Random Curiosity

Gekkan Shoujo Nozaki-kun – 09

「ドキドキ、たりてる?」 (Dokidoki, Tari Teru?)
“Do You Have Enough Excitement?”

Maeno really is the worst character in the cast. Fortunately plenty of kawaii Chiyo-chan saves the episode.

Doki Doki in the Rain

Undoubtedly the best part was the first third in the rain, where Nozaki-kun and Chiyo experimented with different ways to stay dry. So much blushing Chiyo! I live for the comedy here, but especially the comedy born from character eccentricities, and whether that be Chiyo & Nozaki’is or Hori-sempai & Kashima’s, I loved those scenes. Plus some adorable Chiyo reactions, HNG~! It does my romantic soul good.

Maeno-san is the Worst

Editor Maeno is, without a doubt, the worst character in the cast. Notice how he only received one cap this week? That’s because he doesn’t deserve any more. Down with Maeno! Maeno sucks!

There are two facets to Maeno. First is why he’s not a funny character. His actions are so egregious that they don’t make me laugh, they make me cringe…and they’re not so off-the-wall as to make me laugh anyway. I’m only cringing! They would work if he was more zany, but he’s not. They would work if his suggestions were more wild, but they’re not. As is, he inhabits a negative zone too close to reality to be funny. He’s just uncomfortable.

But as a lesson in what a bad editor can do… I’m reminded of that one episode in the first season of OreImo, where the story takes the piss out of the anime industry even though it’s an anime. The anime producers are trying to meddle with Kirino’s anime even though there was (presumably) a reason why it was popular. I talked about this the last time Maeno appeared, but as someone who is fanatical about retaining control and appropriate compromise, Maeno strikes at the worst an editor (or publisher) can do. When they become overlords who can tell you what you can (and cannot) do, a bad one can warp your work into something you come to despise. As a cautionary tale, Maeno boils my blood, but appropriately so. He’s not funny though, and that’s an argument for reducing him to a rare appearance, not having two-thirds of an episode dedicated to him.

Treating Your Characters With Respect

Fortune favors us, because I may be the best (and/or only) writer at RandomC who can speak to some of the themes in Gekkan Shoujo Nozaki-kun. Take the passing comment from Chiyo to Nozaki after she gushed over the signed picture she got from Miyako-san:

Please treat your characters with more care.

I don’t know if I can adequately describe how crucial this is. Nozaki tried to basically whore his characters out to give a fan (Chiyo) what (he thought) she wanted, and that’s something the conscientious storyteller should never do. Fanservice is a delicate thing, because when it does harm to your characters, you do irreparable harm to your story – and that’s why I, though I’m known as the ecchi writer around here (I’m not the ecchi writer! I’m the fantasy writer *tsun*), rarely indulge in fanservice in my own work. To pervert your characters into something they wouldn’t be in pursuit of the love of shallow fans is just…wrong.

Like I said, I don’t know if I can adequately explain this. Without having those characters in your head, and being the sole steward of their lives, it’s hard to imagine. Tsubaki Izumi-sensei is speaking from personal experience though, and it shows.

Looking Ahead – The Beta Couples

Next week it looks like we’ll get more from Yuzuki x Waka and Hori-sempai x Kashima. And I’m fine with that! I feel like there’s more of a chance of actual development between them than there is for Chiyo x Nozaki. Plus they’re all funny to me, as long as they’re not Maeno. That bastard.

tl;dr: @StiltsOutLoud – Chiyo x Nozaki in the rain is good. Maeno, not so much. Less Maeno & less tanukis make for a better #nozakikun 09

Random thoughts:

  • Nozaki is a good artist. Even if he can’t deal with Yuzuki, he knows a good idea when he sees it.
  • Honestly, I identify with Nozaki. He’s just not thinking about romance in regards to himself. If he was, I think he’d recognize Chiyo’s feelings quickly, or even be interested in her…or so I hope. He’s just focused on his work. I can understand that. Also, the sailor uniform. I understand, Nozaki-kun!
  • They’re patting Chiyo! So kawaiiii~!

Check out my blog about storytelling and the novel I’m writing at stiltsoutloud.com. The last four posts: Just plain fun, Don’t have enough time, Work you love, and Completely unbiased.

 

Preview

August 31, 2014 at 10:11 pm Comments (48)

Sword Art Online II – 09

「デス・ガン」 (Desu Gan)
“Death Gun”

Do you remember the goose bumps you got when Kirito first busted out his dual-wielding skill? While it wasn’t exactly the same, this episode did a great job at bringing back some of those feelings as I watched Kirito be a total badass.

Death Gun Makes his Mark

After months of anticipation, Deathgun finally reveals himself and unleashes some bona fide terror onto Kirito and Sinon. Even though it remains to be seen whether or not that unique handgun of his can really take someone out in the real world, it doesn’t make it any less scary thinking about it. I mean, in a virtual MMO, aren’t you supposed to find strength in knowing that dying has no effect on you in the real world? Which then begs the question, what do you do when someone or something bridges the gap and puts your real life in danger?

Kirigaya Kazuto

Of the many reasons I come back each week to watch this show, Kirito just being there is definitely up there. Back when he was first introduced, he was just this kid that was skilled at playing MMORPGs. But as we traveled alongside him and watched him push through every physical and emotional obstacle that blocked his way, I think we all formed such a strong bond with him that we can’t help but root for his success even when stupid things happen.

Which is probably why I always get a rush of adrenaline and happiness whenever I see him enter badass mode. Something we really haven’t seen of late, my eyes were completely glued to the screen the moment he whipped out his beam saber and started deflecting bullets better than a trained Jedi.

On a side note, I know there are a lot of haters out there who hate anything related to Kirito (and just about every other character in the series) and I’ll agree that some of their arguments make perfect sense. But just like any other show, I see anime as a form of entertainment. So if a show is pandering to all the things that drew me to it in the first place, you bet I’ll enjoy it.

SINON NOOO and Looking Ahead

With Sinon in a rather sticky situation and Death Gun staring her dead in the eyes I don’t know what I’ll do if Sinon actually ends up getting shot here. While I’m inclined to believe the amount of plot armor surrounding her should be sufficient to keep her safe (you don’t go and kill a character you spent 3 or 4 episodes developing unless you’re like, Kamina or something.). Besides that, I’m interested in seeing just how much Asuna ends up finding out after she contacts Kirito’s “employer” since I’m sure she’s not going to appreciate Kirito keeping her in the dark. Anyways, I’ll see you next week!

P.S. If you watch Barakamon and were wondering where this week’s post was, apparently there’s no new episode this week.

August 31, 2014 at 4:10 pm Comments (65)

ALDNOAH.ZERO – 09

「追憶装置 -Darkness Visible-」 (Tsuioku Sochi -Darkness Visible-)
“Device of Reminiscence -Darkness Visible-”

All aboard the Slaine pain train…

This was another fascinating mess of an episode that had the long reach of Urobuchi’s hand all over it, but as sometimes happens I think I really need to start at the end and work backwards, because this elephant pretty much takes up the whole room. No, I don’t believe Asseylum is dead. And yes, I do see that the circumstantial evidence supports it – most obvious being the shutdown of the Aldnoah drive on the Deucalion. But it just doesn’t pass the sniff test with me – right here, right now? I don’t think so – time will tell.

It sure would be one hell of a ballsy development, though.

