, but the simpleminded fun of its cast ensures a lot of those can be passed over in the name of getting back to the fun.

After all, with literal nukes on the horizon and our old count back for more (you really think this guy could be anyone else?), this isekai ensures its next week finale will be going out with a bang.

Full-length images: 30.

December 14, 2019 at 1:01 am Comment (1)

PSYCHO-PASS 3 – 08 (END)

「Cubism」

So, that’s it huh? I swear I must be missing something, because in between the new reveals, surprising developments, and all the hints of something else to come, we get the end of the season. Sure, Psycho Pass’ third season may be receiving a movie follow-up, but damn cutting it off right here really feels like a copout. All of that time building up an enemy confirmed to have existed since before Sibyl, all the effort to tease the reasons behind one key character’s imprisonment, all the knowledge that some serious fun and games are just behind the curtain—and no satisfying conclusion to wash the harsh finale medicine down with.

Yeah, I might just be slightly annoyed Psycho Pass chose the route it did for this season (no matter the surprise appearances and shocker post credit scenes) but at least there’s the promise of more to come in the future. For everything which has been built up this season it would be a shame to simply let it all go to waste. I just hope whatever is next in store can make up for the disappointment of seeing the latest iteration suddenly cut off just as the going was getting good.

Final Impressions

There are two minds when it comes to Psycho Pass 3. The first is simply satisfaction at seeing a sequel after all this time. After the train wreck which was season two (personal opinions notwithstanding) it was never obvious we’d receive more than the few follow-up movies, or even that if everyone’s being honest. Just getting to this point was a major surprise, but no amount of Christmas-come-early joy can cover up for the second aspect of the latest Psycho Pass: just what it could’ve been.

The main gripe I have with Psycho Pass 3 is its format. While clearly better written with a more substantive goal in mind compared to its TV prequel, a limit of eight episodes (albeit 45 minute episodes) and no desire to actually provide an ending—cliff hanger or otherwise—is a serious blackspot. Even the most rushed and chaotic of recent light novel adaptations have done better jobs of providing coherent endings (no matter the quality), especially when you factor in just how little Psycho Pass actually got done this season. Beyond basic introductions we haven’t even explored Bifrost in any serious capacity for example, or touched on the specific ties Arata has with the group. And don’t even get me started on Akane’s situation and the consistent dancing around its edges. For every answer we received three questions, and Psycho Pass did little to paper over the annoyance their lack of answers bring.

Of course the positive side is at least we will be eventually receiving information for our troubles. For all the aggravations of a sudden cut off it’s clear everything here is a setup for what’s to come as for better or worse it seems Psycho Pass’ creators intend on dragging this latest arc a good deal. A movie sequel is likely just the start, as between Bifrost, Akane, and all the fun which is a Foreign Affairs-Public Safety rivalry there’s a great deal of material to flesh out further seasons, especially if the franchise chooses to drip feed us the story. In a sense then Psycho Pass 3 shouldn’t be judged alone; it may be a letdown over what could’ve been, but if this overall story arc winds up an improvement over the second season it’s guaranteed to be a big win in any fan’s book.

It will naturally come down to what the remaining story has to offer and how well it compares to what we got before, but provided its reach doesn’t exceed its grasp, the future of Psycho Pass looks a lot better than it did before.

December 12, 2019 at 10:45 pm Comments (11)

Chihayafuru 3 – 9, 10

Episode 9

Episode 10

「くだけてものをおもふころかな / さねかづら」 (Kudakete mono o omou koro kana / Sanegazura)
“Crushed and All Alone, Thinking Over What Has Been / Trailing Vine”

I love this season because it’s given a lot of space to Arata as well as his role within the community and within the love triangle. In the previous seasons, he seemed like a distant character, always there in essence to put pressure on Taichi, but more of a thought than an actual person. This season has opened the door into his mind, his emotions, and as a result, evoked some darker themes.

But before we explore that, let’s take a look at Chihaya. She’s the girl on everyone’s mind, or at least, on Taichi’s. Chihaya is on her class trip and ever since she first found out Taichi was at the qualification tournament, she’s been glued to her phone. I did wonder whether or not she’d snap out of it. Good on Michiru for standing her ground. To be honest, if a friend of mine with whom I went on a trip with was always on their phone, I’d lose my mind off the bat. Michiru has a lot more patience. That said, Chihaya can now say she has fond memories of her high school trip and recall them whenever she needs to push her forward to becoming a high school teacher. Like Arata and Taichi who were both going after their dreams, she finally chose to do the same by being in the present moment.

Moving on to the tournament. Taichi was unable to make it to the final rounds but that only means that Harada sensei was given space to thrive, and so he did just that. He won the eastern qualifiers and will be going head to head against Arata, who on his end, is having some serious bad luck.

Was it stress or food that caused his stomach to lurch in such a way? During his final match, Arata is engulfed by feelings of jealousy, envy, and loss. The pressure to perform most likely rocked him to the core where most of his wounds and weaknesses lie. The picture he painted for us wasn’t pretty but it was real, honest, and brutal at times. He was slowly spiralling down a deep dark abyss until Murao guided him back towards the light. It’s interesting to watch Arata experience such intense emotion during a karuta match, which in the past had brought him only joy. But I guess, after suffering a loss like his, after realizing your friends have worked so hard, it doesn’t come easy to find that lightness of being again.

It’s curious to watch Arata and Taichi compare themselves time and time again. One is envious, the other is jealous, or scared, or feeling left behind. At any moment, their self-confidence is challenged and even more when it comes to Chihaya. She has such a perfect way of befriending boys she might not realize what kind of turmoil she’s been putting them through. It’s no wonder they feel like they’re always on the outside looking in. It seems many who surround Chihaya feel that way.

That said, I’m excited to see Arata and Harada go head to head. I’m rooting for Harada as he’s been in the game much longer. And right now, this is his chance! You got this sensei.

December 12, 2019 at 7:17 pm Comments (0)

Introduction – “My chariot will blaze a path anywhere you wish!”

Hello hello! I’m Iskendaris and it’s lovely to meet you. In true anime fashion, I blushed when asked to join RandomC – someone pinch me, is this real? My heart went dokidoki like a shoujo protagonist under sakura flowers on the first day of spring. “Ah,” I thought, “this is the moment when senpai notices me!”

As the middle child of a large family, anime was one of the few things that bonded us siblings together. Souryuuden, Gundam Wing, Flame of Recca and other typical shounen series were our daily staple, I’d watch them with my older brother every day and we’d play-fight the best action scenes with armour made of blankets and pillows. Later when my younger sister was born, we got her right up to speed with Macross Plus, Ruroni Kenshin, Visions of Escaflowne and more.

3pm – 6pm was the sacred time slot that we all lived by. It didn’t matter if we were in the middle of a sibling quarrel; time stopped. We’d stop fighting and tune in to AXN anime.

As a kid, I was watching anime regularly, but so was everyone else. Anime is different in East/Southeast Asia, almost everyone watches it. It’s not a big deal to watch anime or read manga as long as you weren’t too deep into it. Trains regularly advertise Pokémon collaborations, and even my mother knows what Card Captor Sakura is.

The turning point was when my oldest brother suggested that we save up all our money to buy this really cool series, this series that everyone was talking about, this series that was so cool and awesome it wasn’t even screened on TV. A month later, a DVD box arrived at home and with shaking hands, we binge-watched all 26 episodes in one night.

This series was Neon Genesis Evangelion.

Yes dear reader, at the tender age of 9, I saw naked Rei clones explode in LCL tanks and every person turn into orange tang.

It was traumatic. It was amazing. It seized my brain and seared my heart and I was hopelessly, madly, forever in love. I had gone from a normal nerd kid to a super weird kid and it was absolutely wonderful.

Like a flipped switch, I downloaded EVA wallpapers with my crappy 56k connection, I memorized “A Cruel Angel’s Thesis” OP, I read up on Jewish and Christian mythology and downloaded The Red Book on .doc… and I never recovered from that experience. I ascended to my true self and became a total anime otaku.

In terms of genre, I’m a generalist. I like everything from complex psychological shows (Psycho-Pass, Steins;Gate and Death Parade) to straightforward shounen series (Kimetsu no Yaiba) or mahou shoujo series whether it’s old school Card Captor Sakura or new school Madoka — I love them all!

Epic drama like Code-Geass, Shouwa Rakugo and Fate/Zero are my top favourites, and I’ll happily watch anything; even enjoy a good ecchi or shounen-ai series too.

I’m most interested in stories about transition and progression, whether it’s a simple coming-of-age or an epic tale of fate. I feel that what makes anime special for me is this universal telling of change; whether it’s accepting change, adapting to change, or overcoming change into something more.

Professionally I’m a designer. I’ve lived/worked in Hong Kong, Singapore, China, Russia, Australia, coastal USA and am currently based in Tokyo, Japan. I like to think this makes me a mysterious moe character, but it probably sounds really shady. Being in Tokyo is both wonderful and terrible. It’s wonderful because I live 15mins away from Animate!!! It’s terrible because I live 15mins away from Animate.

That said, よろしくおねがいします yoroshiku onegaishimasu !! I look forward to watching shows together with you!

December 12, 2019 at 8:02 am Comments (26)

Hataage! Kemono Michi – 11

「誇りx忠誠」 (Hokori to Chuusei)
“Pride × Loyalty”

Before the curtains close on Hataage! Kemono Michi, Genzou is tasked with curating and preparing for one final wrestling tournament to fight against the demon realm’s anointed warrior. But before this, the climactic rematch between Genzou and MAO is kicked off with exhibition matches that offer closure in one way or another to the supporting cast while pitting Genzou’s friends against rival warriors. 

But with the opening matches, the anime continues its trend on punishing its easiest targets and the positive growth any of the supporting characters could obtain from having trained/befriended Genzou is highly dependant on whose jokes are the kindest. Celes doesn’t have anything damning holding her back nor has Hanako’s eating habits ever been portrayed at their expense so they’re off the hook. Similarly, the Kobold wife’s shared interest between her husband and Genzou gives her leeway to be captivated by her husband’s fighting prowess once again.

From this trend, having a satisfying conclusion to your character arc depends on how many instances you’ve been dealt with kid gloves. This is evident with how the people and creatures that Genzou has previously wronged are treated horrendously. Misha and Wolfgang are brought back only to be further debased as Wolfgang is briefly violated again and the pair are unceremoniously defeated by nameless wolves on MAO’s team.

The trajectory of Princess Altena’s character development takes an abhorrent Swanton Bomb into the depths of Hades when all of the unwarranted violence and sexual harassment she’s faced at the hands of Genzou and her entire kingdom leads her to evolve into a masochist who gets high off of being humiliated and beaten in front of a wide audience. It’s the kind of moral deterioration that you would only see in ryona videos or corruption doujinshi, but we’re all supposed to treat Princess Altena’s humiliation like it’s nothing when, in the grand scheme of things, the fight would’ve been over. Tournament over. The Demon King has won. Come on in and take over. This town’s princess has not only been mentally broken by her kingdom’s corrupt, perverted hero but would likely be excited and aroused by the possibility of enemies taking her kingdom from her. Game over, man. Game over.

Camilla’s fight as easily the biggest slap in the face in this episode as all of that build-up towards a match that she owed it to herself to win blew up in her face when she “celebrated too long” to remember she had to pin her opponent. It’s one of those reminders the show has that, no matter how much you might try to respect its characters or grow to like/appreciate any of the characters, they will still be considered a joke no matter what, and any efforts to legitimize them as complex or fleshed-out characters will always be quickly undone for the sake of a joke. The lesson here is to never get your hopes up because Camilla’s motivation to win against Rose and pay Hanako back from having to bow to Joanna was the one motivation on Camilla’s behalf that made her more than just being a “useless” lush who always received her just desserts even when she didn’t need to have them.

To Hanako’s credit, she did see Camilla’s effort into doing something for herself as a victory she should be proud of, but that’s quickly undercut when we end up getting a joke about Camilla being proud of having Hanako share food with her for the first time. It draws attention to one of the major flaws the show has in being ashamed of its potential for giving its characters emotional depth. Whenever there’s a point where we could explore how a character feels or how much they’ve changed or what exactly is bothering them, there’s never any time to let these moments sink in or digest because we’re jumping from joke to joke to joke as if it’s embarrassing to have its characters be more than just the jokes attached to them.

At this stage in the anime, it doesn’t need to be this guarded in showing us just how Genzou or MAO feel about reuniting for their last big match or allowing Camilla to have her one true victory be for a match she put effort into training for and conquering the odds to win. Hopefully the last episode will give the characters more to work with in proving to us that our time with them wasn’t all for nothing and that it was silly to think that they would follow through on some of the emotional ties they’ve introduced throughout the anime’s run time.