Let’s start with the positives, and it’s becoming a bit of a broken record – the Martian side of the story seems to have more potential than the Terran side in many ways. True, that’s partially because it’s been less successfully fleshed-out and has more upside to grow into, but this week Aldnoah.Zero finally got something it really needed – a Martian character who can’t be summed up in a sentence and dismissed. Saazbaum could just be the character that brings the story to the next level. He’s not an idiot, he’s not a cartoonishly evil genocidal maniac. He’s an actual antagonist who takes a little figuring out.

I thought the scene where Slaine and Saazbaum share “dinner” was the best in the episode by a wide margin. I like the fact that Saazbaum came right out and told Slaine the truth (most of it anyway). He holds most of the cards and he knows it, so he didn’t BS around – he laid it out there for Slaine to understand. Why he owes his father a debt. what Cruhteo was, and what he is. Saazbaum certainly resents Earth and what he sees as the lavish lifestyle they lead, and the fact that they threw their table scraps to the Martian colonists after shuttling them off to a harsh and brutal environment. But it’s absolutely clear that Saazbaun reserves his true hate for the Martian society and the VERS royal family, and it’s they who he blames for the death of his betrothed. Saazbaum doesn’t spew racist propaganda and torture shotas – he does what he does for what he feels are justifiable reasons, and doesn’t make a caricature of himself in the process. And he seems to have a modicum of intelligence, too.

More than for Saazbaum himself, though, this scene works because it continues the development of what I see as the most interesting part of the story – the VERS society and what it represents. Saazbaum mercilessly guts it and lays it wide open – it’s a backwards, feudal nation led by a royal family that rose to power by fanning hatred against the Earth. “Enlightenment” is certainly a relative term when one takes a look at the world we live in, but irrespective of our own failures VERS represents a pre-enlightenment society – except one that’s been given technological superiority over every other. That’s a fascinating and terrifying notion, and for me it’s at the heart of Aldnoah.Zero – that gap between where VERS is socially and where they are militarily. And Saazbaum sits at the very epicentre of all this – not an ideologue or megalomaniac, but a man driven by personal vendettas to try and force change, and one who dislikes being used as a pawn. He’s wrong, but he’s wrong in far more interesting ways than the other Martians are.

For me at least, most of the stuff back on the Deucalion isn’t nearly as interesting. I’m having a hard time taking any of Lt. Marito’s storyline seriously, because it’s seems so utterly cliched. PTSD is a very real thing, but this particular drama is completely boilerplate right down to the character designs. And the attempts to cultivate a teen romance subplot and mine humor from it aren’t working too well – as a rule, humor hasn’t been a strong point of Aldnoah.Zero so far. And seriously, Eddelrituo needs to just stop talking already.

But then there’s that ending. The episode certainly does focus heavily on Rayet’s growing existential angst with her situation, and on her resentment with Asseylum for being so at peace with who she is. That said, I never really felt things were building to what they did – actually trying to murder the Princess (with her lucky pendant) seems like a big jump from where we were 30 seconds earlier. That aside, was it really necessary to stage that scene in the shower? I suppose it’s the reality of anime these days that directors feel they have to try and pander in every way they can even if it doesn’t mesh with the rest of the series (and there is an art to doing so without seeming so crass about it, but Aldnoah hasn’t mastered it), but blatant attempts to appeal to prurient interests by cheap fanservice and Eddel’s constant lolicon posturing undercut the stature of the show as a whole.

In the end everything comes back to what Rayet did though, and not how she did it. If Asseylum is indeed really dead barely a third of the way through the series, that certainly casts the remainder of Aldnoah.Zero as a very different story than it appeared to be. And whether Asseylum’s really dead or not, things have obviously changed in a big way for Rayet. Is her continued existence on the Deucalion even possible now? Even if she isn’t directly linked to the crime (whether that be murder or attempted murder) it’s hard to imagine she’ll be able to stay in that environment given how close to the psychological edge she was already balancing. If Asseylum is dead that truly scrambles Aldnoah.Zero so thoroughly that it’s nigh impossible to predict where it goes next. But even if as I expect Asseylum survives, this still goes down as a pivotal moment that sharply changes the course of the plot.

Zephyr’s Impressions:

It’s often been said the bathroom is the most dangerous room in the house. I think it reasons that when you’re a Martian princess on a ship full of Terrans (and one other crazy Martian) and it’s a shared shower environment, that warning goes double. It’s just too bad Asseylum never saw it coming, and gets slaine-d by Slaine’s charm in what would be one of the most ironic deaths in a while. Of course, that’s assuming she actually is dead, which I’m not inclined to believe despite the ALDNOAH Drive shutting down shortly afterwards. Ultimately, her character is too integral and too prominent in the plot line to kill her off at this point in time, and I would be shocked if she’s actually dead at this point.

With that said, I’m not quite sure what to feel about the events leading up to this in the first place. It does make sense in the grand scheme of things that Rayet merely lost control for a bit (it didn’t help that she got in that simulator earlier), but at the same time it feels a bit off considering her character up until now. It’s not a significant detachment given the circumstances, but it is enough to make me want to point out that brooding is not a great way to lead up to sudden events like this, and I would hope that no one reading this finds a sudden urge to strangle someone in the shower with their most valuable keepsake as a result of this episode.

In any case, this episode really highlighted the double edged sword behind everything here. Because whereas down time amid a war is always a welcome thing for the soldiers fighting it (and especially the civilians caught in between it), it also comes with a secondary side effect. The down time ultimately gives you time to think and reflect on the events that have transpired so far, which comes with its own set of risks. Rayet was just one example of how things could go awry, and it reasons that the Captain and Marito are both facing their own personal demons at this point too—although they, unlike Rayet, have the gift of added experience, age, and maturity to aid their cause.

Speaking of causes, another big twist here comes within the fact that Slaine’s actually getting treated better with Saazabaum than he was with Cruhteo, and it’s a situation that finally gives us better insight into the Martians and their way of life. Assuming we can take his word at it—his knife grabbing moment makes it hard to doubt his take on events—things just aren’t great on Vers despite the advanced technology, and it looks like the royal family might’ve been the trigger that started this in the first place 15 years prior. In that sense, it’s fitting that the royal family was involved in starting things this time around too, and there’s a simple pattern of cause and effect here that seems somewhat reminiscent to how issues stemming from the first World War led to the second one.

Overall, the twists were nice this week, but I’m not sure how to feel about the lead up to them, and I’m shuddering at the thought of the impending cliffhanger in three episodes (as well as the fact that this is Inaho’s “Cloud Nine” face).

Full-length images: 03, 16.

August 30, 2014 at 9:58 pm Comments (208)

Tokyo ESP – 08

「満ちる時、動き出す少女達」 (Michiru Toki, Ugokidasu Shoujo-tachi)
“Fruition, Girls Set into Motion”

Ayumu’s mom is comical, but so are the villains. Or at least their ideas are.

Self-Centered Mother

Ayumu’s mother apparently doesn’t believe her anti-esper schtick as much as she wants to use it for political gain. That’s…refreshing, I guess? She’s not a bigot, just an opportunist. Yay? But without exploring that theme in greater detail, it seems crass. I’m not interested in her coming to terms with it and becoming a better mother to Ayumu because she’s such a cartoonishly one-dimensional character. Mostly I just want to see her kicked in the teeth. Needless to say, I’m not expecting much from this subplot.