December 11, 2019 at 6:37 pm Comments (3)

Vinland Saga – 21

「再会」 (Saikai)
“Reunion”

Zaiden’s Take

When he traveled around with his rag-tag group of mercenaries, we were able to see Askeladd pull off an assassination against Thors and swindle Frankish nobility out of treasure, to name a few of his impressive deeds. Some people have the chops to perform brilliantly in small situations, but fail when the pressure increases. Askeladd is not one of these people. When given a grandiose stage and the political backing, he more than translates his capabilities to extremely important circumstances with significantly higher stakes. As if we needed any reminders, this story segment really went out of its way to demonstrate Askeladd’s mastery of manipulation.

He explains how it all works in the episode, and it’s pretty brilliant. First, he shapes public perception in favour of Canute and against King Sweyn by orchestrating the assassination. It gives public perception a more credible standing that Sweyn is trying to indirectly kill off Canute so that conflict over succession can be avoided. Which we know he is trying to do, only we also know he didn’t try to kill off Canute in this particular instance. Secondly, the king can no longer place Canute in a life-threatening position that may further support the rumours against him, since an orderly rule over the newly conquered England heavily depends on gaining public support. And finally, by openly leaking exactly how and why the situation played out to King Sweyn through Gunnar, it’s effectively a veiled political statement that Canute is no pushover and will also ruthlessly play out the Game of Thrones. And seeing how Sweyn doesn’t come across as foolish or incompetent, it’s natural to expect that he’ll get around to firing off some shots in return – and I would be excited to see how that plays out.

Other than the royal politicking, there was substantial humanisation of multiple characters throughout the episode. Notably the interactions between Leif and Thorfinn, as well as Askeladd and Bjorn. Leif, never forgetting his debt to Thors for saving his life, has searched for Thorfinn over the span of 11 years. His persistence is finally rewarded when he is able to meet Thorfinn in York. But his joy and relief, such that streams of tears flowed down his face, end up being extremely shortlived. Thorfinn refuses to return to Iceland, utterly consumed by his desire for revenge against Askeladd.

And Thorfinn has a point. What does Leif understand of the 11 years of suffering that Thorfinn has endured while continuously carrying hatred for Askeladd in his heart? That said, as Leif implores, Thorfinn has a family to return to. With his father dead and as the only son, he’s supposed to be the man of his house per medieval Nordic traditions. And it’s shameful that he’s left everything to his sister, strong as she may be, as well as failing to visit his mother while she’s ailing to death from an illness. Perhaps it could be better for Thorfinn to give up on revenge.

He does ask Leif about Vinland – showing a glimmer of hope, that in his heart, there’s that child-like wonder still seeking that land of salvation. But it’s no use. Such is his dependence on revenge, like an unimaginably addictive drug, that it’s robbed him of any semblance of reason. He angrily rejects Leif’s pleas to come back home, probably seeing his family as a weakness or distraction that hinders his revenge. And that really strikes home the tragedy of this situation, especially how far the boy has fallen.

Then we have Bjorn and Askeladd, two objectively evil men who have committed horrific deeds against innocent people, who are still able to have a profoundly touching moment. Though Bjorn always acted gruff and macho throughout the series, there had always been a soft heart underneath that exterior, hoping to gain the acknowledgement and friendship of Askeladd. Unfortunately, though he’s loyal to Askeladd, he’s realised for a long time that Askeladd disliked his men, and looked especially hurt by all the secrets he liked keeping from them – such as his Welsh heritage. And for Askeladd, we can see his feelings are… pretty complex. Yes, he hates these stinking Danish pigs by virtue of their ethnicity, because it was the Danes who repeatedly assaulted and tainted his beloved Welsh people.

But that doesn’t mean that he doesn’t care about these men. He gave Atli enough gold to start a new life beyond mercenary work, and dueled a near-dead Bjorn so that he could go to Valhalla while seeking to give him a swift and painless death. We see him drop his playful and cool facade, when he accidentally misses Bjorn’s vital spot, immediately expressing concern and worry for the only man he’d ever considered to be his friend. Seeing such a raw and honest admission felt overwhelmingly emotional – and so we bid a fond farewell to our mushroom berserker, who has hopefully earned his entry into Valhalla. You’ll be missed.

Next up, we have a rematch between a now crippled Thorfinn and a now crippled Askeladd. We saw Thorfinn seethe with indescribable rage this episode when Leif attempted to persuade the boy into giving up his path, with renewed determination to kill his father’s murderer. But having just ended the life of his only friend, Askeladd seems to be emitting a far darker and intenser aura compared to his norm. Seems like this encounter will be far more frenetic than usual, and it will be exciting to see how it turns out next week. Anyway, that’s about everything I wanted to discuss. As always, thanks for reading this post and I’ll throw it over to Guardian Enzo for his thoughts and feelings about this episode!

Guardian Enzo’s Take

Well, that was certainly eventful.

Boy, there’s a lot going on in Vinland Saga at the moment. Pretty much every plotline we’ve been following for the last 20 episodes is converging at the ancient Roman town of York. York, by the way, is one of the coolest places anywhere in the British Isles – a walled city with large chunks of the battlements still extant (you can see where the neat Roman work stops and the ragged British work begins), a fantastically beautiful cathedral (York Minster – York has been a diocese since 314 A.D.) and some of the best food in the north of England.

Mind you in 1014 – ironically 700 years later on the dot – York was a festering shithole (to be fair, pretty much all of Britain was). The Vikings were using it as a base for slave trading, and King Swyen had headquartered himself there with the intention of making it the center of his empire. So it was at least a big shithole by the standard of the times. To this dump Leif has come, as we know – 11 years into his fruitless search for Thorfinn, which his one remaining crewman is urging him to abandon. Leif, Christian gentleman that he is, is horrified at the spectacle of the slave trading but unable to do anything about it.

We know a reckoning is coming between Canute and his father, and so do they – each of them is manoeuvring in advance of it in their own way. Askeladd is certain Sweyn will act to undercut his son at the council the next day, and in inimitable Askeladd fashion has taken pre-emptive measures. He stages a fake assassination attempt in order to arouse the gossip of the people and the troops, using a female slave (no male could be found as a lookalike) as the target. There are in fact two victims here – the slave woman and the assassin (who Thorfinn kills as part of the performance). Canute is furious to see the woman has died for him – but not so furious as to refuse to take advantage of the ploy.