Murder Test

The big question is still “What’s the professor’s goal?” Because everything he’s doing is making espers more and more hated. The murder test Minami is giving out to newly-minted espers is a sure-fire way to turn the public against them. Which can be useful if you’re trying to galvanize a force – nothing motivates your side like an enemy to be opposed to, something Ayumu’s mother knows all too well. But since we already know what they’re going to try to do – fly the diet away, rule the humans, etc – I can’t help thinking pissing everyone off is a bad way to go about it. Better to be a respected conqueror like Iskander than a hated one like all of the other ones. That does make me think that maybe “rule over the humans” might not be their end game though, which would be interesting. Or they’re going to try to kill all the humans. Or they’re just idiots. But at least my interest is piqued.

P.S. To all you esper idiots – you’re still human. Just because you have special powers doesn’t mean you’re a new species. Especially not when you get your powers from a glowing fish. At best you’re humans with a particularly useful parasites.

I Can’t Take These Villains Seriously

I’ve come to realize that I have a strange view of the modern world. To whit: the present is amazing! People keep talking about how the whole world is going down the drain, but I don’t get it. I paid attention during history class, so I know just how wonderful the present is. Even ignoring marvels like vaccines, super markets, cell phones, and the democratization of economic activity thanks to the internet, a lot fewer people die in wars and from preventable diseases than even a few decades ago. Yes, the world isn’t perfect, and the arc of history is long, but it does bend toward justice, peace, and prosperity.

That’s why I can’t take these villains seriously. If theirs was a world like Akame ga Kill, I could understand it; that seems like a shitty world. But the world of Tokyo ESP looks more or less like ours + espers. And they think the whole thing is so broken humanity can’t be saved? Hah! Even the simple fact that slavery doesn’t exist in their society – or its thinly veiled cousin in serfdom – means their present is a thousand times better than their past.

So if you find any sense in the terrorist espers’ message, I suggest you stop listening to the news and start reading history books. You may be worried about what’s happening in parts of Eastern Europe, the Middle East, or Africa, and fair enough. But where people are lobbing rockets right now, they used to wage all-out war. That’s twisted progress perhaps, but progress nonetheless. And the simple fact that I can watch this show minutes after it airs from half a world away, write a post about it, and publish it for all of you around the entire world to see is a marvel. Anyone who says there’s no hope only wants that to be the case. It has no basis in reality.

Looking Ahead – Free Kyoutarou, Doomed School

The curse of the spoiler premiere has haunted this entire season for me, and made me only really care about two things: what happens after that, and why wasn’t Kyoutarou there? For a while I thought it was going to be because he was locked up, but they let him go. Now they’re attacking the school, so maybe this is a death flag, though it’s as likely he didn’t appear during episode one to troll anime-only viewers, or because the Professor still has his power on lock down. (Minami did tell him to return to his mundane life.) I honestly just wish they would cut to the chase though, because the anime isn’t doing the small motions well enough for me to enjoy the buildup after that massive spoiler premiere.

tl;dr: @StiltsOutLoud – Ayumu’s mom is one-dimensional, so are the terrorist espers, & Kyoutarou is free for reasons. Just get to the final battle already #東京ESP 08

Random thoughts:

  • I don’t remember if Kyoutarou mentioned the date he promised Rinka back when that scene actually happened, but it would have been a lot more powerful if so. If he did, it would have been more powerful if the details were being done well enough for me to remember that.
  • There’s not a lot of variation in the ESP powers here. Two main characters as teleporters was borderline, but a second wall phaser betrays a dangerous lack of creativity. I can understand the duality symbolism, but that could just as easily be done through personality, not just power.
  • It looks like the fish respond to strong emotions – Kyoutarou’s desire to save people, Murakami’s desire to do something, and all these mooks’ desire to kill people. I can understand I-don’t-want-to-be-raped girl – that was horrifying – but the lazy I-want-to-kill-everyone girl? Not as much. I hope there’s added depth there.
  • I wonder if the Professor is going to do a hope thing like Bane in The Dark Knight Rises, using the Shiroi Shoujo as the point of hope which, after its crushed, total despair follows. Use those spoiler tags if you want to comment, people.
  • She teleported part of herself. That’s…downright frightening. Eeee.

Check out my blog about storytelling and the novel I’m writing at stiltsoutloud.com. The last four posts: Just plain fun, Don’t have enough time, Work you love, and Completely unbiased.

 

Preview

August 29, 2014 at 10:17 pm Comments (31)

Shirogane no Ishi Argevollen – 09

「約束」 (Yakusoku)
“Promise”

I don’t know if Oonishi Saori simply wasn’t available for recording this episode, but the fact that Jamie didn’t have a single line in it echoes my sentiment two episodes ago about how her character’s role in the overall story feels like it’s diminishing. For now, I’ll give the series the benefit of the doubt, but it’s hard to ignore how the story progresses along perfectly fine without her. Instead, we have various members of Ingelmia soaking up more of the screen time, which probably warrants making mention of who they actually are now.

Up first are Arnold Holmes (Ono Atsushi) and Bernard Garp (Yamaguchi Tarou), two high-ranking Ingelmia soldiers who don’t seem to see eye-to-eye with their superior Erich Zarl (Umedzu Hideyuki) and are only feigning loyalty for now. Then we have newly-introduced Conrad Daniels (Miyake Kenta) and his subordinate Liz Roderick (Arai Satomi), the former of which is an old friend of Richthofen’s and will likely serve as a catalyst to the Tokimune x Richthofen rivalry after his sudden death this episode. Among them, Daniels’ death was one of my main takeaways from this episode, as the normally calm and composed Richthofen finally showed some emotions. The other takeaway was of course the introduction of a group of capitalists in the city of Viltriveld, who seem to want to prolong wars as long as possible so that they can maximize their profits. This includes “supplying” Arandas with Argevollen, which incidentally, helps explain all of our suspicions surrounding Jamie’s boss Suguro.

In terms of overall plot, these developments do help foreshadow a lot of what’s likely to come. The only problem I have is that I’m still not feeling the “weight” behind them. In a series about a lot of different moving parts–much like war itself–there hasn’t been much in the way of highlighting what’s truly important. The introduction of Daniels made me think that we’d have another significant character on Ingelmia’s side, but that was clearly short-lived. The survival of Roderick on the other than left me wondering what role she’ll play, if any. What usually happens is that I find that I can’t be bothered to dwell on these little developments because more often than not, they don’t generate any traction for more than a couple of episodes worth, meaning everything just fades into mediocrity. Nothing comes off as overly important or significant, making it difficult to really look forward to anything. The sudden labelling of Argevollen as “The Demon of Arandas” may have been an attempt to alleviate that, but I still can’t see Tokimune as such an overwhelming force just yet.

Because of all this, I find myself looking to the main characters for notable developments more than anything else. It’s a bit of a hedged bet at this point, but I’m looking at Samonji and Richthofen as candidates for providing some real depth to the story. They’re both soldiers who should be much higher ranks than they currently are and they both don’t seem to take anything at strictly face value. As such, I get the feeling that they both have their suspicions about Argevollen–where it came from, will there be more of them, etc.–so perhaps they might come to a conclusion that both Arandas’ and Ingelmia’s true enemy is the hand that manipulates them from the shadows. Guess I’ll just have to wait and see.