Askeladd is indeed the spider here, as he’s certainly always spinning one web or another. But Floki is likewise a covert operator, acting as Sweyn’s agent against his son even if he’s not licensed to act yet. Askeladd knows what sort of man Floki is, and he knows things Floki doesn’t want known, which is an effective hedge. His plan has also tied Sweyn’s hand in acting against Canute, because suspicions are now rampant. Sweyn thinks he has a secret weapon in Gunnar spying for him, but Askeladd has naturally already sussed this out and does what any master strategist would do – rather than killing or exposing Gunnar, he’ll use him to make sure Sweyn knows exactly what Askeladd wants him to. Even Thorkell is grudgingly impressed.

In this den of intrigue and betrayal what happens between Thorfinn and Leif seems almost straightforward – but somehow even more tragic for that. Leif is no more and no less than he appears – a decent, peaceful man who loved Thors and wants to save his son as payment for all the big man did for him. Thorfinn is as cold as you can imagine – he asks not about his mother or sister, but about Vinland. I think the reason is clear – in Thorfinn’s mind, he’s already betrayed his father far too grievously to ever face his family again. The choice he’s made – revenge at all costs, including his soul – was also a choice to cut off his family and his home. All that remains to him after his mythical revenge is complete is the new world, and a the theoretical clean slate it offers. Truly, this is a lost boy.

Leif is an explorer, a pioneer – I suspect he’s true to his word about never giving up now that he’s finally found his elusive raft in a massive ocean. There’s a lot still to play out between Thorfinn and Leif, but for now the focus turns to Askeladd again – and to Bjorn, who lies dying in a lonely room inside the keep. Bjorn expresses concern for Askeladd’s leg, but he has ulterior motives – he just needs to know if Askeladd is still good to hold a sword. It’s immediately clear what that’s about, and Askeladd is certainly in no position to decline.

Though Thorfinn (goaded by Leif’s arrival, no doubt) challenges Askeladd to yet another duel the next day, Askeladd begs off to finish his business with Bjorn. Remember, a Viking has to die in battle to get to Valhalla – and Bjorn would surely choose to die at Askeladd’s hand before anyone else’s. Bjorn says all the things I’ve been saying about Askeladd for weeks – what a tragic figure he is, how alone his never-ending machinations have made him. “Isn’t it lonely?” is the poignant question Bjorn asks as he prepares to leave this world – and he admits that what he’s always wanted was to be Askeladd’s friend. But Askeladd isn’t the sort of man who has friends…

Askeladd is old by the standards of the age, and perhaps he is becoming sentimental in his dotage based on the events of last week and this. I don’t know that we can say for sure whether he was truthful when he called Bjorn his friend, or was merely offering some comfort to a dying comrade – but I do think it’d fair to say he didn’t hate Bjorn, as Bjorn said. Like Thorfinn Askeladd has made a choice, and the road he walks is resolutely a solitary one – but that doesn’t mean the man has no feelings. And as he prepares to “play” with Thorfinn once more, the sense is that he’s intent on teaching the lad a real lesson this time – that his patience is tapped, and he’s in truth he’s not remotely in a playing mood. I wouldn’t want to be Thorfinn for these next few minutes – it’s probably only Canute’s presence as referee that will prevent things from ending tragically.

December 10, 2019 at 3:23 pm Comments (3)

Hi Score Girl II – 07

「Round 22」

As one might have expected after last week’s episode, this was Hi Score Girl stripped down to its bare essentials.  As much as I love Koharu (which is a ton) even I have to admit this is the core of HSG – Haruo, Akira, Guile and Zangief.  It’s a masterpiece of my favorite “simple yet profound” manta – two characters, one of whom doesn’t even speak (at least verbally) and video games.  But it’s also the crash scene where childhood slams into the brick wall of adulthood – and what could be any less simple than that?

One element of Oshikiri Rensuke’s writing that doesn’t get enough credit is the humor.  Some of that he brings on himself by over-relying on tropey violence gags at times, but there’s a zaniness – and I don’t use that word often with anime – element to his aesthetic that really appeals to me.  That whole sequence on the Shinkansen with the animal-counting game – first a kappa, then an increasingly random string of mythical creatures – is totally charming and hilarious.  Is it actually happening?  Is Oono dreaming it?  It doesn’t really even matter in a series where childish flights of fancy are so integral to the tone.

On that note, I also love the way Guile and Zangief are used here.  Effectively they’re Haruo and Oono’s spirit animals, but a modern Japanese take on that Native American idea.  It’s a splendid conceit but especially so essential given Oono-san’s silent persona (which is in itself an interesting Oshikiri conceit).  Plus I could listen to Guile’s “sonic booms” for hours.  Call them the subconscious, imaginary friends, whatever – what they (especially Guile) allow the characters (especially Haruo) to do is hash out their feelings through dialogue when there’s no one around to talk to.  Every adolescent could probably use one of those.

Then we have Osaka, a particularly appealing playground for a couple of kids with ample Yen (Haruo’s through his job, Akira through her wealth) burning holes in their pockets.  Takoyaki, weird art, ¥10 arcades – all these are a part of the fabric of Osaka.  One could throw up their hands at the notion that after traveling all the way from Tokyo Haruo and Akira just want to do what they do back home, only here – but we love what we love, just like we love who we love.  And it’s pretty clear from Akira’s reactions that she’s having the time of her life.

Indeed, this is by far the most “verbal” – if not literally – we’ve heard Oono in the entire series.  She grunts and gasps a veritable symphony by her standards, and she’s never laughed this much where we were privy to it.  While Haruo notes that Akira’s silence can make things awkward (obviously), what’s really magic about their chemistry is that he fills in the gaps she leaves so naturally.  “I’m bad with silences”, the boy muses, and it’s true – but it’s that very fact which makes he and Akira fit together hand-in-glove.

Haruo (as Guile notes) has come a long way in his relationship with Oono, to the point where he’s now proud to be know someone as gifted a gamer as she is.  But the inescapable fact here is that while he’s distilled their future down to the results of playing a video game, they’re not children anymore – well they are, but they’re also sixteen years old.  16 and in adjoining hotel rooms, with no adults around.  In love.  Would it be a bad thing for them to hook up?  Wouldn’t it be the most natural thing in the world?  I’m pretty sure Haruo’s mom wouldn’t mind.  They do wind up in the same bed of course (the last time in a hotel it was the same room, so I guess this is progress), but what happens after that?  And how would Haruo knowing the truth influence that?