 

Preview

August 29, 2014 at 3:50 pm Comments (19)

Persona 4 The Golden ANIMATION – 08

OP3 Sequence

OP3: 「key plus words」 by 平田志穂子 feat. 川村ゆみ (Hirata Shihoko feat. Kawamura Yumi)

「No So Holy Christmas Eve」

‘Twas the night before Christmas, when all through Inaba,
The mood heated up; yes, even for Santa.
There’s no more Marie: new OP for that reason.
You might recognise it from the last season.

The preview last week was a bit of a lie,
Yu does not quadra-book and make ladies cry.
His Understanding and Expression is max
Alas, Yu still acts like his head’s full of flax.

It’s comedy hour because the plot is on break,
Animation is too, for the budget’s sake
There’s art anomalies you’ll happen to catch
For example: to where does that arm attach?

But let’s not jump to nasty judgments too soon;
It’s still quite amusing to see the girls swoon.
And poor, confused Naoto, decked in riot gear.
(They’re hoping to sell action figures this year)

So the party is done: massacre complete
(Though a trainwreck like this is quite a mean feat).
“The way to men’s hearts’ through their stomach,” they said,
If you’ve a stiletto and you want him dead.

Comedies of errors are all in good fun,
But wait, lo and behold, the plot is not done!
Yu remembers Marie in his fevered dreams,
And it’s obvious by now she’s not all that she seems.

Just like the first season, our mystery’s not solved;
We still need to find out how Marie’s involved.
They’ll realise she’s missing in next Thursday’s show,
But not before having more fun in the snow.

There’s four episodes left, so we’re not yet through.
Some filler perhaps, then a dungeon or two.
Though it’s not the last lap, the endgame’s in sight.
Happy Christmas in August, and to all a good-night!.

Full-length images: 06, 08, 15, 20, 32.

 

Preview

August 29, 2014 at 6:53 am Comments (14)

Tokyo Ghoul – 09

「鳥籠」 (Torikago)
“Birdcage”

Author’s Note: Please avoid any and all manga spoilers in the comments, which I know is going to especially tempting given how much unexplained material the anime offered this week.

For a breather episode, there sure was a hell of a lot going on there.

I haven’t read much of the Tokyo Ghoul manga, and I’m not looking for answers (or clever hints) from those who have – I’m merely an anime-only viewer speculating on the meaning of everything that was thrown at us in this episode. An optimist might look at the flood of new characters and potential threads that were introduced here as evidence that the production committee saw the decent Stalker numbers and huge bump in manga sales and gave encouraging signs about a second season, but the realist in me knows the anime production cycle doesn’t move that quickly. And the pessimist wants to theorize that what’s happening is that all of the future arcs are being combined into one clusterfuck of an anime-original ending, but I’ll choose to ignore him…

As it stands it’s hard to know just what to make of this episode, coming only three weeks from the series finale. There’s no possible way even half of what this ep hinted was important could be fleshed out in three episodes, so if there’s no second season on the books it’s interesting to ponder why it was there at all. I was expecting a segue into the arc that would likely close the season and maybe the series, not the seeds of what seem like about five or six different arcs, bit maybe the intent was to get across that there’s a lot going on in the manga that the anime hasn’t covered. If so, it did a pretty good job of it.

Rather than try and weave them into a narrative, there are so many new faces (and big name seiyuu) it’s easier to just list them out…

  • Arima Kishou (Namikawa Daisuke) – an obviously important higher-up at the CCG
  • Shinhara Yukinori (Nakano Yutaka) – a colleague of Mado and friend of Amon who seems to be in-charge of the contention 11th Ward
  • Takizawa Seidou (Tachibana Shinnosuke) – one of the two Doves assigned to keep an eye on the 20th Ward and an admirer of Amon-kun
  • Houji Kousuke (Hayami Sho) – the other, and the more senior of the two
  • Muramatsu Kie (Doi Mika – the narrator on Mushishi) – the 68 year-old ghoul Mado uses as an object lesson to his new partner Amon in flashback
  • Kirishima Ayato (Kaji Yuuki) – the younger brother of Touka, who we meet as a young boy
  • Kirishima Arata (Uchida Yuuya) – their father
  • Banjou Kazuichi (Kentarou Itou) – an 11th-Ward ghoul of some standing, and apparently big trouble
  • Koma Enji (Katsu Anri) – the barista at Anteiko who we’ve met before, but who finally got some meaningful screen time here, mostly referring to himself as “Devil Ape” and being ignored
  • Hetare – “Loser” (Amamiya Sora) – the foul-mouthed cockatiel that’s adopted by Touka and Hinami

It’s not as if any of these characters come off as extras, either – there’s a hell of a lot going on here. Ken is trying to research Rize, to see if he can understand the beast inside him. Hide is dropping more and more hints that he knows what Ken is, but at the very least he’s a ghoul otaku who knows more than most humans do about them (my bet is he became interested after finding out that Ken was now a Ghuman). Hide has also coincidentally overheard Jason bragging about how he’s going to get Rize once and for all – and his reaction could be further betrayal of the fact that he knows the connection between Rize and his best friend.

Rize is a theme running through a lot of what happens in this episode. Both Banjou’s group and Ayato’s group seem very interested in taking her out, which means invading the 20th Ward and causing trouble. Speaking of Ayato, he seemed like a kind and timid little ghoul boy in the flashback we see – he’s even squeamish of the worms tomboy Touka is gathering to feed the wounded sparrow they’ve found (clearly, this incident will end up being responsible for Touka’s professed dislike of birds in the present). But now he seems like a nasty piece of work, with no discernible regard for his sister. How that came to be is one of many potential arcs teased in this episode.

That’s not all that’s going on, either – Hinami is living with Touka now, and Ken is pickpocketed by a strange young delicious-smelling girl with tattooed (or scarred hands), which feels like a pretty important incident, especially given the possibility that she could be the same girl we see visiting Mado’s grave earlier. Mostly there’s a sense that all hell is about to break loose in the 20th Ward and that Rize is the primary cause of it. It almost plays like throwing a bunch of stuff against a wall and seeing what will stick, but of course Morita-sensei knows exactly what the next three episodes will cover and what they won’t – which makes this episode an unusual albeit quite entertaining narrative choice. In the end I suppose it’s an either an attempt to introduce as much of the mythology as possible to keep options open or one last burst of sweep and breadth, but one way or the either the focus of Tokyo Ghoul is surely going to narrow considerably starting with next week’s episode.

Omake

August 29, 2014 at 3:52 am Comments (31)

LOVE STAGE – 08

「Φ(ラブ)STAGE 男達の流儀」 (Rabu STAGE Otokotachi no Ryuugi)
“LOVE STAGE: Men’s Style”

Today’s mode of presentation is a refreshing break from the standard tales of dialogue. The theme of creating a third-person narrative fits well with today’s plot, full of revelation and transitioning into a new phase of life. It was nice to see a bird-eye view of certain scenes, giving a distanced perspective from the whole story. While this was a refreshing mode of narration, it also allowed an easier transition into the various flashbacks presented this episode. Given that it was also very diversified, ranging from videotape viewings to secret cameras and outright flashbacks, the entire episode was well thought-out. I’ll definitely say it was one of the more cinematically enjoyable episodes this season.

Back on topic, those revelations were a treat. For those of us that didn’t know, it’s been confirmed that Shougo and Rei share a special relationship (the chances being very high that they eventually had sex), considering how Shougo was the first to welcome Rei into a new world. It’s also been revealed how Izumi was influenced to be the person he is today, with all the doting he gets from his brother and…second father? Frankly I’m impressed that Shougo was able to get away with doing Izumi’s homework–it’s surprising then how Izumi was able to pass an entrance exam for college. With these two pieces in place, we finally start to see a cohesive picture of the Sena family. It makes more sense why Rei has been in the service of the Sena family. It makes sense why Izumi is who he is today. Most importantly, we get an important outline on the dynamics of the Sena family and the continuous support group that’s surrounded him all these years. It’s nice to see a healthy family that doesn’t have any major faults in a romance. It seems too often that at least one family in a romance is screwed over in some way, thus distancing family out of the romantic equation. Here, it’s a pleasant way to synthesize the Sena family into Izumi’s life, playing an important role in shaping his identity.

Speaking of identity, it looks like the ‘wedding girl’ persona is out the door. I was surprised that they decided to link the commercial to Izumi, yet it makes sense. Izumi gets a debut while surprising the world with his amazing crossdressing potential. Things look really volatile right now for Izumi’s career, as the press could either be enthusiastic or downright cruel. Although the show has been fairly generous towards Izumi, this episode represents a marked shift in Izumi’s potential troubles, going from worries of a mangaka to that of a very public level. The leadup to the debut itself was sufficiently comical, doing both a good job showing off Izumi’s fears while reasserting the confidence that everyone has in him, mostly from Rei and Ryouma. They’ve supported him all this time, but now the stakes are changing, where Izumi will need some serious support from his loved ones if he messes up. So what if Izumi’s comic doesn’t make it? He’s still young and has time to practice, as his role model stated succinctly last episode. Here though, we’re talking about messing up for the world to see. That stuff can be way more damaging to one’s life, both emotionally and socially. The Sena family is already wildly successful, so the next few episodes will spotlight Izumi has he steps up to the standards set by his predecessors. This stuff is exciting and I’m glad that the show has slowly been leading up to these high-stakes sort of dynamics. I sure hope they milk it for all its worth, since it would be a shame if they just focused on the romance from here on out.

Speaking of love, it seems Izumi cannot escape the yaoi at this point. As I’ve stated before, Izumi makes for an interesting character due to his emergent bi-sexual personality. It’s not a sort of sexual alignment that you see often in anime–straight, gay, lesbian, they all get hit as bases, but what of the bisexual? Perhaps we see some bi-sexual implications with say, the presence of traps, but that’s more like a cop-out where the explain-away is that they confuse the trap as a girl. Here we see some real interesting bi-sexuality, not only in gender, but also in dimensionality. Where Izumi has originally been only head-over-heels for Lala-Lulu, a 2D female, we see Izumi now truly falling in romantic love with the 3D world with a guy. It’s almost like a statement on maturation. Izumi perhaps never viewed Lala-Lulu sexually, but rather as a center of worship in a stereotypical otaku style. Now that Ryouma keeps giving Izumi all these kisses, Izumi is slowly finding feelings for the guy who’s supported him in the physical world, however flawed he may be. A graduation from otaku worship to romantic bonding, so to speak.

However, going forward, I really wish that the show would take non-sexual approaches to developing Ryouma and Izumi’s love. A redone date would be great, or perhaps some heartfelt conversation on a balcony would be good. I get that the audience is looking forward to the kissing and extended sex, but I believe just as much time could and should come from Izumi and Ryouma really getting to know one another and talking about their past and future. That would really put a smile on my face, and then afterwards they can totally be like rabbits. I just find that Ryouma is a little too aggressive in giving Izumi kisses (though this episode, he had a semi-decent reason to do so) and would like to see more consensual bonding happen. Hey, that’s just me though. Let me know below what you think! Was this a great episode, or did you guys have some qualms? Either way, we’re chugging forward with the plot and there’ll be even more to discuss next week!

 

Preview

End Card

August 29, 2014 at 1:34 am Comments (9)

Glasslip – 09

「月」 (Tsuki)
“Moon”

With the anime slowly turning around in some aspects, I can’t help but laugh a bit as I think about just how far we’ve come since episode one.

Yuki and Yanagi

With everyone else’s relationship prospects failing quicker than the housing market did back in 2008, the only two that I have some hope left for is Yuki and Yanagi. Out of the group they seem to be the most grounded while simultaneously not letting whatever Kakeru has spread to them. Toss in how cute and somewhat flirty they were together and I think this might be our best shot at finally seeing someone’s feelings turn into something more than shattered dreams and a broken heart.

Sacchan, What?!

On the other hand, wouldn’t it be something if Touko and Sacchan actually started dating? While the chances of it actually happening are close to zero you have to commend Sacchan for being so bold at the end of the episode. Not only did she incorporate a beautiful looking moon to set the mood but the way she craftily spoke her feelings without actually saying the words was pretty sly.

That said, I don’t understand why she did all of this with Hiro right there. I wouldn’t really consider what she did as a “proper explanation” nor do I think it’s right to shatter his dreams in-front of someone else. I mean, she had the gall to call him her boyfriend right in-front of her mother! All I know is that I was giving Sacchan the benefit of the doubt but after this week’s episode I’ve changed my mind. Because it doesn’t matter how much she cares/is in love with Touko — she had unfinished business with Hiro and again ended up using him to serve her self-interests!

Kakeru, you weird bro.

I really don’t understand Kakeru. After weeks of trying to keep himself shrouded in this mysterious aura and actually rejecting Touko’s feelings, he suddenly has a change in character and falls hard for her. But instead of showing some kind of affection or at least giving her some sort of sign he continues to act just as weird if not weirder! And don’t get me started about his ability to hear fragments or his clones.

All I’m hoping for is that we get some kind of proper explanation before everything comes crashing down.

Looking Ahead

This show is like one disaster after another. Right when you think you’ve weathered out the storm something else comes flying right by. The problem is everything feels so fragmented and unrelated that right when you think you have a grasp over where the story is going, it makes two rights and a left just to throw you off.

Anyways, if you’ve made it this far it means you’re still here with me to see this to the end! And hopefully, we get something meaningful by then. See you next week!

 

Preview

August 28, 2014 at 11:10 pm Comments (25)

Naruto 690 – Saving the World

What the hell just happened?

Everyone who’s ever followed my posts know that it takes a lot to get me pissed or thinking something was flat out terrible, but this week’s chapter was just flat out bad. I’m a bit glad that this does end the arc of perhaps the worst villain to date, but that doesn’t change the fact that what we got this week was equivalent to a manga that just got cancelled and needed to finish things within the next month or something. I mean, really? After all that hype and mother of all chakra stuff, it ends abruptly like this? That’s just…

Honestly, I don’t have the words to describe my feelings at seeing the line—

“Congrats on saving the world.”

—suddenly glaring at me from my screen, and it’s as if the life has been sucked out of me after reading the events of this chapter. I mean we saw the fight was approaching an end, but this was not the kind of end I wanted or expected, and at this point there’s only a few ways this can end. The problem is, following the events of this chapter, none of them look particularly good.

  • Kaguya didn’t actually get sealed and she’ll be back.
  • The Sage of Six Paths ends up being the final boss.
  • Madara getting pieced together means he’ll be back as the final boss.
  • This really is the end and it’s epilogue time.
  • Suffice to say, I can’t say I like any of those potential paths. The first one’ll just drag out a fight against a terribly developed villain, the second feels exceptionally nonsensical as a possibility despite the shady face he had at the end of this chapter, the third option’ll feel like a cheap ploy to bring him back, and the fourth… well. It’s probably actually the best of the four listed above, but I don’t know if I can stomach it if the series does actually end with this kind of transition.