December 8, 2019 at 1:55 pm Comments (4)

Fate/Grand Order: Zettai Majuu Sensen Babylonia – 10

「こんにちは、太陽の女神」 (Kon’nichiwa, Taiyou no Megami)
“Hello, Goddess of the Sun”

Ah, now we see what Ritsuka is good for. Sure, he doesn’t bring much to the table as a protagonist. But simply by virtue of being the protagonist, a self-insert no less, he has access to the most potent weapon in the protagonist’s arsenal: preternatural charisma. Protagonists are just positively magnetic. If you’re the hero you can basically expect women (and men, for that matter) to fall head over heels for you for no discernable reason. Even Mesoamerican goddesses have no defence against the average Japanese pretty-boy.

Speaking of Quetzalcoatl, she’s an excellent demonstration of why it doesn’t pay for Babylonia to take itself too seriously. Carnivorous onee-san (look, retractable teeth) just has a silly design in general. I suspect she’s half the reason Jaguarman even exists in this story; next to Taiga’s hyperactive ridiculousness everything looks sane in comparison, so at least we’re already anchored appropriately low. Why is Quetzalcoatl a female wrestling-aficionada from Dinotopia? Basically, ‘because Fate/‘ and we just roll with it (the philosophy being, I suppose, that common sense only gets in the way of stories like this). I also suspect that the average Japanese media consumer doesn’t actually know that much about Mexico so lucha libre it is. Granted, the average person anywhere probably doesn’t know much about Mexico other than taco, drugs, and piñatas, unfortunately, and a piñata goddess would be lacking in combat effectiveness. That said, I’m sure with enough imagination one can kill with a piñata. Let’s say, via diabetes.

Speaking of diabetes, how about that other goddess who also seems to be inexplicably smitten? Following the ad hoc motif of Babylonia, it appears that not only is Tiamat not really Tiamat, Enkidu not really Enkidu, Benkei not really Benkei, Ishtar may not actually be Ishtar either. Or at least, not when she has hayfever. Babylonia is basically falling over itself to spoilerise Blonde!Rinface at this point (after having already plastered her all over the OP/ED). We don’t exactly know is up with that yet but we’re definitely invited to be highly suspicious of Ishtar(?)’s, shall we say, inconsistent behaviour.

Speaking of behaviour, it sure feels like nothing much happened this episode, doesn’t it? One would have expected that the introduction of our next major antagonist would have prompted more fanfare but, nope, she just barges in, announces herself, then promptly exits, stage left as if she’s read the script. Well, next week there’s supposed to be a confrontation at her seat of power, so we’re sure to be in for… something. I dare not telegraph what.

December 8, 2019 at 12:40 am Comments (26)

Boku no Hero Academia – 71

「ビッグ3のサンイーター」 (Biggu 3 no San’iitaa)
“Suneater of the Big Three”

A bromance for the ages, five ways.

For all the last two episodes had issues with slow pacing, this one was awesome! What I love so often about Horikoshi-sensei’s writing is that he presents heroes and villains as mirrors of each other. Sometimes fun-house mirrors, nearly inversions, but always there’s a link between them that’s deeper than something as simple as “they have the same powers” or “they have opposite powers.” Naw. Horikoshi-sensei don’t go in for anything so shallow. Take here, where the mirroring has little to do with quirks, and everything to do with relationships.

On one side we have Tamaki, and his relationship with Mirio. The tricky thing is that we’re coming late into these characters’ stories, after they’ve had many of their trials and tribulations, and trying to get the pay off like we’ve been there the whole time. Certainly we don’t get it to that level, but it’s admirable how much their relationship is fleshed out in this single episode—probably because everything we see in flashbacks here rings so true to the characters we’ve seen so far. And it feels right, yeah? Like when Mirio says that he can do his best because Tamaki is there, because Tamaki doesn’t run away even when he gets nervous. It’s true, and seeing that little courage celebrated is uplifting. Mirio really is the sun, and, slash-fic jokes aside, Tamaki is one helluva Suneater.

Then take the three thugs. They would seem to be a good match for Tamaki, especially once Tabe woke up, because being able to eat his food manifests is a bad matchup. Add on their teamwork, and the trio is a mirror image of Tamaki’s story less in their quirks, and more in their bonds. It’s the trio’s bonds that allows them to fight even when their future is utterly weak, just as it is Tamaki’s bonds with Mirio that allow the emotionally weak hero to stand up and fight. So it is a good bit of poetic justice that bonds is what causes the thugs to lose, and Suneater to stand triumphant at the end.

The blow-by-blow fight was great, such as when Tamaki ate the crystals to manifest their power. But best for me was how Tamaki won by exploiting their bonds. Not very heroic, eh? But effective, because as he aptly noted, you can’t eat your friends. And if anyone would know the strength of bonds, it would be Tamaki, right? That’s why “bonds” is the theme of this episode, and how Horikoshi-sensei managed to execute it so well without even needing Mirio to be there. Mirio’s effect on Tamaki was more than enough. Hopefully the next episode, starring Red Riot, will deliver a similarly thematic (and action-packed) payload.

Random thoughts:

  • Mirio’s costume is made from his own hair? Effective, but gross.

My novels are available now (Wage Slave Rebellion, Freelance Heroics). Sign up for my email list for updates, or follow me at stephenwgee.com for miscellaneous blogging.

 

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December 8, 2019 at 12:16 am Comments (3)

Sword Art Online: Alicization – War of Underworld – 07, 08, 09

「失格者の烙印」 (Shikkakusha no Rakuin)
“Stigma of the Disqualified”

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「血と命」 (Chi to Inochi)
“Blood and Life”

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「剣と拳」 (Ken to Ken)
“Sword and Fist”

I think it’s safe to say that the Dark Territory is getting their butts kicked real hard.

General Impressions

With three episodes of SAO:AWOU to cover, you’d think that there’d be a lot to talk about. Except throughout these past three episodes, not much has really happened outside of the Dark Territory getting their asses completely handed to them. Which I guess in hindsight isn’t too crazy since they’re going up against an army that has individuals who have been training for hundreds upon hundreds of years. However, even with a crap ton of time and experience under their belts, it’s kind of ridiculous the difference in firepower between the two nations. With only a handful of Integrity Knights to flesh out their army, it’s kind of ridiculous to watch them mow down thousands of enemy combatants while barely breaking a sweat.