    Needless to say, it’s just discontent all around this week, and that’s all I’m really going to say here. Excuse me while I throw my chair out the window in rage.

    August 28, 2014 at 8:08 pm Comments (76)

    Bleach 594 – Hulk Smash


    When Kurotsuchi does things in the name of science and research, he is truly an unstoppable monster. Even after Hitsugaya goes down, he continues to inject strange drugs into him, including the painful, paralyzing venom in his sword, Ashisogi Jizo. I realized that Mayuri hasn’t actually used his demon-baby bankai after he broke his zanpakutou and seems to be relying on other techniques he developed. Clearly he doesn’t seem to need it though, and even Hitsugaya at his strongest is rendered helpless without much of a real fight. Hitsugaya isn’t the only second-rate fighter to have been turned into Giselle’s slave though – Matsumoto, Kensei and Rose have all been zombi-fied after their disappointing performances and defeat earlier in the battle. Now they are glorified cannon fodder for the enemy team, only to face torture at the hands of a mad scientist. I don’t expect the three of them to last long, but Kurotsuchi still has to deal with Gigi before he can conduct his “experiments” in peace. That’s three captains and one lieutenant to add to his body count.

    They aren’t the only characters Kubo has decided to take out early though; elsewhere, Byakuya has singlehandedly defeated three of the Sternritter off screen. I would have wanted to see that fight, but apparently they weren’t significant enough to be worth showing. Colonel Sanders actually injured Shunsui and Nanana was stalking Renji for a while so it’s not completely clear why they were cut out so soon. Of course there isn’t exactly a shortage of characters at this point. Another quincy with mind control abilities has appeared as well; Pepe, Sternritter “L”, possesses the power of love (love of himself to be exact), charming both Hisagi and Meninas and forcing them to attack Byakuya and Liltotto, respectively. He looks like some sort of black Santa Claus/fat biker pimp, and he has pretty ridiculous power too. I guess this is the chance for Byakuya to show off what he’s got, though as of right now his opponents aren’t particularly impressive. No doubt he won’t hesitate to take down Hisagi if necessary, and he can probably overcome any gimmicks that Pepe throws at him. However in the end, the results of these small skirmishes don’t really matter at all except to cater to fans; what really determines the outcome of this war is what Ichigo is able to do against Yhwach, Hacshwald, and Ishida in the Royal Palace. Once enough secondary characters have been whittled down or incapacitated, I expect that’s what the remainder of the arc will be dedicated to.

    August 28, 2014 at 6:37 pm Comments (41)

    Fate/kaleid liner Prisma Illya Zwei! – 08

    「彼女の名は」 (Kanojo no na wa)
    “Her Name Is”

    No matter the timeline, Bazett is a monster. The servant slayer is here, but all the servants are gone. It’s up to you, girls.

    Peeping Mama

    I like this enigmatic Iri, as opposed to the tragic one of Fate/Zero. I liked her there too, but as with the Illya who gets to live, it’s nice to see her in better times, being silly. The peeping mama antics were mainly funny because of Luvia & Rin, with the utterly shameless and full-of-ulterior-motives Luvia being my favorite.

    But what I really liked was that, no matter the timeline, these characters are always who they are. To whit, Taiga; she’s always energetic, surprisingly perceptive, good with a shinai, and ready to protect others. That warms my heart, Fuji-nee.

    Dere Kuro

    It’s been a challenge for some viewers to empathize with Kuro after the whole attempted murder thing. One can make up all sorts of excuses for what she did, but she did try to kill Illya (and Miyu) and never apologized for it. The situation is complex though, and I think they’ve done a good job of making these character act like 10-year-old girls, albeit exceptional ones. Apologizing isn’t first on the list of things most 10-year-olds do, lemme tell ya, and would it really have made it better? But it’s still a valid gripe.

    I think dere Kuro was another attempt to get us behind her as a protagonist. And to me, it worked, though honestly I was already there. Seeing Kuro be a mama’s girl was cute, and it hinted at this longing within her that’s aching to be filled.

    Here’s the thing though – it appears that a certain enforcer has come for the cards, and since one is inside Kuro, it follows that she’ll have to rip it out of her to catch ‘em all. No matter what Kuro has done, she doesn’t deserve that. If they can get it out without killing her, sure, but if not, no way. She doesn’t deserve to die, no matter her past crimes.

    Plus, you know, she’s a juvenile. The law is usually more lenient on them. Not that the law has anything to do with what happens next.

    A Monster Cometh

    Like I said, no matter the timeline, these characters are who they are. Bazett Fraga McRemitz (Nabatame Hitomi), from Fate/hollow ataraxia, is and always will be a beast. They did a good job of showing those who aren’t familiar with her just how powerful she is.

    Taking on Auguste, dodging bullets, surviving Luvia’s tricks – that made it clear she’s tough. Taking everything Luvia could throw at her in her armory, though, and then burning the mansion to the ground…that’s something else right there. (Okay, so the mansion was probably Luvia’s doing, but surviving is still impressive.) Yes, I was crying out for Auguste to hit her already, but here’s the crazy thing – normally so much dodging would have annoyed me, but Bazett proved herself to be so powerful that it felt right. She’s a monster, an unstoppable terminator that beat down the girls’ mentors, and that means it’s going to be hard for our main trio to win.

    Type-Moon Lore

    I like how the reference of Bazett as a Sealing Designation Enforcer passed uncommented upon. For those who don’t know, a sealing designation is…well, you remember how people were coming after Kiritsugu’s father in Fate/Zero? That. A sealing designation is a big friggin’ deal, and someone who enforces them needs to be a badass. Clearly, Bazett is.

    For those of us who know what a Sealing Designation Enforcer is, that enhances the scene and further ties Prisma Illya into the Fate universe. For those who don’t, it’s a bit of a cryptic statement, but since they then show us that Bazett is a badass, nothing important to Prisma Illya itself is missed or lost.

    Normally I’m against things that anime-only viewers – which in this case means this anime-only viewers – wouldn’t know about, but with a spin-off, you can get away with it a bit. It’s more an easter egg than anything else, when it adds depth for those “in the know” without detracting from those who aren’t. A delicate dance, but Prisma Illya has been pulling it off. Another example: I don’t think they’ve ever explained how Rin and Luvia’s magic works, but they’ve demonstrated it enough that I’m sure most people knew Luvia’s treasury was an armory. Also, mentioning that Luvia got a unique mystic code from Zelretch-sama. Foreshadowing!

    Looking Ahead – Magical Girls vs Bazett

    They’ve built Bazett up as a powerful antagonist, and with only two episode left (probably), it looks like we’re going to end on or right after the fight with her. Which I’m okay with, because what a beast! I’m curious about a certain someone reflected in her eye…but we’ll find out more next episode. Wrap those spoilers all, and I’ll see you next week.

    tl;dr: @StiltsOutLoud – Peeping mama was fun, but the heat turns up when Bazett strolls into Luvia’s mansion & burns it down #prismaillya 08

    Random thoughts:

    • Don’t wave if you’re trying to not be seen, Iriiii!
    • Sneaking around an elementary school. Rin, Luvia, & Iri are like a bunch of dangerous people. Wait, they are dangerous people. Perverts, then! (P.S. That’s now one of my favorite caps from this series.)
    • Battle butler! Good to see he’s good for more than just making Shero uncomfortable.
    • Kuro is more clever perceptive – she noticed the people lurking around earlier – but Illya appears to be more sensitive to magic.
    • See Luvia? This is what happens when you send an overly serious girl like Miyu on an errand and have her treat it like a mission. Though that’s probably as much Miyu’s fault as anything. Lighten up you!