That said, the whole prospect of the Final Load Test isn’t what has me coming back week after week. What has been keeping me coming back for more is the promise that Asuna and friends will eventually make their way into the Underworld — something that has FINALLY happened (I think). However, I’m a little confused about how the story is going to explain all of this when you consider the circumstances revolving around her sudden appearance. Besides using skills that have never been seen before, I’m very interested in seeing how the story explains Asuna’s appearance as a literal goddess. I guess it makes sense if you compare how that psychopath on the other side made his appearance, but I can’t wait to see what happens when Asuna goes and tries to wake up Kirito.

But yeah — not really all that much to talk about when you really look at what’s happened so far. Literally three episodes of watching the Dark Territory get their butts kicked with the Axiom Church doing pretty well. Sure I’m willing to bet that the tension will start to rise once Vector (Gabriel Miller) enters the fight.

Anyways, I’ll catch you guys next week where we’ll hopefully get deeper into the Final Load Test together with Asuna. See you then!

P.S. I might sound a little negative about all the battles, but I have to admit that watching them has been a total blast. A lot of awesome moments all around — just not a lot for the overarching story.

 

Preview

December 7, 2019 at 8:47 pm Comments (32)

Dr. STONE – 21, 22, 23

「スパルタ工作クラブ」 (Suparuta Kousaku Kurabu)
“Spartan Craft Club”

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「THE TREASURE」 (THE TREASURE)
“The Treasure”

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「科学の波」 (Kagaku no Nami)
“Wave of Science”

Man, I take a vacation and come back to a three episode post? Holy moly.

General Impressions

Man, a lot has happened in the past three weeks! Seeing how a lot from episode 21 and 22 essentially built up to the finale of episode 23, it feels like the best way to tackle this gigantic three-episode post is to just talk about everything as a whole. That and I’m sure nobody wants a 1500+ word post — so let’s just jump into it!

The journey to finalizing the vacuum tube has been one hell of ride. Combining various concepts that took humanity thousands of years to figure out (plus getting lucky with the discovery of good old element 74 aka tungsten) with a ton of hard work and tenacity, it felt so good to see Senku’s cell phone plan come to fruition by the end of episode 23. Looking back on the previous two episodes, it’s kind of crazy just how well thought out the entire plan was. Starting with the power source of the phone (batteries) to tackling the inherent problems with using inferior materials (tungsten mining) all the way to figuring out how to craft complicated glass contraptions (the vacuum tubes plus the Hickman Pump to create an even better vacuum), it’s quite amazing when looking at the flow post-completion. That said, none of this could or would have been possible without Senku’s second strength — his compassion and love for others.

Outside of the cool scientific feats that we see almost once a week, the thing that keeps me coming back for more is watching just how much Senku affects the lives of everyone around him. Even with his attempts at portraying a sarcastic and somewhat cold persona, it’s obvious to everyone just how much he cares about those around him. Week after week, we get to see how his decisions ultimately create a reality where he’s able to rally everyone around him. Using this week’s obvious example, I nearly cried when Senku provided the village a way to create heat within their homes. Sure, he needed a way to burn through coal to get the leftover byproducts, but there wasn’t any concrete reason he needed to pound stoves together. Except to prevent something as ridiculous as children or the elderly from dying from the weather.

Outside of his empathy, the other thing I wanted to touch on was how Senku was able to convert Magma into an ally. Seeing through Magma’s simple mindset, I was blown away when Senku managed to get through to Magma man-to-man. With the belief that no one starts out as a complete jerk while also not insulting Magma’s way of life, the scene in the caves where Magma saves Senku’s life not once but twice was a fantastic depiction of taking your enemies and turning them into allies through love rather than violence.

Man, what a great series of episodes! It was super fun catching up and watching Senku and the Kingdom of Science rapidly progress toward the present. That said, it looks like the battle with Tsukasa is rapidly rushing toward us and who knows what’ll happen? Luckily it looks like Senku has some secrets up his sleeves and I’m willing to bet there’ll be some more crazy ideas outside of the Senku Phone. Anyways, see you guys next week!

 

Preview

December 7, 2019 at 7:50 pm Comments (5)

PSYCHO-PASS 3 – 07

「Don’t Take God’s Name in Vain」

Well if there was any doubt that this season of Psycho Pass was looking to make up for season two’s trip and fall, this week would definitely be it. From the return of major players to key concepts and even some original imagery to whet the appetite, we got a healthy dose of cornucopia of nostalgic dystopic cyberpunk—and even some Bladerunner for dessert. The endgame for Psycho Pass’ third feature is rapidly approaching, and the results are going to prove interesting.

After all the shock and awe of last week it was pretty clear someone was going to bite the bullet this time around, but the choice of target(s) I imagine proved surprising. While some thought would suggest Maiko was never going to die for example (especially after the reveal she wasn’t made into a bomber), the dual deaths of our priest gone rouge and his incestuous mother (now that was a shocker) never seemed in the cards. Bifrost after all has been quietly made into a major player able to best Sibyl at its own games, so removing the more spontaneous of its players seems a little premature. Even with all the fun which comes from thematically reliving Makishima’s subway scene back in season one there just doesn’t seem to be enough drive between our two remaining Bifrost players for anything major to happen. Unless one just so happens to be related to Arata mind that. All that of his father and his relationship to the group certainly suggest something is up, and when you have physical resemblance this similar, you can easily guess where this is going next.

The long game however lies with Akane and Arata’s position in the Sibyl system, because given Arata’s newly revealed criminally asymptomatic status and Akane’s hopes for him, there’s some movement when it comes to making Sibyl slightly more reactive. Whereas before guys like Arata would’ve been assimilated into the multi-brain conglomerate, now there’s efforts afoot to actually retain some outside the system for the purpose of preemptive defense, courtesy of the one true Inspector (just accept your adorable candy popping sidekick status already Mika). In terms of the current story this development doesn’t really mean much considering only one episode remains, but there’s plenty of ways to take it in the future, especially considering the difference in thought the Foreign Affairs bureau has towards their targets. Interagency competition may be subdued in Psycho Pass’ world thus far, but it’s not hard seeing how it could quickly blow up into something more serious.

After all, when you’re dealing with an opponent possessing ties in both realms, it won’t take much for one side to start rubbing the other the wrong way.