    Check out my blog about storytelling and the novel I’m writing at stiltsoutloud.com. The last four posts: Just plain fun, Don’t have enough time, Work you love, and Completely unbiased.

    Full-length images: 09.

     

    Preview

    End Card

    August 27, 2014 at 9:03 pm Comments (63)

    Hunter X Hunter 2011 – 144

    「(ケッサイ × ト × カッサイ」 (Kessai × to × Kassai)
    “Approval × And × Coalition”

    Author’s Note: Please be very careful to avoid divulging any information about upcoming events from the manga. When in doubt, don’t post it – and even if it’s remotely possible to view it as a minor spoiler, please spoiler-tag it. Thanks for your cooperation.

    And then there were four…

    Four is an ominous number in Japan, the on’yomi (Chinese pronunciation) of “shi” being the first syllable of the word for “death” (as a result Japanese generally use the kun’yomi of “yon” – the same principle applies to the number seven). But 4 is the number of the moment in Hunter X Hunter any way you slice it: four episodes left after today. Four candidates left in the Chairman election. Four months since Gon has appeared in a speaking role (OK, maybe the last one just feels that way).

    Fortunately for fans of the series, the number of ways Hunter X Hunter can entertain and compel is much greater than four. It could theoretically be infinite, since episodes are seemingly like snowflakes in that no two are alike. There’s no question that Togashi-sensei has a serious geek component in his personality – when he latches onto a theme he loves to elaborate and backfill and exposit to the point of obsession. It’s no surprise that politics would be a subject fit for his limitless intellectual appetite, and it’s clear that he’s extensively studied how voting patterns work (and that he’s fixated on group dynamics has been apparent pretty much since the beginning of the series).

    The thing with H x H is, there are almost always multiple scenarios playing out at the same time. And Togashi loves to cut away from one of them (usually whichever is the most important to the audience) just when it seems to be reaching a nexus point, which is exactly what he does here by devoting almost the entire episode’s material to the election. Of course if there’s anything good about the series being in its last month, we know he’ll have to return to Gon’s situation sooner rather than later. And with Killua and Alluka having arrived at Gon’s pop-up hospital room, we’re obviously close to the moment of truth. And as if to emphasize both the critical nature of what’s happening and the depth and breadth of Gon’s friendships, we see the honor guard around him made up of the best among his friends – Knuckle, Palm, Bisky, Octobro, Meleoron (glad to see everyone is OK there), Gorenieu, Melody and Hanzo (what an impression Gon made on him, all the way back then).

    There are of course two friends (and one father) missing from that location, and one of those friends is missing from the narrative altogether. But the other is hip-deep in the other major plot thread even though he’d much rather be at Gon’s side, and as usual Togashi has a way of making the “supporting” dramas just as compelling as the main event. It starts with Ging being his usual cryptic and annoying self (honestly, I can see why pretty much everyone seems to be pissed off at him most of the time) and planning to bug out right after casting one last vote for Cheadle. I give her credit for confronting Ging and asking him flat-out to help her, because it takes a serious swallowing of pride to do that. She understands her own weaknesses – and in this instance, she understands that she’s no match for Pariston.

    Ging is blunt when you want him to be diplomatic and cryptic when you want him to be direct, but there’s no denying he understands the essence of the matter. When he says Pariston is the only one who’s carrying on the will of Netero he’s basically right, because while Cheadle and Mizaistom are playing things straight and Leorio is concerned with his own priorities, Pariston – in glorious Netero tradition – is just enjoying fucking with everyone. That irritating freedom from principle makes him hard to predict, while to him both Mizaistom and Cheadle are basically an open book. And Ging’s also probably right that if he’d given Cheadle any advice earlier in the process, she would have done the opposite out of sheer pique and stubbornness. Now that desperation has forced her to come to him Ging does offer Cheadle a bit of direction, but he’s determined to force her to figure out the big stuff on her own.

    When the time comes for the vote, there are some surprises in store, one of the must crucial being that no one will be allowed to leave until a new Chairman is elected (will a puff of white smoke be sent up when that happens, I wonder?). Who was responsible for that decision, which seemingly ensures that Ging’s predicted course of events (nothing being settled until the next Hunter exam) won’t play out? There are no real surprises in the concession remarks from the defeated quarterfinalists, with Botobai throwing his support to Cheadle and Ickshonpe saying “Your reality isn’t my reality, so do what you want” in Bob Dylan fashion. Ickshonpe adds a fascinating addendum – “Ging – don’t try and run while you’re ahead!! Get back here!!" That last message, coming from someone who’s a complete mystery, is a thing to ponder indeed.

    Naturally, the logical course of action is for the anti-Pariston forces to throw their weight behind Cheadle, who’s in third-place and the highest-ranking Zodiac. Botobai is on-board, and so is Mizaistom. And it being so logical, it seems very likely that it’s what Pariston expects from opponents who always do what’s expected. But here he gets either his first or second major surprise of the day, depending on whether the imposition of Papal voting rules surprised him – Cheadle throws her support to Leorio. It’s really the first time we’ve seen Pariston actually betray surprise on his face, and it shows that Cheadle – in addition to having the humility to go to Ging for help – was actually listening to what he was trying to tell her.

    Leorio is the real wild card here, the true “independent” candidate in the race who draws his support from no established group. And he wants no part of the election or the chairmanship – he just wants to be with Gon, even if he knows he can’t help him. But when he takes the podium and in his own words “draws a blank” about what to say, he ends up making by far the most memorable statement of the day by being completely honest. He tells everyone he’ll treat the Association as his personal property, and order everyone to help Gon. He describes his activities while Gon was fighting to save the world, which include surfing the net, drinking and “jerking off” (Togashi, you magnificent bastard). And he turns his “campaign” speech into a plea for help for Gon – any help at all, no idea too small or too outlandish. Finally he slumps over the podium, admits he’s said too much, and finishes with “Forget the part about jerking off.”

    If there’s a character who does more with less screen time than Leorio has done in this arc I can’t remember them, and it’s really no surprise he impacts the voters like none of the others do – Tsezguerra starts the applause and it doesn’t die down quickly. Cheadle’s calculus was a smart one – Leorio is free of the baggage she and Mizaistom carry, and he can win a majority because there’s no faction outside Pariston’s core support (meaning the votes he personally controls) who have a reason to vote against him. And both Cheadle and Mizaistom genuinely care more about stopping Pariston than becoming Chairman themselves – there’s strong evidence that Pariston’s hands are very dirty, and Ging has revealed to Cheadle that Pariston is planning something big with 5000 cocoons from East Gorteau, containing Nen-using Chimera hybrids. And the blunt truth is, both Cheadle and Mizaistom surely figure they can control the inexperienced Leorio when push comes to shove.

    The problem is Pariston knows all this too, naturally – he recongizes that the greatest threat to him is support coalescing around Leorio and putting him over the top in the next round And even if Ging is right that Pariston “doesn’t care” about winning (which in truth I’m not completely convinced of – I do think he cares enough to want to win in the end), he does care about having his fun come to an end. So he uses his own speech to back Mizaistom, knowing he can control enough votes to finish in the top two as long as he can deprive Leorio of a majority. And if he gets a one-on-one matchup against either Mizaistom or Cheadle, he has to figure there are enough anti-Zodiac votes to add to his total to put him over 50%.