December 7, 2019 at 12:11 am Comments (5)

Hataage! Kemono Michi – 10

「金x絆」 (Kane x Kizuna)
“Money x Bonds”

 
As Hataage! Kemono Michi nears its final stretch, we see small hints of excitement circling around a new competition centered around Genzou fighting MAO in a climactic rematch. However, the pomp and circumstance behind their reunion and the eventual battle don’t reach its apex until the end of the episode.

One major issue is that it is saddled into an episode where Misha and Wolfgang return to sell Hiroyuki, causing a majority of the ep to center around Genzou trying to get his furry companion back. There thankfully isn’t any molestation subtext circling around the episode considering that the kidnapping causes Genzou to vow off of wanting to cuddle Wolfgang’s fur. But at the same time, it diffuses the building tension of MAO returning to the fold as a legitimate threat when we’re constantly being side-lined by other comedy hijinks and overdone running gags that have overstayed their welcome. 

It doesn’t help that their reunion is constantly stonewalled by how relaxed Genzou is about this whole situation. MAO, a co-worker and rival from his original world, somehow appears in this world and his hellbent on fighting him, and all Genzou does is act mildly amused by MAO’s challenge. He treats MAO like he just came back from the grocery store with his favorite snacks. It really diffuses any kind of threat that MAO could be when Genzou response to him even arriving in this new world is to be pleasantly surprised.

However, this episode was a huge step-up from the last one by at least giving the show more to work with. There is a smidge of build-up that can be considered proper when Joanna helps initiate the tournament as a way to get rid of Genzou, Hanako, and Camilla. With Joanna’s interpretation of a wrestling match as a fight-to-the-death, it places actual tension in some of the fights that will be happening in the ring. Genzou and MAO would spare each other, but Joanna and Rose would go in for the kill if given the chance. Part of these concerns arrives tenfold when Camilla shifts into a more serious demeanor when she asks Genzou to help train her to wrestle.

Additionally, there were some hilarious moments centered around the Hiroyuki plotline such as Camilla laughing at Genzou’s tears, the number of times the wealthy father kept having to lower the amount he requested for Hiroyuki to make his daughter stop crying, Rose shouting hypeman chatter while Joanna is discussing wanting to have MAO challenge Genzou, and Camilla’s desperate ploy to get Hanako to rub lotion on her stomach where she has been regularly punched throughout the episode. Hopefully, they’re able to keep this level of momentum going when the training and tournament arcs arrive.

December 4, 2019 at 5:33 pm Comments (7)

Vinland Saga – 20

「王冠」 (Ookan)
“Crown”

Zaiden’s Take

Thorfinn’s recently taken a backseat, as far as Vinland Saga’s focus goes. However, Canute makes for an extremely deserving protagonist, given his recent character arc and the crucial epiphany which has shaken up his personal philosophy and world view. The young prince always had the ability to read into political intrigue, since it was the only way he could survive. Now, he’s gained an unshakable resolve to forge through the court room’s treacherous tendencies. The way I see it, Canute is still a believer in God and remains devoted towards goodness. But the death of Ragnar completely shattered his unconditional love for God, and he completely questions the part which divinity has to play in the grand scheme of humanity. As such, he elects to become a demon outside of God’s remit and takes it upon his own hands to bring about paradise for the mortal realm of men – bringing about echoes of Satan from Paradise Lost. Unfortunately, to achieve those kind of goals, the power to change things is imperative. He might be a prince, but he lacks power of that magnitude. For the sake of making this dream come true, seizing the power inherent to his Danish birthright would be a natural progression. Though it isn’t without peril and obstacles – most notably coming from his father, the king.

First off, he’s not the only heir and is widely considered to be the weaker candidate. To that end, Sweyn claims that the crown has a will of its own, and that it ordered him to kill off Canute for the kingdom’s sake. Contextually, people were a lot more superstitious 1000 years ago, to the point where they’d consider their good or bad actions to be caused by the influence of external supernatural forces – angels, demons, etc. If we judge him by the standard of his times, it’s a fitting claim to make – whereas any modern leader would seem a little bit crazy if they were to use a similar metaphor in justifying their own morally questionable action.

Not to mention an analogy could be made with the one ring from LOTR or the elder wand from Harry Potter – items possessing such great power that people willfully murder and steal in attempts to gain sole possession. He seems to suggest that heirs would seek to kill the rightful ruler or each other, because the allure of power is too much – something he’s perceived in Canute’s eyes as sharing the same look as he did when younger. Perhaps it was incidental musing by Sweyn, or even an allegory intending to forewarn Canute that even the best of intentions can become corrupted by power – or that circumstances and constraints can be complex in a way that prevents an individual from realising their idealised vision.

Additionally, Askeladd observes that Sweyn is a smart man, which is quite the acknowledgement coming from the person who’s used his smarts to overcome many tricky situations. And in my opinion it definitely reflects in how Sweyn chooses to rule. Although democracy is irrelevant when it comes to monarchy from this location and time period, incidents like the Magna Carta demonstrate that a king still needs to serve the interests of his nation as well as please his powerful and influential underlings, lest they begin harbouring sentiments to depose of him. He’s clearly managed the Jomsviking effectively, and orchestrated a successful campaign to take over England. Only his kingdom suffers from an unavoidable problem. Once he dies, the uncertain nature of succession inherent to gavelkind poses an existential crisis to his kingdom. From his perspective, for the long-term good and stability of his kingdom, Canute had to die. The threat of internal conflict between the respective supporters of Harald and Canute could tear apart Denmark, ruin the legacy he achieved within his lifetime and plunge the nation into civil war. But he’s unable to openly kill off Canute.

So he first establishes a scenario that would most likely result in Canute’s death. When that fails, he cleverly tries to provoke a violent reaction from Canute and Askeladd so that any potential use of force to claim their lives can be justified. Canute rises up to the challenge. He reads these situations extremely well, allying with Thorkell and choosing not to fall for Sweyn’s bait. Askeladd also calls out his bluff, pointing out that openly killing Canute would not sit well with his generals. Though their position remains disadvantageous with Sweyn losing nothing from the attempt while holding onto most of the cards. If Canute is looking to assassinate his father, the king definitely realises the political threat that his son currently poses, and will certainly be wary in terms of providing any exploitable opening. Fortunately, the prince also has some aces up his sleeve in Askeladd, Thorkell and Thorfinn. It will be interesting to see how these two play out their game of political chess, and whether Harald will gallop in as a dark horse to participate in the overarching political intrigue.