    What a tangled web, indeed. For Mizaistom and Cheadle this has now become a crusade, stop Pariston at any cost – and Cheadle at the very least realizes that neither of them can beat Pariston in a two-candidate vote. Whether he likes it or not Leorio has become an integral part of a very big fight, even as Gon’s crisis is surely at the very brink of resolving itself one way or the other. More than anything else, I think, “Election” has revealed itself to be a story of priorities – a story set off by the choices Gon and Netero made in the final stages of “Chimera Ant” based on their own priorities. For everyone from Killua through Ging and Leorio, Pariston and Cheadle and Mizaistom, “Election” is about characters deciding what’s most important to them, and what they’re willing to give up to see it to fruition.

     

    Preview

    August 27, 2014 at 5:23 am Comments (34)

    Hanayamata – 08

    「ミッション.イベント」 (Misshon Ibento)
    “Mission Event”

    Oh boy, a lot sure did happen this week. Yay for yosakoi and all the animated goodness that comes with it–Naru even overcame her fear of public performance for awhile! However, nay for Naru having relapses, that poor girl. Yay for Machi finally getting a proper role in this episode and the upcoming ones, but alas, it’ll be wrapped up in sibling jealousy and identity issues. Let’s tackle these one by one.

    Despite the montage here and there to save on production, we’re finally getting really close to a full-on yosakoi performance. It’s not a dazzling performance like what we’d see in the OP, but the core dance itself is satisfactory enough to keep the audience satisfied for now. I liked the charm that they added with the 8-bit music, since it shows the progression of the dance getting closer to the OP, while letting Yaya contribute to the group immediately. Performance aside, it was satisfying to see the lead-up to the dance, where all sorts of funny troubles shook our novice yosakoi troupe, such as overreacting over weight loss, or worrying that your best competition is against a clown.

    Other than these silly comedic troubles, the group is fairly stable save for Naru, whose trauma was the closing act for this week. Bless her really, but after that flashback, it was inevitable that she was going to mess up (and lose the first place trip for Sally-sensei). It seems like well-treaded territory at this point, but now we see a small peek into her backstory. Her tendency to find safety in averageness makes more sense now; it’s unhealthy thinking, but it’s common when past experience has scared you from stepping outside of the box. This provides a good opportunity for Machi to chime in with her thoughts, as her whole character is centered around Naru’s struggles. From what we’ve observed this episode, I’d guess that Machi will impart wisdom on Naru regarding failure and not meeting expectations. With the time we have left, there is only enough room for two more “character development” episodes, each devoted for Machi. Since Tami and Machi seem to have a stable enough relationship to one another and judging from the preview, it seems that Machi will take the reins in instilling some “man up and suck it up” attitude into the group, especially for Naru, who needs it most.

    Other than providing a newfound source of support for the yosakoi club, Machi has her own issues to deal with. Most likely, Machi is cursed with an inferiority complex, where she cannot hope to achieve her own goals in the footsteps of her own sister. Although Sally-sensei sure doesn’t look the aspiring type, this episode shows she has some wasted potential in being a substitute teacher, especially considering her age. We’ll see Machi trying to find her identity away from academic achievements (which her sister probably had as her strong point), which will inevitably lead her to yosakoi, where she can find her own success without comparing herself to her big sister. It seems in the past they had their scuffles, but now that they’ll have to interact in an advisor-student setting, we’ll see them make up with amends by the time the show closes.

    The goal is cut and clear–every character development so far hasn’t been too surprising. However, the emotional impact is what really matters, as well as the path taken to get there. We’re finally reaching the end of this series, so I expect a lot of bang for these last few episodes now that the entire cast has been assembled. My only concern is that not all of the loose ends will be tied up by the series end, mainly that concerning Hana and her mysterious past. Given that we only have a few episodes to tackle both Machi’s integration, the final yosakoi performance, and Hana’s past, I sure don’t want to see loose ends left hanging without at least acknowledgement that they exist. Even if the manga is ongoing, I hope they’ll revisit Hana and at least shed a bit of light before having to close the books on this series.

     

    Preview

    August 27, 2014 at 1:14 am Comments (13)

    Akame ga Kill – 08

    「三匹を斬る -後編-」 (Sanbiki wo Kiru -Kouhen-)
    “Kill the Three -Part Two-”

    Even though I know it’s coming, the events of this week’s episode still leaves me speechless. I don’t think it’s about what happens exactly, but it’s more about how it happens that keeps me glued to the screen. The show has built up all this anticipation that the entire episode keeps me wondering whether or not this is it. Does Liver have another trump card up his sleeve? Or does Bulat have another special ability he hasn’t unleashed? The action is just nonstop for the entire episode and it’s hard to say when the end is really the end. Although the Imperial Arms for both Liver and Nyau weren’t exactly game-changing, it’s still interesting to learn where they came from. I like hearing about the history behind the Imperial Arms and the mythical creatures that they were forged from.

    Finally! Tatsumi gets an Imperial Arms to himself! Unfortunately, it came at the expense of Bulat’s life, but I’d like to think of it as his final gift for Tatsumi to carry out the duties of a Night Raid member. Bulat was not exactly the most original cast member, but definitely memorable and quirky in his own ways. He was straightforward and a true role model for Tatsumi. He really was like a brother to him and I think seeing him go is going to take a toll on Tatsumi’s attitude towards Esdeath’s gang. Although the shock factor wasn’t really present (compared to Sheele’s), seeing Bulat slowly suffer but still encourage Tatsumi to use his Imperial Arms was a bittersweet moment. Looking back, I wouldn’t have expected Tatsumi to inherit Incursio, but that’s why I love Akame ga Kill. I appreciate how even eight episodes in, there are still dimensions of this show that surprises me. Maybe not wow me but at least it’s not entirely obvious. Of course, I knew that after summoning Incursio would mean that this is Tatsumi’s Imperial Arms now. I wonder how the suit is going to impact his abilities now. Seems really OP, but then again, he is the main character.

    For Esdeath’s best men, I was a little disappointed by their Imperial Arms and how short-lived they were. Even Seryu (that b*tch!) is still around and what good is she? I’m sure to some extent, everyone in Esdeath’s camp is considered psychotic so I don’t feel bad, but I would’ve liked to see such powerful character be used for a longer period of time. Nyau was kind of just there… and then he’s not. Some people might not even know why he’s so evil and what he does to his victims. As an FYI – it looks like Nyau collects their faces after tearing them off his victims. Next week, I think it’s finally about time that we see Esdeath a little more closely and who she picks to recruit into her inner circle. Kurome has been confirmed to be Akame’s sister as well – and she’s very much alive to my surprise! I’m not familiar with any of the other faces in the preview, but with all the massive killings, it’s about time they introduce new characters again. I think it’s hard for anyone to get attached to characters in this series if they’re going to keep massacring them all. It feels like between all the mass killings, there needs to be a cool-down period to introduce more characters… to get killed off later…

    Bottom Line – @RCCherrie: Nooooo…!!! Even though I saw it coming it’s still sad when someone goes =( #AkamegaKill #akame_anime

     

    Preview

    August 25, 2014 at 5:02 pm Comments (74)

    « Older Posts