A thing to note, Askeladd exhibits uncharacteristic vulnerability twice within this episode – providing greater insight towards an individual who has otherwise seemed unflappable throughout most of the series. Seeing how he usually taunts Thorfinn about Thors, he receives an extremely bitter taste of his medicine when Sweyn casually disparages his mother as a slave. Askeladd utterly flare up with intense wrath and bloodlust, and with his widened bloodshot eyes and uncontrollably twitching fingers, it’s remarkable that he held back from attacking the King. I suppose he isn’t a hot head like Thorfinn, who definitely would have gone into a murderous frenzy if the King described Thors as a ‘disgrace’. That said, I don’t think Askeladd will ever let go of this incident – he’ll cooperate with Canute for now and seek out a way to enact a fitting revenge onto Sweyn.

And despite claiming to hate his mercenaries, Askeladd demonstrates a soft spot towards Atli, gifting him gold on the condition that he gives up the sword and live out an honest life. It can be complicated like that. Sure, they might have been Danes who betrayed him, same as the filthy pillagers who he hates for repeatedly desecrating his beloved Wales. But these are also men who he entrusted his life to on many occasions, sharing in many journeys and adventures together. He might have chosen the path of a devout nationalist, sacrificing innocents and bringing untold suffering to make his dream of emancipating Wales come true. Nevertheless, it’s nice to know that there are shades of humanity beneath that apathetic exterior, making him more than just some evil and sadistic bastard who only seeks to utilise people for his own personal gain.

Anyway, that’s about everything I wanted to discuss. With announcements that the anime will be deviating from the source material from this point onwards, I’m fascinated to see how these changes will play out. And for once, I will be able to provide fresh perspectives, instead of ones coloured by the benefit of hindsight. As always, thanks for reading this post and I’ll throw it over to Guardian Enzo for his fantastic insights!

Guardian Enzo’s Take

What a relentlessly fascinating, challenging series this is. The fact is that it’s full of fascinating and challenging characters, Askeladd probably the most so, and that of course drives everything else. There’s a part of me that still bemoans Thors’ early demise, because it would have been really fascinating to see a narrative play out with he and Askeladd – so very different yet more alike than they seem – as opposing poles in the story. But without Thors’ martyrdom there is no Vinland Saga – he died so that the plot could live.

If I were to quibble with anything in this arrangement, it’s that Canute’s transformation has been a little too comprehensive too quickly. Admittedly the kid has seen a lot of terrible things recently, and I suppose the counter-argument is that he’s always had the intellect to rise to this sort of occasion. But the degree of confidence and savvy he’s showing here both seem a bit of a stretch to me – he basically grew up as a farmer’s son, yet his feel for the intricacies of court intrigue seems pretty unerring at this point.

The irony in all-this is that Canute has had a sort of anti-awakening – he’s transformed into a stone-cold bastard with a steel spine by rejecting the way of God. This irony is not unintentional on Yukimura’s part to be certain. Canute swaggers into Sweyn’s camp at Gainsborough like a boss, dispatching Thorkell to build bridges with the grunts while ordering Askeladd to size up King Sweyn when they meet. He also stares down Floki, whose men raise their spears against him at first. Floki can hardly believe this is the same prince, a theme which we’re going to see repeated a lot this week. Floki also crosses paths with Thorfinn for the first time in over a decade, surely having no idea who the boy is – just as Thorfinn has no idea that it was Floki that was responsible for the death of his father.

The confrontation (and no other descriptor really fits) in Sweyn’s hall is certainly tense. Again, Canute is utterly cold-blooded here – even as Askeladd and Thorfinn inform him that he’s walking into an ambush, Canute refuses to take the bait, gambling (correctly as it turns out) that his father can’t kill him yet. As the prince is the one who’s effectively delivered London (by delivering Thorkell) and its wealth into the court’s hands Canute is a heroic figure – far too heroic for the offer of “a piece or Cornwall” that Sweyn presents as an ultimatum to spare his life.

The most fascinating moment of this encounter, though, comes when Askeladd intervenes on Canute’s behalf and Sweyn fillets him like a herring. I had no idea that Askeladd meant “covered in ashes” but it’s clearly a nickname, and Sweyn correctly deduces that never having been named by his father Askeladd is the son of a raped slave. A couple of thoughts here – one, Sweyn is, as Askeladd notes, a very smart man (even if his eyes are tired). And two, while Thorfinn is stunned to see the fierce anger Askeladd barely suppresses, my take is that having deprived so many innocents of their parents, Askeladd really has no business fronting righteous indignation.

Canute having won this staredown for now, father and son back off from the gunwales and prepare to coexist while waiting for the right moment to kill each other. At the drinking party that night, Ragnar’s brother Gunnar (Mogami Tsuguo) arrives in camp, and apart from the sagittal crest you’d never guess they were related. He’s been working on an escape hatch for Canute (in Normandy) but the prince informs him he’s not interested – right after rather callously dropping the news that Ragnar is dead. Canute seems to have no doubts about Gunnar’s loyalty despite his showy demeanor, but Askeladd clearly feels differently – and if anyone should recognize a betrayer, it would be him.

Leave it to Vinland Saga to make Askeladd taking a piss the lasting memory of the episode – or at least what happens afterwards. Atli – his brother reduced to a childlike state after the terror broke him – informs Askeladd that he’s going home. In a rare moment of sentimentality Askeladd offers him a crown of gold, on the condition that Atli – who he says was never meant for the sword – find a wife, settle down and never take to the battlefield again. Askeladd also tells Atli that Bjorn is a goner, his wounds having reached his intestines. That means Thorfinn is the last of his men still with him.

More irony – even as he’s closer than ever to achieving his goal Askeladd stands alone in the world, his only companions two boys who he effectively orphaned. Canute has expressed a willingness to become a “demon” to achieve a higher purpose, but Askeladd has already done just that many years past. He’s a tragic figure but I can’t really feel any sympathy for him, as he’s chosen this path for himself (just as Canute has). As for Thorfinn he did too, but the fact that he was six when he made the choice surely mitigates in his defence. And it’s going to be fascinating to see what choices Thorfinn – who still refuses to sweat allegiance to anyone, including Canute – makes when he’s reunited with the man who’s arrived in York just ahead of Sweyn and the royal entourage.

December 4, 2019 at 7:10 am Comments (5)

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